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@@mikeward2922 well, sandwich theory can be just as complicated. Glad you enjoyed the video!

If I get any spare time I'll make it.

Thanks mate!

Thanks Greg! I’m glad you found the videos helpful.

Thank you!

Thanks! I'll try and do video lessons about every topic as soon as I can.

Thanks for listening!

@@shayanriazati1870 thanks! I really appreciate it. More content coming soon.

@@wayneandcherylburrows3016 thank you!

Yes, I will try explain as much as I can in this comment, I plan on doing a video on this at some point. The major chord, the minor chord, and the diminished chord all have specific formulas. The formula for a major chord is the root note, a major 3rd, and I perfect 5th. The formula for a minor chord is the root note, a minor 3rd and a perfect 5th. The formula for a diminished chord is root note, a minor 3rd and a flattened 5th. So, the C major chord at the beginning is a bit more obvious. Root=C, major 3rd=E and perfect 5th=G. The D chord is not major because if I did the major chord formula from the D note we'd get: Root=D(that's not a smiley face btw ha), Major 3rd=F sharp, and the perfect fifth=A. So it can't be D major because the D major chord has an F sharp, and F sharp is not in the key of C. If I did the minor chord formula we'd get: Root=D, Minor 3rd=F, and perfect 5th=A. These are the notes of a D Minor chord. So, to recap, every type of chord has a formula, and when I fill in the next notes in the scale after the C major chord, we just happen to get a D minor chord. We would also get a D minor chord if I followed the Minor chord formula from a D note. We'd get the notes D, F and A both times. I will be doing a video on this as soon as possible because it can be hard to visualise, but I have to limit the information in my videos to a certain extent because people can be overloaded with too much information, not understand the content, or just lose interest. That's why I didn't go into detail about individual chord formulas. Maybe I'll combine everything into one video in the near future. Hope this helps, thanks.

@@jlducey thanks!

@@Shafaq69 I will try to explain everything I can as soon as I can.

@@michaelmcaleavyguitar I will wait love your detailed response on the topic ❤

@@Shafaq69 thank you

@@paradoxfromks yeh, I don’t use normal diminished chords that often. I play ‘diminished 7’ chords a lot, sometimes called ‘minor7 flat 5’ or ‘half diminished.’

I’m not quite sure I understand what you mean, but I’ll try and explain some parts of the video. There’s the A minor scale, which are the notes ABCDEFG. You can play these notes in different locations on the guitar neck. As long as it’s those notes, it’s still the A minor scale. They also happen to be the same notes as the C major scale, but the A minor scale starts with the A note. And yes, these are both modes as well. The minor scale mode name is Aeolian, and the major scale mode name is Ionian. I’ll be doing a video on this at some point. The ‘minor scale shape’ could be ‘A minor’ if you start on an A note, but it doesn’t have to be ‘A’ it could be B, C, C# etc depending on where you start it. If you’re still struggling to understand then I would watch part 1, 2A, and 2B if you haven’t already. Thanks!

I’m wondering if the question was referring to the minor modes. A Dorian with a parent scale of G Major and A Phrygian with a parent scale of F Major, in the same way you covered A Minor (Aeolian with a parent scale of C Major). At least that’s what I took from the way it was worded.

@@G_Demolishedyeh I think you’re right. So to answer the original question, modes are a type of scale, but I would just call them by their modal name, ‘A Dorian’ or ‘A Phrygian.’ One of the reasons I didn’t explain those modes is because I’m going to do a separate video on modes. There is so much to explain that I’d need to do it separately. Maybe just one mode per video. What I should have done is call this the ‘natural minor scale’ instead of just the ‘minor scale.’ I’ll mention that in my next video to prevent any confusion.

@@michaelmcaleavyguitar This makes sense. If the viewer is just starting to learn about diatonic chord construction, introducing modes is probably an unnecessary muddying of the waters. Information overload.

@@G_Demolished exactly. The issue I find with teaching music theory is that if you answer one question, it leads to another question, and it can go on forever. A lot of people these days don’t have the attention span to watch a video for more than 10 minutes either, so I have to try and condense the information the best I can, but it’s easy to miss things out.

Thank you!

@@kenq7948 thanks!

@@tonytechquuo thanks!

Thanks, yeh either single coil or humbuckers. I’m using the neck humbucker on this one.

@michaelmcaleavyguitar what model is it? I enjoying playing my strat for its neck and weight but I'd really like the best of both worlds when it comes to pickups.

@@JMTBFLOW it’s a charvel socal HH in Snow White. I think they do HSH versions with coil split pickups as well.

@@JMTBFLOW Thanks!

@@iRamon1538 thanks!

@@GodsStoryteller I would Google ‘face in the space notes’ to help. But you can also just learn the notes on the fretboard, and then when you see them on the guitar tab you’ll know what they’re called. You don’t necessarily need to know how to read music to learn music theory on guitar, you can learn a lot just by knowing what the notes are on the fretboard.

@@michaelmcaleavyguitar Thanks, buddy. I actually know where my notes are on the fretboard. But it is a part of the music theory, that is the issue. I read tabs well. But when I see Quavers, semi Quavers, etc in a Notation sheet, drawn on different lines of a Stave, I get confused. First I have to battle with remembering that a Stave has 5 lines, where these notations in pitch, etc are placed, and then differentiating these 5 lines from my normal knowledge of 6 lines ( representing 6 strings on the guitar. Thanks.

​@@michaelmcaleavyguitar thanks again. I just googled Face in the space notes. I see a ton I could learn. Day by day, step by step, I'll go. God bless you.

Thank you!

@@DomCAFC Thank you

@@PAULSWorld131 thanks! New videos coming soon

@@HansZarkovPhD there are lots of different ways to play that chord

Thanks!

Thank you! This one was the most difficult to make so I’m happy that you found it useful.

Everything can be further simplified, but that can only be done by someone who knows very well, and you show it. Thank you

@@BoJo-rt3bw Thank you!

@@sandradosscomedy Thank you!

No pedals, just the chorus setting on my Roland JC40 amplifier, and then I added some delay in Logic Pro when I was editing the clip. But you could get the same sound from a chorus pedal and a delay pedal😊

@@michaelmcaleavyguitar awesome, thank you

Thanks! I’m in the process of making it right now

Thanks! I'll be making more soon.

Damn this guy has some talent

@@6.boojahideen.984thank you but you should never assume my sexuality

@@michaelmcaleavyguitar lol it was a typo ac guy

@@6.boojahideen.984haha I know, thanks though I appreciate it