- Видео 9
- Просмотров 52 989
Geoff Li
Канада
Добавлен 6 май 2017
Writes tunes and changes lives.[citation needed]
Children of Bodom - Under Grass and Clover (Solo Cover)
Only 22 frets and no whammy bar, whaddaya gonna do ¯\_(ツ)_/¯
This was recorded sometime after the passing of Alexi Laiho from Children of Bodom a few years ago, but I never got around to uploading it. He and the band had a profound impact on my guitar/musical journey growing up.
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Website: www.geoffli.com
Instagram: GeoffLiMusic
Facebook: GeoffLiMusic/
This was recorded sometime after the passing of Alexi Laiho from Children of Bodom a few years ago, but I never got around to uploading it. He and the band had a profound impact on my guitar/musical journey growing up.
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Website: www.geoffli.com
Instagram: GeoffLiMusic
Facebook: GeoffLiMusic/
Просмотров: 404
Видео
Geoff Li - as graffiti on a passing train (for Solo Flute)
Просмотров 1673 года назад
Short musing on the perception of time during the COVID-19 pandemic period. Written for the 2021 Sewanee Winterfest. To purchase sheet music, email geofflimusic@gmail.com. Thanks for listening! Flute - Erin Prendergast Website: www.geoffli.com Twitter: GeoffLiMusic Instagram: GeoffLiMusic Facebook: GeoffLiMusic/ Program Notes: Our brains get triggered by ...
Geoff Li - Snowfall on Venus (for Clarinet, Trombone, Tuba, Violin, & Viola)
Просмотров 2044 года назад
Crossover-style chamber jazz ballad inspired by the neo-noir anime series Cowboy Bebop. Commissioned by Scott Whetham and Mark Segger for the 2nd & 4th Thursdays Series. To purchase sheet music, email geofflimusic@gmail.com. Thanks for listening! Noir Tea Orchestra Website: www.geoffli.com Twitter: GeoffLiMusic Instagram: GeoffLiMusic Facebook: GeoffLiMus...
Element X - Sound Design Demo
Просмотров 754 года назад
Buy now on Steam: store.steampowered.com/app/1361120/Element_X/ Aerobox Games official website: aeroboxgames.com/ Website: www.geoffli.com Twitter: GeoffLiMusic Instagram: GeoffLiMusic Facebook: GeoffLiMusic/
Celeste OST - "First Steps" arranged for Septet
Просмотров 7 тыс.6 лет назад
Composed by Lena Raine Arranged by Geoff Li To purchase sheet music, email geofflimusic@gmail.com. Thanks for listening! Check out Lena Raine's music here: radicaldreamland.bandcamp.com/ The C'mon Ensemble: Clarinet - Robert Spady Bassoon - Matthew Howatt Trumpet - Brian Sand Trombone - Kathryn Macintosh Percussion - Timothy Borton Violin - Aiyana Anderson Double Bass - Janice Quinn Website: ww...
Geoff Li - River Welcomes the Stream (for L'Histoire Ensemble)
Просмотров 2476 лет назад
A piece that first saw my initial renewed interest in my Chinese and Korean heritage, painting a narrative of traveling immense distances to find a home and greater sense of belonging. Commissioned by Kathryn Macintosh for the 2018 C'mon Festival. To purchase sheet music, email geofflimusic@gmail.com. Thanks for listening! The C'mon Ensemble: Clarinet - Robert Spady Bassoon - Matthew Howatt Tru...
Allan Holdsworth - Downside Up Solo (Transcription)
Просмотров 44 тыс.7 лет назад
Allan Holdsworth - Downside Up Solo (Transcription) Transcribed in my first year of music school (2013), when I might as well have worshipped Allan. The solo in Downside Up is my favorite solo, and one of those pivotal pieces of music that changed the way I think about improvising and music in general. Allan's playing and compositions have had a profound influence on my own and many others, and...
Geoff Li - To One in Paradise (for Mezzo-Soprano and Piano)
Просмотров 2427 лет назад
An art song, or lieder, set to the text of Edgar Allan Poe’s poem “To One in Paradise.” To purchase sheet music, email geofflimusic@gmail.com. Thanks for listening! Mezzo-Soprano - Allison Nichols Piano - Daniel Belland Completed in 2015 Website: www.geoffli.com Twitter: GeoffLiMusic Instagram: GeoffLiMusic Facebook: GeoffLiMusic/ Original text by Edgar A...
Geoff Li - Towards Clarity (for String Quartet)
Просмотров 2927 лет назад
Two-movement string quartet piece about hard times and choosing hope. To purchase sheet music, email geofflimusic@gmail.com. Thanks for listening! 0:00 - I. 8:18 - II. Obsessions String Quartet: Violin I - Joanna Ciapka-Sangster Violin II - Neda Yamach Viola - Leanne Maitland Cello - Ronda Metzies Completed in 2016 Website: www.geoffli.com Twitter: GeoffLiMusic Instagram: instagram....
Damn that’s some awesome playing!!! Didn’t know semi holo/ holo body could sound that awesomely good:D
Great shot! I didn't expect this Ibanez to sound this nice, in fact
Thanks! And yes, the Artstar is quite versatile :)
Brian Sand you sound amazing! The other too of course, but as a trumpet player, I was really amazed by the trumpet player! Great work!
