Explore The Score — Klavier-Festival Ruhr
Explore The Score — Klavier-Festival Ruhr
  • Видео 202
  • Просмотров 434 134
Eckart Altenmüller: what happens in the brain of a pianist playing a Ligeti etude ?
* Discover Ligeti’s piano music in interactive scores: www.explorethescore.org/pgs/ligeti/inside_the_score/inside_the_score_homepage.html
* Dieses Video ist auch in deutscher Sprache verfügbar: ruclips.net/video/uG71wAul8rI/видео.html
* You can find this video in the interactive score of Étude No. 12 (“context” section): www.explorethescore.org/pgs/ligeti/inside_the_score/etude_12_entrelacs.html
In EXPLORE THE SCORE, world class pianists take you on an exciting journey of discovery. Delve into the world of twentieth-century music by exploring interactive scores. Watch masterclasses, learn about the composers and their music and discover award-winning education projects. EXPLORE THE SCORE is ...
Просмотров: 1 170

Видео

Ligeti: Étude No. 12 - „Entrelacs“ | Performance suggestions by Pierre-Laurent Aimard
Просмотров 1,5 тыс.3 года назад
* Discover Ligeti’s piano music in interactive scores: www.explorethescore.org/pgs/ligeti/inside_the_score/inside_the_score_homepage.html * Dieses Video ist auch in deutscher Sprache verfügbar: ruclips.net/video/0zFH2CQdENI/видео.html * You can find this video in the interactive score of Étude No. 12 (“performing the music” section): www.explorethescore.org/pgs/ligeti/inside_the_score/etude_12_...
Ligeti: Étude No. 12 - „Entrelacs“ | Pierre-Laurent Aimard explores the work
Просмотров 3,1 тыс.3 года назад
* Discover Ligeti’s piano music in interactive scores: www.explorethescore.org/pgs/ligeti/inside_the_score/inside_the_score_homepage.html * Dieses Video ist auch in deutscher Sprache verfügbar: ruclips.net/video/9RP1jxtd0gE/видео.html * You can find this video in the interactive score of Étude No. 12 (“about the music” section): www.explorethescore.org/pgs/ligeti/inside_the_score/etude_12_entre...
Ligeti: Étude No. 12 - „Entrelacs“ | A brief introduction by Pierre-Laurent Aimard
Просмотров 8823 года назад
* Discover Ligeti’s piano music in interactive scores: www.explorethescore.org/pgs/ligeti/inside_the_score/inside_the_score_homepage.html * Dieses Video ist auch in deutscher Sprache verfügbar: ruclips.net/video/2Hn-pnBY3xk/видео.html * You can find this video in the interactive score of Étude No. 12 (“introduction” section): www.explorethescore.org/pgs/ligeti/inside_the_score/etude_12_entrelac...
Pierre Boulez on Stravinsky as a perfect illustrator
Просмотров 7513 года назад
Pierre Boulez über Strawinskys musikalische Illustrationsfähigkeit Entdecken sie bald weitere Videos von Pierre Boulez über Igor Stravinsky auf www.explorethescore.org. Dieses Video stammt aus einem Interview, das Tobias Bleek und Richard McNicol 2008 mit Pierre Boulez für das Klavier-Festival Ruhr führten. Discover soon more videos by Pierre Boulez about Igor Stravinsky on www.explorethescore....
Pierre Boulez on Stravinsky's compositional innovations
Просмотров 2 тыс.3 года назад
Pierre Boulez über Strawinskys kompositorische Innovationen Entdecken sie bald weitere Videos von Pierre Boulez über Igor Stravinsky auf www.explorethescore.org. Dieses Video stammt aus einem Interview, das Tobias Bleek und Richard McNicol 2008 mit Pierre Boulez für das Klavier-Festival Ruhr führten. Discover soon more videos by Pierre Boulez about Igor Stravinsky on www.explorethescore.org. Th...
Pierre Boulez on Stravinsky’s Russian origins
Просмотров 2,2 тыс.3 года назад
Pierre Boulez über Strawinskys russische Wurzeln Entdecken sie bald weitere Videos von Pierre Boulez über Igor Stravinsky auf www.explorethescore.org. Dieses Video stammt aus einem Interview, das Tobias Bleek und Richard McNicol 2008 mit Pierre Boulez für das Klavier-Festival Ruhr führten. Discover soon more videos by Pierre Boulez about Igor Stravinsky on www.explorethescore.org. This video is...
Pierre Boulez on Debussy's favourite passage in Stravinsky’s Petrushka - Three puppets come to life
Просмотров 1,1 тыс.3 года назад
Pierre Boulez über Claude Debussys Lieblingsstelle in Strawinskys Petruschka - Der Moment, in dem die drei Puppen zum Leben erwachen Entdecken sie bald weitere Videos von Pierre Boulez über Igor Stravinsky auf www.explorethescore.org. Dieses Video stammt aus einem Interview, das Tobias Bleek und Richard McNicol 2008 mit Pierre Boulez für das Klavier-Festival Ruhr führten. Discover soon more vid...
"I like predators…" - Pierre Boulez on his relationship to Igor Stravinsky
Просмотров 5 тыс.3 года назад
„Ich liebe Räuber…“ - Pierre Boulez über seine Beziehung zu Igor Strawinsky Entdecken sie bald weitere Videos von Pierre Boulez über Igor Stravinsky auf www.explorethescore.org. Dieses Video stammt aus einem Interview, das Tobias Bleek und Richard McNicol 2008 mit Pierre Boulez für das Klavier-Festival Ruhr führten. Discover soon more videos by Pierre Boulez about Igor Stravinsky on www.explore...
