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Wow! Great infooo for under 2 mins!! Thanks bro, it helps me a lot really

Waiting for my ES 355 IBG 1959! A beast to complete the collection! Need the skills now

Thank you haha I’ll shoot you a subscribe and test my luck however I’ve never won a giveaway before🤞

Our band was called Right of Forty. I hated it.

Contest link: www.sweetwater.com/shop/namm-house/?nucat=1

Haven’t had to cross this bridge in my band and hopeful that it never comes to that, but appreciate your insights on it to try to insulate ourselves from bad outcomes. Every band is going to end at some point (except maybe KISS😂) might as well set expectations ahead of time so it’s smooth and without drama.

Cover band going on 3 years together. We rehearse every Tuesday and Thursday except when band members are out. We're also constantly adding new songs, and we often put our own twist on songs.

Hahaha

“Misalignment of ambitions” is a great way to put it.

John Mayer is a wonderful amazing guitar player....and this from a Dead fan. Clapton called him the 'best guitar player he's heard. I'm no fan of Mayer the person and not a real follower of his music but seeing him live turned my head. You should check that out first before saying he doesn't belong on the list at all?? What?? Yikes.

I’ve tried a few of here speakers and other than the RCF Evox 12, none of them really do the job from a live band in a club situation (IMO) but I have not had a chance to try these. I am a QSC fan. In fact, I have my entire system built around the KW series and love it 90% a time I’ve gotten to the point where I only bring out 118 to most of the rooms as it does the job with the tops and the sub centered, only larger rooms. Do I bring up the second 18 and it knocks your head off

I pulled the trigger on this today. Can't wait. Moving from full sized X32 to this. One caveat, i already have an s16 snake, so makes this much more viable.

QSC 6 year warranty beats all other line arrays except Yamaha's 7 year.

Sounds like they’re coming for the Bose Pro 32. I’d be interested to hear a comparison

Oh great another line array. 🙄

If the Rockman has the chorus and reverb of the OG box I'm all over it

Decent review for 60 seconds! Would like to have heard samples, but I think we all know what the effects do, and you covered everything informatively; I’m a bit shocked the Sentry NoiseGate is included-that pedal alone is $170

Hahahahahahah!!!! Made my day

new m32 midas? they just dropped the price by $1000

If you say yes to a no pay gig, you value yourself at no pay. You don't value your own time, the equipment you're having to bring, any of it. Have at least that much confidence in yourself, if you don't, just stay at home. And for the people not accepting no pay gigs, always ask for more, always counter at least once. Everything went up, if people were paying 250 to 400 before they need to be doling out 400 to 800 now. Too many venues have NO EQUIPMENT and expect a full band to show up with everything for 250, that's a joke. You can barely rent a full band worth of PA for 250 these days.

I’d like to see if the Maestro can be midi triggered off of Stagetraxx3, basically to automate Blackouts and Starts and Stop just as the set is rolling through

JBL PRX One's - 2000 watt column array system retailed for ~ $1800, so the price of the QSC's is not far off at all. I've been enjoying my PRX One's for over a year! Remember that Watts as posted on stickers on the front of speakers are 'marketing watts' - the amplifier is capable of producing that amount of power (MAX) , sometimes right before the whole unit eats itself alive depending on the brand. JBL's new SRX line-array units are marketed/rated at 900 Watts, because they are marketing to the professionals, a similar box by a cheaper brand would post the unit's Peak/max rating as the 'watts' for the unit... I'm looking forward to hearing them in person, for sure. Hope I'll see you at the NAMM show again this year!

Maestro arrived a few days ago, just had a chance to set it up with all my lights for the 1st time. definitely a game-changer! going all-in with this setup, so much better than my attempts to program. super interested in DAW control, to automate those changes you might do with a MIDI foot pedal, but from the backing tracks directly. wow what a cool device, and seems like it continues to improve and just curious for a full show, how many total cues are you setting up? changing cues per song? or per part of song?

$100 a man? Where?? 😂😂😂

It’s definitely worth it for the sake of the WIFI signal alone. Behringer is really a pain in the ass here. Save more money and get the A&H console!

It would be pretty cool if you guys can get a videographer on the pod

1200 down 1100

I think Rolling Stone has gone woke

gracias !!

Debating between this and CQ18T which I do have already but need another desk. Does it have integrated wifi? From what I see it doesn't. I know the XR18 does and it was unusable but the CQ18T does have decent wifi and bluetooth connectivity so would save a bit of set up time., and I don't need as many channels as the Wing offers so wondering if there's anything else on it I'd miss out on, I think it has pitch correction built in which might be helpful. Seeing the physical size would also be useful.

Curious about just how useful is the front panel interface vs just using an iPad, and also, does it have the same software/UI as X-series or is it new (better)?

You're a copy band using tracks. Your major artist references are laughable.

Can behringer please make a 2 x Dsub output card? The only thing stopping me from buying a Wing is the inaffordable ability to hook up to my Neve summing mixer.

I own 6 Epiphones and love all of them I have 4 lps and actually like the way the cheaper standards feel better than the custom or pro go figure 🤣Godbless great video 🙏

Hi. Great video. Which lockable microphone boom are you using for this on-stage GPA?. The original one is a "bendable" arm, which does not inspire me long-term reliability. I believe you replaced what is coming in the box. Thanks

Sound bad on phone

I'm a sound guy, stage, what ever in live entertainment and a musician, guitarist. Guitar or Bass. I was working a Doo Wop show a couple of months ago and I saw that one of the guitarist has an Inspired By Gibson 339. I had been considering buying one of these. He was sitting out before the next to last act that had their own guitarist and I was over on stage right to fly a curtain in and had seen these guitars. the 339 caught my eye. So I asked him, Do yo like that Epiphone 339. I was wondering about them. He said yes I love it. He then showed me a custom shop Gibson les paul he had on the boat. He said you see this, I said yes it's beautiful. Had great flame and then said I have been playing that Epiphone since I bought and comparing it to this custom shop and to be honest, I like this 339 better than a that custom shop Gibson. He was an older gentleman as I am that grew up in the 60's and started rocking in the 70's .

Thank you, Adam and Dan, for allowing the Tone Merchants to be part of your amazing podcast. Your wisdom and advice have impacted our marketing plans for the band. I wish you continued success in the new year!

I am SO glad I came across your channel! I can see what is going wrong in my current band and what I need to do with future projects. Thank you so much for all the input and good information. Looking forward to more!

It would be nice to know what bands the hosts are in? Any social media links?

This is great! Thanks for making stuff like this. Would love to see more in the future. We are a very active band and would love to be a part of this. Been playing in North Florida for 9 years and trying so many ways to market but still not hitting the marks we want. Good Job Yall!!

Really appreciate this kind of content! Thank you.

Great perspective. Thanks to the guys in Tone Merchants for being open about it. I'd be curious to know if ALL the band members are responsible/accountable for certain tasks? I find that one or two members try to do it all with other members are watching from the sidelines.

I write original stuff, but I'm lazy about producing it and promoting it. I wouldn't mind doing it if I had a team that worked for percentage of royalties. But, or course, everyone wants money upfront. So I do DIY and release songs once in blue moon, and put little effort into promoting it.

How do you feel as far at the rack being a main staple in your studio. Do you think mixing a song with this will be easy?

I bought one and spent hours trying to get it playable. I ended up changing the tuners and spending forever on the action. Once I finished it is a half decent guitar.