Видео

Yes it's true Paradigm 120H is a great speaker with a reasonable price for its capabilities.

They are on the recording without RP calibration. However, when working with e.g. TDAI-3400 it is a shock. The equipment then perfectly matches the speakers. I recommend such a combo.

At this price and this dynamics and a large number of color configurations, I predict incredible popularity for them. They work great with tube amplifiers. They will be satisfied with really low power, the sensitivity is high at 92 dB and the max SPL is 117 dB. The ones I present in the film still need to be warmed up. They can handle rooms up to 100 m2 without any problems. We did the test and I thought they would run out of steam, but they didn't even need a subwoofer for such a room.

@cmgaudiochannel Peter Lyngdorf is a very smart designer. And I think he should be congratulated for offering products that offer such high value. For that reason alone I hope they are a success🎶

Would these be any better than 2x JBL Ultimates in stereo?

@@LukeR1M Jbl Ultimate is a completely different device. Lyngdorf system will give you more details in music, space, sound will become holographic. I recommend tandem Lyngdorf 3400 + FR2.

No preamp. Only dac+amp.

@cmgaudiochannel what brand and model of amp?

@@richardleong3427 Dan D'Agostino Progression S350 - Amp dCS Bartók - Dac & Pre

@@cmgaudiochannel that's why it sound so good.

@@richardleong3427 The sound from the Dan D'Agostino Progression S350 is so good because it’s like sitting Beethoven, Daft Punk, and David Gilmour at one table and asking them to play a concert together - everyone gives their best, and the result is breathtaking. This is an amplifier that plays so cleanly you’ll not only hear every note but even catch the moment the guitarist took a deep breath or the drummer adjusted their sock. All thanks to engineering so precise that even NASA could probably learn a thing or two. It’s not just an amplifier - it’s a teleportation device to the recording studio! 😊

Na żywo jest znacznie lepiej. Pomimo moich starań przy procesie nagrywania tego materiału na żywo niestety nie daje to prawdziwego wglądu w nagranie, oraz trójwymiarowego obrazowania, tego co dzieje się w pokoju. Trzeba na żywo to usłyszeć.

Exactly. The Gryphon works great with the TAD speakers.

Price for amplifier + cd is 5400$

@ wow that’s impressive seems to be punching above its price level

@@louv4437 That's exactly how it is. Equipment that is little known and often underestimated. Anyone who hears how much this equipment costs is shocked. It should cost 3x as much.

@ have you ever heard the Music Fidelity MX8i integrated? I went into a store one time they had a pair of Magico A5’s that are great speakers every time I heard them but this was the best I ever heard them! There was a lot of high end amps in the middle when I asked which was playing he said the music Fidelity Mx8i which retails for about 8,000 us, I thought something around 25k was playing I could not believe it, not sure if it was just the room or what but I was blown away!

Dokładnie, jak byś tam był przyjacielu. Tak było, za dużo basu i średnicy, wysokie też ostro podbite. Wilson dlatego tak dobrze pasuje do wzmacniaczy lampowych np. VTL, CAT lub Audio Research.

@@cmgaudiochannel To jestem zaskoczony, myslalem ze wlasnie Wilson to bedzie ciezkie, pogrubione granie, na duze amerykanskie salony. I wlasnie pewnie bym w ciemno jakies levinsony czy krelle probowal podpinac, zamiast lamp typu ARC.

The bass is a little different. In Magico there is a little more in the range of 80-160Hz. As for the lower bass parts, the same TADs go down to 28Hz in my room. just like S3 mk3. However, the mid tones are TAD's advantage.

@ thanks for that great info, I’m not a fan of speakers that lean towards treble prefer the ones that naturally lean towards bass adding slight warmth to heavier music, with that said, do you think I would be happy with the TAD GE1? Thank you!

@louv4437 Try listening to Kharma speakers. There's nothing missing there. The higher the model, the better. Also consider the new Magico $5 and Wilson Audio Alexia V

@ thanks pal!!!

@ hey pal so you think Kharma sounds more even and a little more towards bass than Magico? Like if I went DB-11s ? Thank you!

The amplifier is the same as always Gryphon Essence. As for the TAD bass, they are getting warmer and warmer. Hence this change.

@cmgaudiochannel It's strange but over the years I've found that Japanese gear, both electronics & speakers, takes longer to fully break in. I wonder why? In fact I recall an Esoteric SACD player I purchased still noticeably improving well after a full year of ownership!

@@billarmstrong5568 Yes it's true. The Japanese need time.

