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Artful Badgering
Добавлен 14 янв 2019
How to make gouache
This video shows how to take powdered pigments and turn them into gouache. There is an emphasis on historical pigments used in the medieval era.
Tools Required:
Pigments
Gum Arabic
Calcium Carbonate (Chalk)
Glass Mixing Surface
Palette knife or something to mix with
Safety Mask (don't breathe in pigments!)
Optional:
Honey
Clove Oil
Vegetable Glycerin
For more information please check out my website at www.artfulbadgering.com
Tools Required:
Pigments
Gum Arabic
Calcium Carbonate (Chalk)
Glass Mixing Surface
Palette knife or something to mix with
Safety Mask (don't breathe in pigments!)
Optional:
Honey
Clove Oil
Vegetable Glycerin
For more information please check out my website at www.artfulbadgering.com
Просмотров: 35 367
Видео
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In the Medieval Era, artists and scribes would use loose powdered pigments to paint. In order to turn those raw pigments into paints they had to use something called a binding medium. This video discusses one way to make a binding medium using egg whites. For more information on other binding mediums and period pigments please visit the scribal research section of my website artfulbadgering.com...
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Scribal Kit Deconstructed
Просмотров 5015 лет назад
Let's go through my scribal kit and see what I use. This may be useful if you're thinking about getting started in calligraphy and/or illumination but you're not quite sure what all you might want to consider getting. Visit my website for more information at artfulbadger.com Thanks for watching. Here are some links if you want to start building your own scribal kit. Gouache Paints Holbein - www...
Interesting I’ve always wanted to make my own paint and guoash is probably my favorite type of paint
What is the name of the pigment that you use?
You don’t need to mull it at all?
to clean acetone or anhydrous alcohol, so you can use a brush, and to erase soap or ammonia (use carefully)
Adding a comment to boost your engagement. Good work.
Great! Thanks! 😁😈
can you make lead based watercolor and gouache paints?
Ultramarine is no longer commercially made with Lapiz because it's rare and expensive. A way of making Ultramarine in a lab was found during the Victorian era, which is why the Impressionists could afford to use it a lot. Daniel Smith I believe has a Primatek Lapiz Lazuli.
Bad mixing and way to much binder, you need to use a glass muller to apply more force. You can not make any good paint with just a palette knife.
Isn't this type of paint called 'tempera' ?
I understand why the process of learning is important for you personally - I feel the same way. However, I would very much have liked just to see the successful result, since I was here to learn something very specific.
hey, can we extract white pigment from white marble?
Thank you for explaining, I have two questions, can I use vinegar to prevent molding? And I know that water colors are mulled to help the pigments and the binder combine, isn’t it necessary with gouache as well? I can’t wait to try making my own gouache, thank you! 🙂
So if I wanted to be lazy about it, I could just buy watercolors and add chalk?
Thank you a lot for the educational and informative video. You open my mind in some way. The only key ingredient are the pigments, and then you can produce every kind of paint you want, as oils, gouache, watercolors or acrylics. Sure you can do egg tempera and so on, but that is outdated and now we have a lot of better and reliable mediums to work with. A big hug to you, and my best regards! 🙌 🙌 🙌 😊😊😊😊🤗🤗🤗
The thing about the egg tempera is in my opinion, just in case. Everyone can work with the thing that wants, i said that in order to avoid archival problems, etc (and even our contemporary mediums can fail, is not carved on stone). I only bet on good quality materials for building subsequently the last product, that is our paint. NVM, my own thoughts lol.
wonderful I love making my own watercolor now I can do gouache! thank you so much!
I’ve always wondered why people add clove oil to their paint mixes when the honey itself is anti-bacterial. Hydrogen peroxide is the main compound that makes honey anti-bacterial.
I believe it would be good if mixed with linseed oil.
Except that titanium dioxide dust is nowdays commonly accepted by the scientific community as carcinogenic.take care! And your ultramarine is pretty sure made synthetically, not from lapis since it looks so rich in blue it would be about 100$/gram if it were true lapis. not a big deal though since synthetic ultramarine is the real deal too.
Do you by chance sell your gouache?
how many ounce of pigment do you usually use?
she can't tell
Very cool! When would a muller be used as opposed to just a pallet knife?
When you going to make lots of it, on small quantities used pallet knife, easy!
... especially for the organic pigments like alizarin crimson, pyrrole reds and orange, pthalos, carbonn black
Is it storable
So after I finish making the Gouache, do i need to wait for it to get thicker? Cuz mine is little watery😅
so you´re not finished ;-). use more pigment and carbonate in relation to the liquids
thank you very much for this! would you say by adding in more gum arabic to ready made gouache that it extends it's drying time? I use glycerine to my gouache to keep it moist for longer when in my palette so it doesnt dry so fast/doesnt dry to a complete rock so i dont struggle to rewet it after a long hiatus, but i notice glycerine can alter the creamy effect. It actually seems to hold the paint together more making it a jelly instead, whereas i prefer the thick cream/lotion kind of texture. I'll get some calcium carbonate also. some colours like alizarin crimzon seem to be too watery still.
Thanks.
What can i use instead of gum arabic?
tha ks for sharing these videos on medieval paint and art paints❤️🙏
what is the recipe?
She can't said!
I would love to see you do a heraldic painting or illuminated script tutorial. There's non to be found that details the way you do. Very satisfying to listen and watch as well as informative. Really helps us beginners wanting to try something new. Well done!
