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@@paulstebner6492 I’d say I like both the ones in the video a lot. That being said, you can’t get the analog man one with the NKT 275 transistor anymore directly from the manufacturer (I would assume there aren’t any NKT 275s around anymore). You can find them online but they’re thousands of dollars. The green BMF one in the video is reasonably priced so I would definitely suggest that one. To me it sounds as good as the Sun Face.

@@dusanignjatovic9312 10-46 D’Addario XS

@@chrisjuergensen thank you for your lectures and it’s please to watch such a practical and interesting classes. Sound of your guitar is specific and motivate me to try to get it from my tele. Keeps doing what you are doing and looking forward to seeing more of your interesting videos.

@@dusanignjatovic9312 my pleasure. I’ll keep doing them if people keep watching them

thanks. I'm thinking about making a video on how I'll take this song and get some musicians to record on it.

Let me know if there are any other chords you'd like me to talk about!

@@chrisjuergensen I always wanted you to talk about substitution and superimposition. Such as when you would use a 7b9 chord, say for diminished at the 7th degree of a diatonic major scale etc...or when you can sneak it in there for added colour and tension say at the 2nd degree by swapping the dorian chord (m7/m6)for this more advanced sound...something like that would be very interesting to me, and other such complex chords that can be used over other scale degrees :)

@@JesseLacharite I have a composition lesson coming that deals with that pretty much. Stay tuned..

thanks for your comment. Check out all the Harmonic Snack lessons.

@@chrisjuergensen I definitely plan to. And by the way I got your blues CD 'Big Bad Sun' that you produced many moons ago. Do you plan on doing another musical work?

@@peterblau6754 That's great thanks for listening. I've been releasing songs one by one lately. CDs aren't really a thing anymore as you know. I recently recorded with Ray Luzier (Korn)/Brian Allen (Jogo Scofield) and some other songs with some amazing players. You can find all my newest stuff on all streaming platforms under my name

@@chrisjuergensen great I'll check it out, thanks

@@AlecKnight-gd5ie I would suggest you go to @ThingsILearnedFromBarryHarris it is quick and straight to the point. This is more for intermediate players

@@JesseLacharite thanks! Messages like yours make it worth the work!

@@leespivey6444 of course, I had and learned from his “Chord Chemistry” book when I was younger but it disappeared ten or so years ago. 😔

@@MB-en3do thanks!! Look through the lessons, especially the Barry Harris’ Chromatic Scale workouts

I might write E7alt (w/o maj3rd) for the voicing, if not only diatonic chord.

@@dansebastian1067 thanks Dan!

@@vancedean6763 sorry, I mentioned it in the video, but part one was exclusive for my Patreon members.

@@marianobrascich thank you! More coming up soon

Not really but you sometimes see the opposite sort of thing in a minor blues. G minor blues for example: Eb7, D7, Gmin7. It’s different but you could probably still use similar ideas

​@@chrisjuergensen Yep, but that is way way more common/normal being the tritone sub for V of V. The All Blues turn is unique. I like the way you cycled through the Diminished triads. Very Scott Henderson. Nice work!! Scott use to open his live set with All Blues all the time. Not sure if he still does.

@@DavidHendersonMusicChannel I didn’t know that but I studied with Scott in the mid 80s so that would explain the similarities (not to say I play anywhere as good as him obviously)

Thanks!!

It’s always a combination of the old stuff and the new stuff!

I’ve been at this for about a year and a half and it’s really changed my playing for the better

Thanks Travis!!

@@chrisjuergensen Anytime 🤙🤙

Thank you Beautiful!!

Thank you kindly!

This is a long time ago but I think it’s probably a Marshall JCM 800. The reverb and delay you hear is are plugins in the DAW (Ableton Live)