Yesterday I recorded Billie Eilish and I was also shocked by how much bass there was and how wonderfully controlled it was. Maybe TADs will stay with me for longer. And Kharma speakers were to appear soon.

In fact, in the case of the Taiko server, there is a bit more bass. High and medium are similar.

You've hit the heart of the topic. It's exactly as you described.

Of course at near 50 thousand dollars it ought to be very, very good, no?

Nie zauważyłem. Za to była Diora i Unitra.

@@cmgaudiochannel Dziwne że się TONSIL nie wystawił..................

@@Mr747JumboJet YAMAHA też zignorowała tę imprezę.

It true.

Electronic - Aries Cerat + Kharma Speakers

@@cmgaudiochannel did they have any TAD speakers? I’d love to compare them both as they are sitting at the top of my shortlist.

@@mitchellburns92 Unfortunately, TAD was not at the show. I have a pair of GE-1's myself and it's true they are great.

Are they similar in sonic quality? I can’t unfortunately demo a pair of GE-1s. For my budget the Kharma Elegance series is where I would be aiming, the DB9s are priced similar to the GE-1s in Aus.

@@mitchellburns92 I'll write to you like this. The Kharma DB9 is the perfect choice for those looking for a warm, full sound that goes well with a variety of music genres and offers solid bass. The TAD GE-1, on the other hand, stands out for its exceptional detail, especially in the mid and high tones, which makes it ideal for audiophiles looking for neutrality and analytical sound.

There was an A20 in Gryphon's room with an additional 10Mhz clock. ruclips.net/video/NbMhjY_33-w/видео.html

Trzeba zmienić serwisanta, służę pomocą i 10K nie wyjdzie no chyba że ma Pan sprzęty za miliony. I co do doboru sprzętu niektóre są wieczne ale faktycznie trzeba za jakość zapłacić.

Można serwisować i za 300, wzmak kupując za 7k (np.: Haiku Audio), a płytę za 200 (AC Records)…

@@Robimobi Hmmm.

@@Robimobi No rzeczywiście. 300 zł. za wzmacniacz Haiku Audio. Daj namiary do kupienia.

@@reklamaFORMS czytamy uważnie, przecież napisałem że tyle kosztował serwis, a sam wzmak 7k ;-)

Unfortunately, it is RUclips that adds descriptions with songs, the algorithm incorrectly recognized the song.

DJI POCKET 3 + microphone

​@@cmgaudiochannelsounds great, what was your favourite digitally sourced room?

@@REX4340 1. Magico 2. Sonus faber 3. Kharma

@@cmgaudiochannel what kind/model of mic?

SUPER DZIĘKI

Na żywo gra świetnie, więc czemu nie.

@@cmgaudiochannel czyli jest synergie.. szukam optymalnych kolumn dla tego wzmacniacza

@@aukaszdrozdziel7854Ddo jakiej muzyki i kwoty?

​​@@cmgaudiochannel dobry sprzęt ma być do każdej muzyki powiedzmy popu ale i typowo audiofilskiej. A kwota nie jest wyznacznikiem ,często tańsze audio a gra lepiej od droższego.niejednokrotnie sie przekonałem:)

CD drives have several advantages over streaming music, although both solutions have their specific applications. CDs offer lossless sound quality (44.1 kHz, 16-bit), which means that the reproduced sound is very close to the original. Streaming is often based on data compression, which can cause some detail loss in the sound. Of course, there are services offering lossless streaming, but it still requires high internet bandwidth and appropriate equipment, which, despite the quality, is not up to the task. Streaming dominates due to its convenience and the huge availability of music at any time, and this is its greatest advantage.

Correct...and if one uses a service like Qobuz with a dedicated streamer lossless is not an issue and hi res can offer more than cd in my view...I have both and personal preference is to use a good streamer like the one from Hifi Rose...I don't find any downside and convenience and flexibility are distinct advantages...I personally cannot tell the difference in blind A/B tests

You read it wrong. The recording itself is made with a 32bit 192kHz recorder. The music from the streamer is 192kHz 24 bit. YT still reduces it to 192kHz 16bit. It is impossible to convey what is really happening in the room. I just want to get as close as possible in the recording to what you can actually hear.

Rose RS130 is just a transport, not a DAC. As for the sound quality, you would be positively surprised. I will do an extreme comparison with Taiko and see what comes of it.

@@cmgaudiochannel Ok. All the Best

@@cmgaudiochannel in my system streaming sound the same like cd, even better in some things in stage.. I use Gryphon Scorpio, with xlr Audioquest Wild Blue Yonder. BR