Hi! This is a very useful video, thank you very much Artful Badgering! And I wonder... how much pigment did you start with? Thanks!
Thank you!
Hi, what does the clove oil help you for?? Is it like antibacterial, or how does it help?? Thank you
I really love ur video ! From now on I don’t need to worry about running out of my gouache as they are expensive to buy...
Nice video. Error possible: at point 4:50 there is a comment that watercolor contains chalk, but it's the gouache that contains chalk. Next comment states that chalk makes gouache more opaque.
I noticed theses errors
watercolor NEVER contain chalk! gouache is opaque anyway!
Блин было бы хорошо увидеть русские субтитры
Wonderful instruction video and music !
this is lovely!
This is really cool! :)
Every how-to-make-gouche video I have seen includes the addition of chalk. The highest quality commercial brands of gouache, such as Schminke Horadam and M. Graham, do not contain chalk, but rather consistent of a high ratio of pigment to binder mix. This results in paint that is opaque and luminous and retains the vibrancy of the pigments (ie no dulling of pigment by the addition of chalk).
I was curious if the chalk dulls the black gouache. If the chalk is not present, would the gouache be considered just watercolor? What is the true difference between watercolor and gouache if no chalk is used for opacity?
I had wondered about the chalk addition as well. I've understood that chalk is used predominately for Lake pigments that can be fugitive (fade), so they have to be 'bound' to another material, such as the chalk. Years back, was taught that gouache was a 'highly pigmented' watercolor. This would be consistent your Blue Wren's comment that more pigment is used in ratio to the binder mix for gouache.
@@CAPTAINCAPSLOCK111 Thanks Phil, interesting. I do know that major producers of fine gouache such as Schminke Horadam and M.Graham explicitly state that they do not contain chalk fillers and do list the ingredients of their binders (neither of which contain carbonate). They do give opacity information and their pigments range from semitransparent to semiopaque and opaque. As a result the semitransparent colours may not layer well over dark colours and so if you want bright cad yellow highlights (for example) you either need to use a masking fluid or leave the paper white beneath.
@@abby4684 Wow, that's weird that the white would go mouldy. I'm not a huge fan of Winsor and Newton, but a lot of professionals use it. The company info states that they do not use fillers in their paint. I don't like them because there pigments aren't as intense as I would like, there always seems to be a lot of pigment-binder separation and they are more expensive than Schminke or M. Graham. I prefer Schminke Horadam as I think it has the greatest pigment load. M. Graham are really nice as well and I have a number of their colours. Only problem for me is that the honey used in the binder means they dry a bit more slowly (I'm so impatient!).
@@ehle8805 This quote is from the Schminke website. According to them gum arabic is a binder and they do not add chalk (the asterisks are mine): "HORADAM® GOUACHE Finest artists' gouache colours, series 12 48 colours, traditionally based on Gum Arabic and made with only the best, genuine artist pigments *****Naturally opaque, not additionallly reinforced by adding white A wide range of combination options with HORADAM® watercolours Excellent painting properties The highest concentration of pigments guarantees luminosity and depth of all colours. HORADAM® GOUACHE can be used directly from the tube or thinned with water and can be mixed and combined with all other series of Schmincke gouache. The colours dry to a matt surface and therefore take on a slightly lighter colour. Available in 15 ml tubes, Titanium white also in 60 ml. Application of HORADAM® GOUACHE The application possibilities of HORADAM® GOUACHE are extremely versatile. Although it can be heavily diluted, gouache is mainly intended to provide opaque application of colour. Opaque, in this case, means that it is not impasto, because impasto application tends to produce cracking, *****unless the percentage of binder is increased by adding gum arabic (50302). While watercolour painting work goes from light to dark (the white paper is the light), in gouache painting, any process can be used. While “back painting” of lights is limited in watercolour painting, when working in gouache (and other opaque colours), light values and lights can be added later using colours. Students understand very quickly that gouache colours dry more brightly and therefore find the appropriate dosage when mixing."
Thank you! I just bought these pigments what you showed in this video :) I'm going to start with aquarelle but maybe gouache will be my next goal :) so it will help me a lot :>
By far the most helpful gouache making video! Thanks for sharing! I think I'll try mixing my own paint soon! <3
Waoooooooooo! incredible!
Thank you for the instructional video. I just subscribed. 🤗
Can I mix my existing gouache with honey to replace the water? I have some dried gouache ..... I can relive them by grinding them and with honey? ..... sorry I understood you little my English is "pessimistic?" "bad?"
"don't lick your scrolls" might be the first time I've actually laughed out loud at a scribe video. Bravo! :D
This is amazing. I hadn't considered mixing my own gouache, but I think after watching this I'm going to give it a try. Thank you so much for sharing this!
I don't think so, she doesn't said the quantities of binding, whitening, dextrin etc to each colour of pigment. She is pouring in but never stop talking. Very bad video.
What kind of glue did you use for the gold leaf? I didn't catch it in the video.
Sorry I didn't put it on camera longer. The glue and the sealant that I used is also the Mona Lisa brand. It comes in various consistencies. What I used was "extra thick" because I love that three-dimensional shape. I've linked a kit in the video description to an entire kit. Though the glue looks and smells like an Elmer's type of glue, I'm sure there's something substantially different about it because it stays very tacky once it's dry so that the gold leaf will adhere to it.
I have used finetec and gold leaf before and love them both. Do you always use a sealant when using gold leaf and making a manuscript?