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Wow, thank you very much for your support and comments, please stay tuned 🙏 Best. Al.

K&F concept adapter Konica to Fujifilm, can find it on Amazon or eBay

Awesome! Thank you very much! 🙏

🙏❤️

Thank you very much 🙏

Thanks for your comment 🙏

Thanks a lot 🙏

Muchas Gracias, me alegra que te haya gustado, te invito a ver mi contenido de España y demás. Saludos. Alberto.

Sure, std chrome -1 color, wb Kelvin warm to avoid extra blues from beach light, & By -1/3 exposure for the b&w 👋🏻

Thanks for your comments and support 🙏 really appreciate it 👍

Thank you very much 🙏 really appreciate it

Hola, por nada, puedes usarlo en auto iso por ejemplo para foto callejera, en ese video en concreto asi lo hice para demostrar ese tema en particular, deje mi apertura en f/8 y mi velocidad en 1/250 ó 1/500 de esta manera el enfoque lo deje en manual habiendo fijado una zona de enfoque entre 1.5 m y el infinito, asi solo encuadro y capturo sin mover nada, la camara decide el iso acorde a mi apertura y velocidad, si hay demasiada luz para el auto iso que pongo entre 200 y 1600 ó hasta 3200, únicamente subo mis dedos al dial de velocidad y la incremento uno ó dos pasos de inmediato. La opción que normalmente manejo es iso fijo en un preset en 800 y 1600 ó 3200 en otro con una apertura de f/8 que me da una gran profundidad con el lente 16 ó el 18. de esta manera controlo totalmente la exposición ya sea mas ó menos luz dependiendo el resultado que deseo obtener, estos numeros iso me dan siempre velocidades de entre 250 y 4000 asi me olvido del autofocus y solo me concentro en la composición y la cantidad de luz que deseo en mi imagen, cuando trabajo en mis paisajes, siempre uso tripie iso 200 a 400 f/8 a f/11 max. y si hay mucha luz uso filtros de densidad neutra para hacer largas exposiciones, que suelo hacer mucho, el enfoque y todo en manual usando la guia de la camara para mi profundidad de campo que siempre cae con estos lentes entre 1m y el infinito en foco, nunca hago focus stacking, es un lio y realmente le sirve a quien no logra encontrar la hyperfocal osea en donde enfocar, con la guia en camara es muy sencillo y la asistencia de enfoque muestra todo lo que queda en foco. Cualquier duda aqui estoy. Saludos.

Gracias albri por tu respuesta me valió de mucho..encontrar la hiperfocal con la guía de cámara te refieres a la asistencia de enfoque .que se pone en color donde está a foco ..gracias

Hola, un gusto, asi es la asistencia de enfoque muestra lo que esta en foco dentro del cuadro. Saludos!

Thank you very much for your support, really appreciate it, welcome to the community!

Hola, ya casi no utilizo post producción pues solo lo hago con archivos raw en paisaje y cada vez menos, cuando tengo archivos raw los trabajo en Lr. Pero más bien lo que hago es variar el tipo de iluminación, x ejemplo a escena nublada, sombra ó tungsteno y demás, de esa manera la cámara me da temperaturas diferentes más cálido ó frió, ó tonos azules, verdes ó rojizos, eso partiendo de las simulaciones que cada una tiene sus variantes me da inmediatamente los tonos que busco sin tener que mover el balance de blancos y hacer pruebas. También en mis presets si te fijas, bajo el color -1 ó -2 así obtengo ese tipo de tonalidades cálidas ó frías sin post, cuando es gente siempre uso Ns que es igual a película de negativo, cuando son paisajes ó productos uso STD que es es igual a Provia en pelicula de positivo ó transparencia, aveces uso CC si es calle y mis Blanco y negro siempre lo hago en By ó Br, casi nunca cambio de color a ByN, no es igual y cuesta mucho trabajo dejarlos bien con archivos jpeg, en resumen trato de ya usar lo menos posible el retoque excepto para defectos de piel. Saludos y muchas gracias por participar 🙏

Es un placer, gracias por tu apoyo, cualquier duda aquí estoy, Saludos!

Many thanks! 🙏

Thanks for your support and watching 🙏

Glad you like them! Thanks a lot 🙏🏼 your support encourages me to keep on working, improving my channel and creating videos, Best. Al.

Hola, muchas Gracias, use la simulación de Ns, negative soft, es prácticamente igual a una película de negativo de Fuji que use x muchos años para retrato, al mismo tiempo puse -1 a color para desaturar más los tonos, use mi 18 mm en manual con f/8 y auto ISO con base 200 y tope 3200, Saludos 🙏🏼

También utilicé la simulación de STD Chrome que está basada en la película de transparencia de Provia, también -1 en color para desaturar los colores un poco, la diferencia la verás en qué esta última tiene color más saturado y mayor definición, es exactamente la misma diferencia real entre película de negativo y positivo ó transparencia, la foto del restaurante con coches y panorámicas es STD Chrome y las de gente son NS, en cuanto a blanco y negro es la simulación BW y ( filtro amarillo) con +1 en sombra y +1 en luz para cuando hay nubes uso BW r ( filtro rojo ) para obscurecer los tonos azules y mayor contraste

Thank you very much 🙏

Sorry for the delay comments where blocked, just realised that, I used the Ns simulation mode which is basically the negative film from Fuji I use to use for years, then I place -1 in color, auto ISO base 400 top 3200 to soften the sharpness, that was the main difference from slide film and negative film, try using center weight measure to only affect what's in the centre, it gradually over or under exposes the rest of the image giving a sort of vignetting 🙏

The vibrant images where shot with the simulation std chrome which is based on the provia slide film & as well I do -1 in colour to give the impression of soft 800 ISO slide film

@@alcabriphotography thank you so much!!