In a career of impossibly brilliant solos, this might be my very favorite one and I've heard nearly all of them. Kudos for the metrical phrasing in the transcription. Holdsworth wasn't an avant prog odd meter freak, but he never played straight up-and-down time, either. Dripping with soul and emotion over all those abstruse chords.
I saw Alan in 1982. He wasn't this good then.
Well, you probably got most of the notes right. But you copped out when you have these groups of 31 notes to measure without actually figuring out how he’s breaking it up. So your rhythmic notation is pretty shotty. Also, without understanding how the place is the notes on the strings, it doesn’t really have much meaning to any other guitar player except for is a way of understanding his no choice. So he did a good job in getting the notes but that’s only 1/3 of the story. The rest of the story is getting the correct rhythms, and then listening to his phrasing, and figuring out how he laid out on the strings.
I'm not a good enough reader to comment on the rhythmic precision, but I will say that laying out the strings is the guitarist's job, not the transcriber's. I mean, that's why you never see violin tab, LOL
Best tune, been playing along to the record. I didn't catch that it switches to 6/4 3/4 5/4 etc. How cool
Yeah, cool phrasing in the tune-writing! Though the changes between 3/4 and 5/4 can be heard as just that, too -- a cool phrasing thing wherein both bars are still 4/4 but the chord change/accent simply happens on the 4th beat, as opposed to changes in meter. (This is getting into semantics, though, and it doesn't really matter either way lol)
@@GeoffLiMusic thanks so much, I'm studying this song right now, playing through it every day and focusing on the quick parts and getting them down
@@metalband Best of luck!
@@GeoffLiMusic thanks again for making the transcription!
@@GeoffLiMusic Yeah, the hypermeter is likely 4/4 but the chord changes justify localizing them with time sig shifts. Phrasing is always the most important thing.
every so often I'll come and listen to all your music while I go about my day. there's something so beautiful about it all.
Wow, that's incredibly flattering. Thank you. I'm glad you get something out of it!
wow this is so gorgeous, i don't think ive heard something like this before and it's amazing. performing outside really adds so much to it too
Thank you for a wonderful transcription! So much to say about this amazing genius. The Master, Allan Holdsworth. I was lucky enough to witness his performance live twice in NYC's famous, but now closed, Bottom Line (right across the street from NYU). The band line up was: Wackerman, Johnson and Pasqua so, this was the early 1980's. Post Jeff Berlin and in between "Road Games " and Metal Fatigue." I was just blown away by the sheer amount of musicianship that was happening onstage. I will never forget him and I still listen to his music every day. He is now of the ages. RIP Allan Holdsworth.
beautiful
poor bassist
There's something so mysterious about his playing on this tune. Allan always hit notes and played lines that seemed to pull me in an undiscovered emotional place musically. He searched for undiscovered phrases and the takeaway was always something so perplexing and emotionally complex. Almost like I'm not quite sure how to feel his playing sometimes, but the more I listen over and over again I begin to really hear something truly interesting and rich.
Nice composition and performance!
Awesome transcription! Love Alan’s playing. So different in so many ways. Thanks for sharing !
This is so strange yet I think I am starting to get him.. I like a lot of stuff but I love the blues and rock do its seemed too out there to me, somehow I even like watching music I don't like sometimes, and commenting you learn stuff, this is crazy though, I played for thirty five years and am just like... wth lol
Very well done!
Such a great performance!
We'll done.
Fantastic. One of my favourite Holdsworth solos. It is breathtakingly beautiful. Thanks for uploading the transcription.
This is awesome!
Amazing
Smooth bassoon
That's some satisfying sound design there bud
Please record this! It is wonderful!
It's a shame how many people will dismiss Allan's playing at first listen and therefore never get to hear any of this incredible, other-worldly music.
Those people don't have any ears anyway.
Hi Geoff, is there a way I can shoot you an email without the whole internet seeing my email address ? Please advise and thanks again sir.
Hi Geoff great transcription ! Is it possible you have a PDF of this ? I am studying some of Allan's solos and thus would help me to have it on paper where I can take/ make some notes for myself. Please advise and thanks in advance.
Sure thing! Shoot me an email
Great job! I love it!
Thanks, Jonny! 😊
the master
Something was off with the tempo. The drummer seemed to be off beat at various times, which confused the other performers.
Ok JK Simmons
Yeah, I noticed it. But, nevermind.
thought it was just me XD oof thanks!
Awesome transcription, this material is pure gold!!!! Thanks for sharing!!!
Respect
Thank you for your impressive work! Allan is for me Number #1...brilliant, period.
Incredible! Definitely a very different style from the original song but great nonetheless. The trumpet player was especially good
What a solo!!! Thanks for sharing the work of genius.
Yeah, Schoenberg and Bartok write beautifully, people moan about dissonance etc but there is real depth and beauty in their music [especially Shoenbergs violin and piano concertos]. You did really well here and it is nice to hear that you did something original and dissonant. I subscribed, excellent work Mr Li!
One of the most extraordinary sound painters.
Bars 39-42, otherworldly
Omg Love this Celeste is the game of the year
WOW
Awesome, Celeste is the best
this is fantastic <3
Interesting... and intriguing
Well done!! Thanks
That is seriously impressive. I don't think I could ever transcribe something like that. Good for you!
Very nice.....
it's alien!
wonderful job on a very challenging bit of composition. Each time I heard Allan perform, it was as if he had found a whole other set of expressive traits to embody his solos. Truly the genius of our lives.