Digital Cinema Society
Digital Cinema Society
  • Видео 641
  • Просмотров 48 221
DCS Road Test: Godox KNOWLED MG1200Bi
In this short film by DCS Founder James Mathers, three Cinematographers evaluate the Godox KNOWLED MG1200Bi in real world situations that they encounter in their diverse types of camera work. Featured are Cameron Cannon, who shoots many high-end celebrity interviews for movie promos, Brad Haskell, a Gaffer and Camera Operator who owns and operates a small G&E mobile package, and Enrique Del Rio, who specializes in High-Speed cinematography as well as operating Steadicam.
The interviews and BTS coverage were all shot with SIGMA lenses on Panasonic Varicam and Lumix cameras. The high-speed demo was photographed with an Infinity Photo-Optical TS-160 Macro lens system on a Vision Research Phan...
Просмотров: 58

Видео

Michael Cioni Introduces Strada at the 2024 DCS Focus On Post
Просмотров 4921 день назад
In this presentation from the 2024 DCS Focus On Post event held November 23rd at ARRI, Burbank, Michael Cioni introduces Strada, a start he has founded with his brother Peter aiming to improve post production workflows by leveraging cloud and AI technologies.
Michael Krulik Gives an Update on Avid's Media Composer and AI at the 2024 DCS Focus On Post
Просмотров 4021 день назад
Avid's Michael Krulik shares the latest updates to Media Composer and the many ways they are leveraging AI to speed up and improve editorial workflows. The presentation was given as part of the 2024 DCS Focus on Post event held November 23rd at ARRI, Burbank.
Sam Restivo, Editor on Gladiator II and Napoleon Interviewed by James Mathers @ DCS Focus On Post
Просмотров 3121 день назад
James Mathers sits down with his longtime friend Sam Restivo who went from assisting and cutting smaller Indie movies to become one of Ridley Scott's editors and cutting on major motion picture such as Gladiator II and Napoleon. The interview was recorded as part of the 2024 DCS Focus on Post event which took place November 23d at ARRI, Burbank.
Adobe's Karl Soule Explains How AI is Being Implemented to Improve Premiere Pro plus an Update o...
Просмотров 7121 день назад
Adobe's Karl Soule presents the latest Adobe Premiere Pro tools and how AI is being implemented to speed up creative workflows for professionals. Karl also gives an update on Adobe Firefly and how generative AI cab aid editors and filmmakers. The presentation was given as part of the 2024 DCS Focus on Post event held November 23rd at ARRI, Burbank.
Mary Plummer of Blackmagic Design Presents New AI Update to DaVinici Resolve and Fairlight Audio
Просмотров 27021 день назад
Mary Plummer of Blackmagic Design presents the many enhanced Fairlight audio features in DaVinci Resolve 19.1 including native AI based Track FX, IntelliTrack AI based point tracker for audio panning to video, built in EQ with realtime analysis, improved automation and sidechain processing, plus editing by transcription, and new immersive audio workflows. The presentation was given as part of t...
Shawn McDaniel and Derek Johnson Demo the Latest Features of Frame.io including Camera To Cloud
Просмотров 2421 день назад
Shawn McDaniel and Derek Johnson give a demo on the latest features included in Version 4 of Adobe's Frame.io for collaborative and camera to cloud workflows. The presentation was given as part of the 2024 DCS Focus on Post event held November 23rd at ARRI, Burbank.
Jon Hoeg Presents the Latest from OWC at the 2024 DCS Focus On Post Event
Просмотров 8321 день назад
Jon Hoeg Presents the latest from OWC, including not only memory cards for cameras, but super fast drives and RAIDs to handle today's higher resolution capture and, JellyFish NAS collaborative storage solutions, plus docks and connectivity, and internal storage and memory to help our computers adapt to the latest standards, all at the 2024 DCS Focus On Post Event.
DCS Cine Lens Day - A Panel On Anamorphic Cinematography Moderated by Jay Holben
Просмотров 2921 день назад
This panel explores the world of Anamorphic Cinematography. Moderated by Jay Holben, an industry leading lens expert who is also a Producer, Director, ASC Associate Member and co-author of The Cine Lens Manual. Jay is joined on the panel by lens provider representatives including Thomas Rose for Panavision, Chris D’Anna for Cooke Optics, Dan Kanes for Atlas Lens Co., and Sean Ruggeri for Laowa....
Perfection vs Character in Cinema Lenses - A Panel Discussion from DCS Cinema Lens Day 2024
Просмотров 5321 день назад
