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What should the Color Management settings be if you ARE using Phantom LUTS?

How to make harsh lights look soft?

Hello Jam, thank you for the video. Is Amaran 100 enough for full / whole body video shooting in the room which is having low / weak light ? Or is it just for good for portrait shooting ? I am trying to decide Amaran 100 or 200, but couldn't decide. If you can comment on that, it would great for me. Thank you.

I'm a new to videography and also a local OK guy as well. I loved this video and it was the first SLOG or color grading video that was simple and not confusing / overly complicated.

@JAMImagery I would be interested in a new comparison video such as this, for the Amaran 150c and 300c point lamps just released.

Thanks so much! I've been struggling and suddenly I'm not. Question: You mention Waqas Qazi. Did you take his Masterclass? I've been considering it, but I'm a retired photographer just getting into videography/filming to make work for artistic and social service reasons, so the teaching to become professional part doesn't apply AND the course is expensive AND it's on version 17 while i'm running 18.5 and as a beginner, I don't need that hassle of stuff not being in the same place. But if you took the course and think it was really valuable, that would mean something to me.

Thank you for the video. Quick question. When using SLOG3 and Phantom Luts do I need to convert the footage to Rec 709 first and then drop a phantom LUT on or can I just slap one directly onto the SLOG3 footage? Thank you I shoot on Sony A7IV and use Divinci Resolve 18

I'm using Vegas 20 pro

stabil

Dude please blink

I recently purchased the phantom luts for the fx30. Does anyone know which set I would use for the fx30 being it's not listed after the download. Shooting in Cine EI/ SGamut3.Cine

Option 2 is incorrect because you need to change the output to Rec 709 and gamma 2.4

Can u use this light for photography?

Thank you for this - amazing - is there a tutorial to show how I could match up my Panasonic GH6 and S1 footage to my Sony A7IV footage ?

The background music is very disturbing and loud.

p̶r̶o̶m̶o̶s̶m̶ 💦

Great video!

Looks pretty darn good! Are they cropping at 1.25x?

Go Ruthy! So proud of you!!

Such a well done video! Thanks for sharing their story. I'm biased but they are the best.

The overview I needed! I’m on the 11 and am in dire need of an upgrade, but didn’t know if the 14 Pro was the one. Seems like the one to pull the trigger on.

Beautiful.

I think color managed timeline is the most scientific and accurate way to go. From there you can create your own LUTs

Great overview. Thanks for the details

Thanks for sharing, Jake. I want to upgrade, too, mainly for the cameras. I currently have a iPhone 8 plus. It was okay 4 years ago, but now I see what I'm missing. I enjoyed the review. Thanks so much. Chuck

I have a P60C and I don't use it where my 100d with a softbox is what's needed. I use it as it was made. It's a tool that's best for some specific uses. I laid it under a steel set of stairs in a warehouse with a really high ceiling. We blew fog straight up through the stairs and this light lit up everything in a thick red color as the girl who was being chased by Freddy frantically came down the stairs in this "boiler room." I could not believe how much light this thing put out and how cinematic it looked. Also, when we were shooting an interior house room, but needed to see the action taking place outside the window too, the P60C brought up the inside in a warmer light to expose the wall and the girl on the loveseat in front of the window, who was oblivious to the horror happening outside. We got great exposure both inside and out the window. Just needed a little kicker coming from the other side of the room. This light is fantastic. Creates "weird" feels for room with very saturated color for those kinds of scenes. Also convenient with warm to cold white light, and the softbox provides just what's needed. Of course there are times when the 300 Nova would be needed, but not in the projects I do (Indie film, commercials, shorts). The P60C is a steal at its price.

Phantom LUTs are a to emulate ARRI footage from log, and then there are the "looks" he has. It's a different objective to what you're showing us here, but cool video.

Thanks a lot for so much explaining of different ways) this is good for understanding but usually people search easy way like phantom Luts) all people search button "Make Amazing"

I live in Skiatook, about 30 mins north of Tulsa. We should collaborate.

Drone video twitches when paranoming. Do you know why?)

we are planning to build a curved white studio, and have been thinking about which rgb panel to choose, we think we would need two or three Nova 300c but would it work with lile 6 60c do you think?

thanks :)

Good vid

Damn, you're an f-ing genius, I've stayed away from slog because I was intimidated, this tutorial changed all that, thanks a million for this. Damn!!!!!! F-ing DAMN!!!!!!

ruclips.net/video/iMyo3hzamAo/видео.html It's an unfair test because you didn't expose the picture on right correct. Great video though

I mean, I get what you're trying to get at -- but that's why they have ND filters,

WOW! DUDE such a nice vid!

Have you tested the new G5 version of Phantom LUT? I find it very contrasty and was thinking if there is something wrong with my davinci set up. Have you tested that version yet? Thanks for the video

Great video man! I really learned alot from this!

Really good content , keep it up

terrible and to complicate.

I’m glad I found this video, super easy to follow and very informative. I just got an A7IV and have been eyeing the phantom luts and have heard nothing but great things. Your approach and methods of grading are super easy to follow. Thank you for sharing.

this is perfect! thanks! 👌😊☀️

Fellow Oklahoma filmmaker, your video popped up in my recommended.🤘 I definitely am going to scoop a few of the P60c lights, always can have some more small panels lights available!

Just got an a7IV and I'm trying to decide on an external monitor. At least the a7IV screen articulates better, even with my cage, than previous Sonys, but it is still small. Thanks for giving me some thoughts on external monitors b/c I was thinking about going budgetary (okay, yeah, I mean cheap). 😁 Per your question, my best accessory so far is the Weebill 2 Gimbal and I haven't even mounted the camera on it yet. But B&H shook up my must-buy-next list by offering a huge sale on it a few weeks back. Had to do it; just had to. Know what I mean? Thank you very much for the tips in this video. I'm too noobie to understand your key point though, about editing is easier by recording on the Ninja V instead of in-camera. Sorry. I will be learning DR17 on my PC.

Super: finally found what I was looking for for a long time: method 1, which quickly delivers a usable result (like A7S3 "gamma assist" on and off ). Then the film editing can be realized. This is then the first reference for exporting the entire film sequence for assessing the first cut. You could place this film on a video track above it (video 2) and then use method 3 to fine-tune the individual clips on video track 1. So you can check your own color grading (video1) for exaggerations by fading video 2 in and out. One more question about saturation: I find that I always give holiday clips, for example, a higher saturation (e.g. SAT=54 / Col-boost = 5). Does it make sense to increase the saturation parameter in Picture Profile 9 already in the A7S3? Or better only in post-production?

Hello, Friend, I saw your tutorial regarding used Lut. Yes i know about that, but can i used pantun lut for sony a7s2?

So this light is on for RUclips? How about Photography

very informative video! i've never color graded anything before, but my research on youtube seems to tell me that s-cinetone would be good enough that i don't really need to color grade? am i mistaken? thanks!

Super useful comparison. Thank you!