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u must be soo jealous my friend

@@kuroia3464 lol

What about Nemophila? Hazuki and Saki are amazing in that band, much heavier than Koiai

@@OldheadBoomer I look at Nemophila a lot, its more my music. Saki has left Nemophila, so its only Hazuki now. But its stil one of my absolutely favorites. They have actually become slightly harder and the bassist has stepped forward. One of the main assets in Nemophila is the singer Mayo. And Nemophila also have a stellar drummer.

Brush up on your...classics. It's true that it's very technical, and at first glance may seem contradictory to a "musical" content as you say, but music does not only mean romanticism and European classicism. And besides, music is very present, you just have to know how to listen to it or know where it is in these very complicated pieces that these two girls play. But you don't know that. Besides, if you knew the kind of music before you were born (according to the photo) there was the experimental music of the 70s and there was also a genre that approached and could be the distant relative of what his daughters play, and this style was called progressive (progressive music); nothing to do with today's connotation of the word progressive so no one knows its meaning anymore (apart from the epigones of wokism and a few others, of course, who claim to know classical and romantic music, Europeans please) So, it's a genre that we know, we don't know, but don't weigh romanticism (and classicism) with this kind of Hardrock fusion. To conclude, just listen to Listz's studies or Goldberg's variations and you will see that you are completely wrong and that in classical music your knowledge is far from perfect. So if you criticize, at least criticize with full knowledge of the facts, even if, in the times we all live in today, freedom of expression whose meaning and interpretation (because of general ignorance) are a mystery to many people never ceases to blind some people. Watch this clip with his brilliant kids; they express the future they imagine where music is queen and discord is impossible, because their children know what peace is that allows them to live happily in this world of morons. It is a music more to your taste perhaps. What is more it is a virtual collaboration (via the Internet.) Between a young Japanese girl, a young American, a young Indonesian and a young Chinese girl. They are all between 17 and 20 years old currently. ruclips.net/video/8kV3sXOYPuw/видео.html

Fusion Shred, tu connais ?

Thanks, but you thought that I mean only classical music was the one and only music? Sorry! I did not mean that at all! I listen to any kind of non commercial or non classical music too, whether its experimental, atonal, free jazz and whatever genre, and still I claim this music above is more an acrobatic approach than a musical one! Experimental of the 70ies, of course please, MAGMA, king crimson, gentle giant, a.s.o. _ they all produced timeless and everlasting music as well as the classic writers. Acrobatic music will not survive as long. It might be that someone puts this music on his USB stick and listens to it in the car or at home *without the video* but it is not very likely... You can also mix notes randomly by a computer and play them backwards_ Why not/but will it tell you something? What I mean is that with the background of musical approach, it is even more possible to *_touch ones soul_* meaning to talk to someone nonverbal and make a statement that can be understood. But when I repeat musical phrases at high speed, they may be understood but make no sense. So you need acrobatic components. Of course its amazing to see such young musicians playing at high level skills, but would the composition have another quality if it was played on 3 string guitars by 1year old babies? This is my try to explain that my critics has an objective point 😛 Somewhere in between!

​@@tobiaslieblein2686 Désolé, je me suis laissé un peu emporté par le fait que j'ai eu l'impression que c'était une attaque injuste à la qualité technique de ses filles. Je ne voulais pas paraître un donneur de leçon, même si mon texte pourrait prêter à cette interprétation. Mais il a de plus en plus de filles qui jouent à un niveau incroyablement haut, et là je pense par exemple à toutes les filles bassistes qui ont joué dans le groupe de Jeff Beck. C'est cette émergence qui me rend confiant. C'est le début d'un style ; on ne sait pas où ça va mener. Comme la , la musique est en continu effervescence. Ce sont de truisme. Mais elles sont vraies.
 Ma condescendance fut, je dois l’avouer, un peu déplacée ; en aucun cas, pas digne d'un jute rhétorique de ce genre.
 En même temps, nous émettons tous les deux des jugements de valeur, sans pouvoir prédire l'avenir de ce style. Il y en a beaucoup qui jouent dans ce genre de Fusion Shred. Techniquement et musicalement il y a d'ailleurs très peu qui joue correctement. Beaucoup bafouillent, car leur technique et médiocre. C'est pour ça que je suis si étonné de la qualité de cette guitariste japonaise. Elle n'est pas la seule ; y en a beaucoup d'autres, mais toutes n’ont pas le même niveau. Voir ,il y a quelques années, une gosse de 16 ans jouer avec tellement d'assurance, c'est étonnant il faut l’admettre.
 Après, quoi dire ? Les monstres sacrés dont vous avez parlé (Gentle Gigant, Frank Zappa @ Co) sont tous hors catégories. Ritchie Blackmore aurait pu être aussi un précurseur de ces gars qui jouent ainsi ; c'est comme on comparait les Beach Boys avec Jimi Hendrix et Jimi Hendrix avec les grands guitaristes qui ont joué après lui. Et pourtant, Beach Boys ont influencé beaucoup de grands groupes musicaux. Ainsi va la vie.
 Vu comment vous avez rédigé votre contre-argument (vous m’avez convaincu avec la musique atonale), m'oblige à vous donner entièrement raison, avec le seul amendement, comme je l’ai dit, que nous ne savons pas quel sera le futur de ces jeunes prodiges. Ils rentreront peut-être, dans les rangs, qui sait ?
 Je vous souhaite une bonne continuation et je vous demande d’excuser mon style agressif initial. J'aime bien les gens qui ne répond pas violemment à la violence, soit-elle seulement verbale. Vous avez trouvé le bon style non-Shred. 
Cordialement.

​​@@inun5086 kein Problem, Sie haben vollkommen Recht, ich war auch etwas zu streng! Zudem hat natürlich jede Form von Musik Ihre Daseinsberechtigung! Merci beaucup!

ベビメタを筆頭にネモ、バンメ、ラブバイツ等々、若い女の子のメタルバンドのファンなんて50代では若造な世界よ！

Lisa X and Hazuki are the guitar players of Koiai. But Hazuki is more known for being the guitarist of Nemophila. She also played in a band called Disqualia in the past.

@@raistlin906 cool thanks!

That would be a great duo.