In this panel moderated by Cine Lens expert Matthew Duclos of Duclos Lenses, representatives from top lens manufacturers discuss their company's approach to lens design and how they try to find the optimal balance between optical perfection an character. Panelists include Tim Smith of Angénieux Americas, Chris D'Anna of Cooke Optics, Art Adams of ARRI Americas, and Jean-Marc Bouchut of ZEISS Am...
For The Love of Zooms - A Panel From DCS Cine Lens Day 2024 Moderated by James Mathers
Просмотров 2421 день назад
As part of DCS Cine Lens Day 2024 this panel, hosted by Cinematographer and DCS Founder, James Mathers explores the history, best use cases, and future of cine zoom lenses with some of the top manufacturers in the field. Panelists include: -Miles Shozuya for Fujinon, -Tim Smith for Angenieux -David Doko for Canon -Jeremy Lynn for DZOFILM -Jorge Jimenez for SIGMA -Jean-Marc Bouchut for ZEISS The...
Lenses for Micro/Macro Cinematography - A Panel Discussion from the 2024 DCS Cine Lens Day
Просмотров 2421 день назад
This panel, moderated by Cinematographer Enrique Del Rio, explores the world of Micro and Macro cinematography as part of the 2024 DCS Cine Lens Day held on November 9th at Dynamic Rentals in Burbank, CA. Featured panelists include Ed Stamm from Infinity Photo-Optical and Sean Ruggeri from Laowa.
The Importance of Lens Metadata - David Warner of ZEISS is Interviewed by James Mathers at DCS 2...
Просмотров 1721 день назад
James Mathers sits down with David Warner from ZEISS as part of the 2024 DCS Cine Lens Day held November 9th at Dynamic Rentals in Burbank, CA. They discuss the importance of collecting lens metadata as a critical link between production and post, as well as it being an aid in marrying VFX with CGI, and for use in Virtual Production.
DPP, the Dynamic Rentals Partnership Program presented by Tom Jay Smith at the DCS 2024 Cine Len...
Просмотров 821 день назад
As part of the 2024 DCS Cine Lens day which took place on November 9th at Dynamic Rentals in Burbank, CA, we had a special presentation from Dynamic's CEO Tom Jay Smith introducing a unique new way to invest in high-end cinema gear known as the Dynamic Rentals Partnership Program, (DPP).
An Interview with Jay Margolis - Lens Inventor and CEO of Infinity Photo-Optical
Просмотров 1521 день назад
As part of the DCS 2024 Lens Day, James Mathers had a chance to sit down for a special bonus interview with Jay Margolis, the CEO of the company and inventor of the Infinity Photo-Optical lenses. They discuss Micro/Macro lens design and the potential benefits of shooting with maximum depth of field. This interview was recorded in the lead up to the event which took place at Dynamic Rentals in B...
Three Cinematographers Share Their Experiences Using ARRI Ensō Primes @ DCS 2024 Lens Day
Просмотров 5621 день назад
Three Cinematographers Share Their Experiences Using ARRI Ensō Primes @ DCS 2024 Lens Day
DCS Cine Lens Day - Lens Mounts - A Panel Moderated by Matthew Duclos
Просмотров 2421 день назад
DCS Cine Lens Day - Lens Mounts - A Panel Moderated by Matthew Duclos
Growing Sensor Sizes from Both the Manufacturers' and Buyers' POV from DCS 2024 Cine Lens Day
Просмотров 1421 день назад
Growing Sensor Sizes from Both the Manufacturers' and Buyers' POV from DCS 2024 Cine Lens Day
Garrett Brown, Inventor of the Steadicam In First Episode of DCS Series on the Language of Camer...
Просмотров 2383 месяца назад
Garrett Brown, Inventor of the Steadicam In First Episode of DCS Series on the Language of Camer...
DCS @ Cine Gear Expo 2024 - Focus On Cine Lenses from the Buyer's POV, A Panel Discussion
Просмотров 926 месяцев назад
DCS @ Cine Gear Expo 2024 - Focus On Cine Lenses from the Buyer's POV, A Panel Discussion
DCS @ Cine Gear Expo 2024 - Fujifilm
Просмотров 316 месяцев назад
DCS @ Cine Gear Expo 2024 - Fujifilm
DCS @ Cine Gear Expo 2024 - ZEISS
Просмотров 576 месяцев назад
DCS @ Cine Gear Expo 2024 - ZEISS
DCS @ Cine Gear Expo 2024 - RatPac Controls
Просмотров 206 месяцев назад
DCS @ Cine Gear Expo 2024 - RatPac Controls
DCS @ Cine Gear 2024 - Leitz Cine
Просмотров 326 месяцев назад
DCS @ Cine Gear 2024 - Leitz Cine
DCS @ Cine Gear 2024 - SIGMA
Просмотров 756 месяцев назад
DCS @ Cine Gear 2024 - SIGMA
DCS @ Cine Gear Expo 2024 - Rosco Lighting
Просмотров 576 месяцев назад
DCS @ Cine Gear Expo 2024 - Rosco Lighting
DCS @ Cine Gear Expo 2024 - Jagoteq
Просмотров 176 месяцев назад
DCS @ Cine Gear Expo 2024 - Jagoteq
DCS @ Cine Gear Expo 2024 - ARRI Hi-5 SX
Просмотров 206 месяцев назад
DCS @ Cine Gear Expo 2024 - ARRI Hi-5 SX
DCS @ Cine Gear Expo 2024 - Atlas Lens Company
Просмотров 566 месяцев назад
DCS @ Cine Gear Expo 2024 - Atlas Lens Company
DCS @ Cine Gear 2024 - Dedolight California
Просмотров 286 месяцев назад
DCS @ Cine Gear 2024 - Dedolight California