My pleasure!

Sorry for the delay, comments where off, just noticed. Both lenses are very sharp, main difference is that the Konica has a softer bokhe and the coating is different so it enhances the film look of the simulation modes, when shooting with it jpegs are identical from a scanned film, when doing portraits I use simulation Ns, negative soft - 1 or -2 in color, once I print it's just like looking at a print from a negative, I use ISO 400 or 800 to get a bit of grain and soften people's skin, saving hours of post process and give the prints a soft dreamy look, I love this lens and it's been with me for ages 🙏

@@alcabriphotography Thank you for the thorough reply. I am getting one.

Great, I´m sure you'll love it, please do let me know what you think of it once you´ve tried it, Best!

@@alcabriphotography I am loving this lens already. I learned of this lens through your video. Thank you very much for sharing.

@@alcabriphotography By the way, I am using X-T1.

Exactly! Thanks for sharing 🙏 sorry for the delay, comments where off, just noticed 😔

Thank you very much 🙏😊 sorry for the delay comments where off 😔

Good choice! I'm sure you'll love it, that sensor really is different, please do let me know what you think of it 🙏

Thanks a lot for your support and comments 🙏

Glad it was helpful! Thanks for watching, no worries about the pixel / format war game. You can print a billboard out of your xt4 with confidence, I have with my xe2 and xpro2 16&24 MP and the costumers where blown away from the quality, as for the samples I shared in the video, I often print those sizes for customers and they are big for any home, billboards are printed in 60 MP and sometimes less, posters usually at 100 mp & the images you saw where at 150 mp, I realised that 20 years ago when shooting commercially with a 6 MP Nikon, best and don't hesitate to contact me when you need, I'm so sorry for the delay, Best 🙏

Sure, actually that's why I use Fuji and have been working with it for the past 10 years, I was married to Nikon wasn't sure about swapping, when I got the XE2 I couldn't believe the results, I was instantly transported to my film shooting days 30+ years ago, I got the XE2 plus the 18-55 and sold all Nikon stuff I had, then ordered an xpro2 a 27mm and a 56 mm for portraits and use a couple of Konica old lenses I love w an adapter, that's all I've used for all my photography for the past 8 years and I'm not planning on changing anything, I'm very happy to have swapped from bulky stuff that started killing my back, Best and sorry for the delay 🙏

Great to know it! My pleasure, happy to be of help George, thank you for watching 🙏🏼

Thank you very much, a pleasure to hear it, really appreciate it.

Hi, no I didn't use a gimbal, video was shot with GoPro Hero black 7 using its image stabilization, the pictures where shot handheld with my XE2 & the Fujinon 18-55 mm.

Think so? That's an honour, thanks 👍

So true, thanks for your comment, happy shooting!

Thank you very much!

Great Alex, I'm sure you'll love it! Happy Shooting and thanks for your comments, you're welcome to check out my other videos where you can see some results of it. Best regards.

It sure is, I love it, I'm sure it'll be a solid pick for years to come. Thanks for your comment. Happy Shooting. Best regards.

Totally agree with you, there really isn't a need for XE4 I'd only change it when it's done working and by the looks of it, it still has years to go I've 3 Instagram profiles you may find a link to the others at @alcabri_art Thanks for stopping by and your comments, really appreciate it

Awesome, you'll love it, let me know 👍🏼✌🏼

I Don't use It for video although yes you can obtain nice results, seen some guys using it for their channel and blogging onto a gimbal.

Hello Walter, Thank you very much for your feedback and comment, really appreciate it.

Thank you Walter !

Thanks a lot 👍🏼✌🏼

Hello Mya, in order to use high speed synch you need a trigger and compatible off camera flash both being capable of it, not every flash nor trigger have this feature included, must be dedicated or compatible with Fujifilm. Thanks for watching my channel 🙏🏻

@@alcabriphotography Does this trigger in this video allow hss with the x-e2?

Hi there, thanks a lot, some times I add them, I'll try to get the information in next videos.

100% Agree, in my case moving to the X system has been a great joy, portability, light weight, size and image quality are a hard to beat combination, Thanks a lot for your comment, I'll be posting more material soon, hope you guys enjoy it.

Is there a difference in image quality between the xe2 vs the xe2s?

@@Djk0t Hello there, Not at all, there's different settings that make the difference and ease of use, Image quality as far as I know it's the same, thank you

cameraman655 quick question people claim that this camera the xe2 produces waxy scones tones. Did you notice any?

@@Djk0t Hello, No, I have not noticed anything weird on the colour or image quality at all, must say on the opposite side, Fujifilm colours are very accurate and film simulation mode a real joy.

Absolutely agree 👍🏼 thanks for sharing Andrei

Andrei Lofaro Yep , I got the x e2s with an OM Zuiko 28 mm , I love it .

Thank you very much, very simple to do, go to focusing mode, set to manual and pick an option to assist you , move the knob in camera front and you are ready to go

Manual focus is sweet, I've not so good eyes and have no issues at all.

Thank you very much, I am posting a new video with samples soon, my Mac falled and pased away, I'm setting up a new one. There is my Instagram account, Please visit for samples. Have a great weekend Alberto.

@@alcabriphotography thx you for answer! Are there any photos only from x-e2 in insta?

@@Icanhelpuanywayok there are samples from XE2 & XPRO2 as of my Fujifilm system, you will find samples of previous Nikon film & digital as I shot Nikon for 20 years, & Hasselblad 6x6 film

@@Icanhelpuanywayok each image has a caption stating the camera & lens used to capture, thank you.