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Si, todos los videos en los que toco el jHorn utilizo boquilla de trompa, la única cosa es que hay que llevar cuidado en que no se te caiga ya que va muy holgada.

"Indeed, a key change is a very interesting way to work on a concerto."

Hello Carlw, I have been playing the horn for over 40 years and I have done a wide variety of routines. There are times when I have played the Technicor a lot, just as Bourgue advises (daily practice of all the technical modes of the instrument). Sometimes I only play scales and arpeggios. Other times I only play natural harmonics and/or I combine them with long notes, attacks, intervals, pedals, etc. I really like playing Kopprasch's etudes. I don't have a fixed routine, but it is true that I play every day at home, even if I have a rehearsal or concert.

@@ferranfrenchhorn Great, thanks for the reply! Yes, I have soooo many books and techniques but I don't like all of them or they don' work for me. These ones seem to resonate with me but I too have a hard time staying on one. I was using Teuber only for quite a while which I now use with yours. So I tried that Paxman 4A, didn't work for me on my Geyer/Knopf. Tried the #3 rim with it, still...takes getting used to . I've been using a customization of the JK 2EM with Bloom +0.03" rim and that has worked great. I guess the muscles are used to that for now. Yes, I am a gearhead, why? :)

"Indeed, with regular and efficient practice, the muscles get used to a mouthpiece with characteristics suited to what the musician needs. Once, a friend told me that when you start obsessively trying different mouthpieces, 'You've entered the jungle.'"

​@@ferranfrenchhorn 😢😢 I've entered the jungle.

I don't know exactly what problem you have, but I think you should play this piece very slowly and, with the help of the metronome, speed up the tempo.

@@georgH Si, un plaer tocar-la. Gràcies pel comentari

Yes, in GarageBand software

I have all the accompaniments for the first two methods of M. Alphonse done, and I wanted to continue with the other books, but as I have seen that there has been no success with these works I am not going to continue doing them.

Muchas gracias por tu comentario.

What a nice surprise to read your words. Alec Wilder has written a lot of music and it really deserves to be performed more. I have only just discovered this sonata this September and I am having a great time playing it. Today I still have to record the third and fourth movements. Thank you for your comment, a very special comment.

@@ferranfrenchhorn I am warmly touched by your reply. Thank you. I truly admire your work on behalf of Horn players. Please see: Alec Wilder: Sonata #3 John Barrows and Tait Barrows. Tait Barrows was John Barrows' wife. ruclips.net/video/Z9uCYoLVDQI/видео.html Harvey Phillips, tuba John Barrows, horn SIDE ONE (Sonata For French Horn, Tuba and Piano / Alec Wilder) ruclips.net/video/PT3wbU7eQPY/видео.html SIDE TWO (Serenade No. 12 For Solo Tuba / persichetti; Elegie For Horn / Poulenc; Romance / Scriabin) ruclips.net/video/2sR34hvYALM/видео.html Alec Wilder - Conversation Piece ("Jazz Suite") for Horns and Harpsichord • Horn players are Jim Buffington, John Barrows, Ray Alonge, and Gunther Schuller. Stan Freeman on harpsichord--rest of the rhythm section is not listed. ruclips.net/video/cuOlzTbihFg/видео.html. .Through Mr. Barrows, I got to know the Horn players on this recording. BTW, Jim Buffington was Mr. Barrows "right hand man". Gunther Schuller was in the Metropolitan Opera Orchestra. And when Mr. Barrows was on tour, I studied with Ray Alonge and after Mr. Barrows became Professor at the University of Wisconsin, I further studied with Mr. Alonge (who was a student of Lorenzo Sansone. Additionally, I had 4 hours of lessons with Mr. Sansone and have a Sansone double horn).

Wow! So much information. I'll write it down and check it out. Thank you so much for your comment.

I guess it's up to the editors...

​@@ferranfrenchhorn Yes, strange. I have the same issue with Kopprasch.

If you tell me the American numbering of these studies I could try to fix this situation...

@@fluteskrillex78 Yes, it could be done and it would be a good exercise for the trombone.

This book contains fairly high level studies, there are only twelve of them, so there isn't much progression.

Yes, I have to admit that you are right, but it is too fast for me to do it better, my tongue is slow...

​@@ferranfrenchhorn I tried it just now...I'm not sure what you're supposed to do! It's really fast!

All of Cugnot's studies have metronomic numbering, so I have scrupulously respected it, but I would lower the tempo a little and then the dots would be better.

Well, you'll end up playing it, of course.

An edition for students of the University of Southern, California. From 1994.

?

I only know this excerpt

@@수현-i4g5n you're welcome

El primero supongo

Hello, yes of course, I think it is my ideal horn, very versatile and noble.

Hello, I have a trombonist friend who sometimes plays his jHorn and his mouthpiece does fit, but only the small caliber ones.

@@ferranfrenchhorn do you know what specific sizes by chance?

possibly a Courtois TB11 or TA11, but they tell me that it only fits a few millimeters into the leadpipe...

@@ferranfrenchhorn where there is a poor college student who grew up in a small town there is a redneck answer to that problem.

I catch him, dude

Спасибо за ваши слова, бороться за красоту очень благородно.

Thank you for your comments and for watching (and listening to) my videos.

This is not a Geyer-Knopf horn, it is a simple Bb horn.

You're welcome, it's a pleasure to share my experiences

You're welcome, it's a pleasure to make these videos and share them.

You're welcome, it's a pleasure to do these exercises, I also do them to motivate myself ;P

Да, нам нужно потренироваться в высоких нотах, они сложны, но очень красивы на валторне.

Thank you Mr. Harrington, it's a pleasure to meet you.

Yes, indeed, depending on the level of the performer, speed changes are very valuable for studying.

Да, красивая музыка, спасибо.

Музыка Телемана прекрасна, но слишком коротка.

Спасибо большое, я думаю хороший звук важен.