Комментарии

  • @Omugah
    @Omugah 3 дня назад

    Legend

  • @tideon4704
    @tideon4704 17 дней назад

    One of the issues is that Mary isn't let the audio examples play long enough for our ear to figure out what we are trying to hear, and also she talks over the audio to quickly, we can't follow what she is trying to show us. Most of her examples, I can't hone in on what she is trying to show.

    • @DigitalCinemaSociety
      @DigitalCinemaSociety 14 дней назад

      Apologies to Mary and the online viewers; there was a tech snafu where we lost the audio for her internal recording of the presentation. The sound in the room, (not going through the board,) was OK for the audience, but not good enough quality from the on-camera mics to judge, which is why it was cut short.

  • @BIRDCHECKBRASIL
    @BIRDCHECKBRASIL Месяц назад

    Garret Brown, legend !!!

  • @CarletonTorpin
    @CarletonTorpin 2 месяца назад

    What a wonderful human. Ingenious, kind, and intelligent.

  • @GlobalShutterNY
    @GlobalShutterNY 3 месяца назад

    Fantastic master class in the Moving Camera- Thank you for the lesson (and for the Steadicam!)

  • @steadiman25
    @steadiman25 4 месяца назад

    😁😁😁😁😁👍👍👍👍👍⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐

  • @daylight5500
    @daylight5500 5 месяцев назад

    Half a Century, Baby! Many Happy returns.

  • @cin8films
    @cin8films 7 месяцев назад

    Thanks for this video James. I was not able to make it out to CineGear this year so I appreciate this interview.

  • @MIDIGrade
    @MIDIGrade 8 месяцев назад

    A heart warming interaction. Thank you for the great interview! I'm still relying on Wave and gyros. Introducing pan motors might finally do it for me so I'm really looking forward to testing it out.

  • @6wingsfilmstudio319
    @6wingsfilmstudio319 8 месяцев назад

    ❤❤❤❤🎉🎉🎉🎉

  • @goddyab
    @goddyab 8 месяцев назад

    The Legend Himselve, Thank you, every time i bow to pick up my Rig/SLED, i say thank you for this master piece and amazing inovation thaat keep coming, happy 50th Birthday

  • @reticulan5
    @reticulan5 8 месяцев назад

    Still no S1H2 or S2H

  • @juliusvalentinas
    @juliusvalentinas 2 года назад

    What was workinf fine in v5.1 Cortex now scans full range if you test v5.4, they do not answer emails. Have they got any real clients with such support? 15000$ for this kind of support?

    • @MTIFilm
      @MTIFilm 2 года назад

      We're so sorry to read that you didn't receive the support you needed! Please call us directly at +1 323 465 6478 so we can either get your issues resolved (if they haven't already been).

  • @chronicoverland2734
    @chronicoverland2734 4 года назад

    Jaymie can hold her ground.

  • @blackicestudios
    @blackicestudios 4 года назад

    what's the price of these ?

    • @blackicestudios
      @blackicestudios 4 года назад

      @Dave Docimo already in production and shipping ?

    • @blackicestudios
      @blackicestudios 4 года назад

      @Dave Docimo yup. which is why i'm asking about it. Cost saving avenues galore. An M40 with ballast is around 20K anyway .... The REFLEX claims 6K output ... would love to see it in operation.

  • @GermanDisla
    @GermanDisla 4 года назад

    Fiilex should be a household name for everyone in lighting, they’re really pushing technology in the LED space. Can’t wait to get my hands on one some day for my shoots.

  • @ProfessaJ
    @ProfessaJ 4 года назад

    omg

  • @AlexArdenti
    @AlexArdenti 4 года назад

    Great video. Thank you!

  • @MuwexTech
    @MuwexTech 5 лет назад

    It should have been RF mount.

  • @dcd6115
    @dcd6115 5 лет назад

    It’s a “wish list of everything filmmakers want”. Where is the interval mode? Even their C200 can shoot timelapse. I think it’s a big mistake not giving this camera timelapse capabilities.

  • @AceHardy
    @AceHardy 5 лет назад

    🎬🎥

  • @rivieramayagaffer
    @rivieramayagaffer 5 лет назад

    Where are these guys? I want a couple of these to replace M40's and up...

  • @brmoogma
    @brmoogma 5 лет назад

    ...and the G2 is still not available.....

  • @walidhoyek
    @walidhoyek 8 лет назад

    This is a dream come true, I only know about ACES just recently, what I didn't quite understand is, would ACES be a software to download or a hardware that one can buy and connect it to cameras, I went to the website but seems confusing and a bit hard for me to comprehend, regards.

    • @DigitalCinemaSociety
      @DigitalCinemaSociety 8 лет назад

      Yes, there is software of sorts in the form of a variety of Interchange Formats such as Input Transforms for different cameras you may be using, and Output Transforms to basically get everyone on the same page in regard to color no matter what system you're using, (as long as that manufacturer is working with ACES, and most are). To find out more, I would suggest you check out ACEScentral.com, a Filmmaker’s portal to all things ACES that was set up recently by the Academy. There are discussion forums with dozens of experienced members who check the boards regularly and have pledged to help new ACES users get started, as well as ACES Partners to offer guidance about how ACES plays with their products. Check it out at: www.ACESCentral.com Best, James Mathers

    • @walidhoyek
      @walidhoyek 8 лет назад

      well thank you very much James, I will do so definitely, have a nice day, Walid.

    • @stobenkin
      @stobenkin 8 лет назад

      Thanks for your question. Basically ACES is a way of approaching color and file management in your production and post production workflows. It is comprised of a set of SMPTE standards, best practices (when encoding, handling and viewing files) and sophisticated color science to help ensure that your project will maintain the highest color fidelity (and color consistency) possible, given the limits of the original source material. Typically, you encode into the ACES color space using software that already has the ACES color science 'build it' (i.e. it's a 'pull down' in the menu) and then you make sure to keep the material in ACES until you create your final deliverables. There a many benefits to ACES and you can find out more on ACEScentral.com. There are also links there to the AcademyACES RUclips channel. I encourage you to follow Jim's suggestion and sign up at ACEScentral.com (it's free), read a couple of the posts that are relevant for your situation and feel free to post questions, there are lots of people that can help you get started. Steve Tobenkin Marketing/Adoption Lead - ACES you can reach me on ACEScentral.com !

    • @walidhoyek
      @walidhoyek 8 лет назад

      Steven Tobenkin awesome,thank u so much Steven, really appreciate that:))

    • @stobenkin
      @stobenkin 8 лет назад

      See you on the ACEScentral.com forum!

  • @davidmthekidd
    @davidmthekidd 8 лет назад

    love it.

  • @ParisHolmesFilms
    @ParisHolmesFilms 8 лет назад

    This seemed to be the most interesting.

  • @DigitalCinemaSociety
    @DigitalCinemaSociety 8 лет назад

    Ryan Smith of K5600 presents their latest HMI fixtures as part of the Digital Cinema Society's 2016 Cinema Lighting Expo held February 20th at the IATSE Local 80 stage in Burbank, CA.

  • @giovannifacci
    @giovannifacci 9 лет назад

    Thanks!!! really informative

  • @StudioSolutions
    @StudioSolutions 9 лет назад

    Loved it. Can't get enough of these episodes. :-) So glad to see things done well.

  • @Bgroundfilms
    @Bgroundfilms 10 лет назад

    Wow.. Great demo.. I can't wait to get my hands in that New Vericam..