Ligeti: Étude Nr. 13 - „L'escalier du diable“ | Pierre-Laurent Aimard über die Metronomangaben
Просмотров 4763 года назад
* Entdecken Sie Ligetis Klaviermusik in multimedial aufbereiteten Partituren: www.explorethescore.org/pgs/ligeti/die_musik_entdecken/die_musik_entdecken_startseite.html * Watch the English version of this video: ruclips.net/video/XllwftqGfzc/видео.html * Dieses Video finden Sie in der interaktiven Partitur zur Étude Nr. 13: www.explorethescore.org/pgs/ligeti/die_musik_entdecken/etude_13_l-escal...
Ligeti: Étude No. 13 - „L'escalier du diable“ | Pierre-Laurent Aimard on the metronome marks
Просмотров 6573 года назад
* Discover Ligeti’s piano music in interactive scores: www.explorethescore.org/pgs/ligeti/inside_the_score/inside_the_score_homepage.html * Dieses Video ist auch in deutscher Sprache verfügbar: ruclips.net/video/h4V3YOjeeo0/видео.html * You can find this video in the interactive score of Étude No. 13: www.explorethescore.org/pgs/ligeti/inside_the_score/etude_13_l-escalier_du_diable.html In EXPL...
Ligeti: Étude Nr. 2 -„Cordes à vide“ | Pierre-Laurent Aimard über die Verwendung des Pedals
Просмотров 2453 года назад
* Entdecken Sie Ligetis Klaviermusik in multimedial aufbereiteten Partituren: www.explorethescore.org/pgs/ligeti/die_musik_entdecken/die_musik_entdecken_startseite.html * Dieses Video finden Sie in der interaktiven Partitur zu Étude Nr. 2: www.explorethescore.org/pgs/ligeti/die_musik_entdecken/etude_2_cordes_a_vide.html EXPLORE THE SCORE ermöglicht eine faszinierende Entdeckungsreise in die Wel...
Ligeti: Étude Nr. 2 -„Cordes à vide“ | Pierre-Laurent Aimard über Phrasierung und Spiel von Akzenten
Просмотров 2393 года назад
* Entdecken Sie Ligetis Klaviermusik in multimedial aufbereiteten Partituren: www.explorethescore.org/pgs/ligeti/die_musik_entdecken/die_musik_entdecken_startseite.html * Dieses Video finden Sie in der interaktiven Partitur zu Étude Nr. 2: www.explorethescore.org/pgs/ligeti/die_musik_entdecken/etude_2_cordes_a_vide.html EXPLORE THE SCORE ermöglicht eine faszinierende Entdeckungsreise in die Wel...
Ligeti: Étude No. 2 - „Cordes à vide“ | Pierre-Laurent Aimard on the use of the pedal
Просмотров 5833 года назад
* Discover Ligeti’s piano music in interactive scores: www.explorethescore.org/pgs/ligeti/inside_the_score/inside_the_score_homepage.html * Dieses Video ist auch in deutscher Sprache verfügbar: ruclips.net/video/_rvkMWtb8mc/видео.html * You can find this video in the interactive score of Étude No. 2: www.explorethescore.org/pgs/ligeti/inside_the_score/etude_2_cordes_a_vide.html In EXPLORE THE S...
Ligeti: Étude No. 2 - „Cordes à vide“ | Pierre-Laurent Aimard on the changing of the metronome marks
Просмотров 3193 года назад
* Discover Ligeti’s piano music in interactive scores: www.explorethescore.org/pgs/ligeti/inside_the_score/inside_the_score_homepage.html * Dieses Video ist auch in deutscher Sprache verfügbar: ruclips.net/video/_rvkMWtb8mc/видео.html * You can find this video in the interactive score of Étude No. 2: www.explorethescore.org/pgs/ligeti/inside_the_score/etude_2_cordes_a_vide.html In EXPLORE THE S...
Ligeti: Étude No. 2 - „Cordes à vide“ | Pierre-Laurent Aimard on the status of dynamic markings
Просмотров 3973 года назад
Ligeti: Étude No. 2 - „Cordes à vide“ | Pierre-Laurent Aimard on the status of dynamic markings
Daniel Barenboim on the genesis and creation of the "Notations pour orchestre"
Просмотров 4533 года назад
Daniel Barenboim on the genesis and creation of the "Notations pour orchestre"
Daniel Barenboim über die Entstehung und Uraufführung der "Notations pour orchestre"
Просмотров 1973 года назад
Daniel Barenboim über die Entstehung und Uraufführung der "Notations pour orchestre"
Boulez: Notation 8 | Boulez zur Bezeichnung "Donner à cette figure tout son caractère de percussion"
Просмотров 1803 года назад
Boulez: Notation 8 | Boulez zur Bezeichnung "Donner à cette figure tout son caractère de percussion"
Pierre Boulez auf die Frage, ob er die "12 Notations" am Klavier oder am Schreibtisch komponiert hat
Просмотров 3243 года назад
Pierre Boulez auf die Frage, ob er die "12 Notations" am Klavier oder am Schreibtisch komponiert hat
Boulez: Notation 2 | Einführung von Pierre Boulez
Просмотров 6383 года назад
Boulez: Notation 2 | Einführung von Pierre Boulez
Boulez: Notation 8 | Pierre Boulez on the connections to African music
Просмотров 1,2 тыс.3 года назад
Boulez: Notation 8 | Pierre Boulez on the connections to African music
Boulez: Notation 1 | Einführung von Pierre Boulez
Просмотров 4273 года назад
Boulez: Notation 1 | Einführung von Pierre Boulez
Boulez: Notation 8 | Pierre Boulez über die Verbindungen zur afrikanischen Musik
Просмотров 1843 года назад
Boulez: Notation 8 | Pierre Boulez über die Verbindungen zur afrikanischen Musik
Boulez: Notations 2 & 3 | Pierre Boulez on the contrasting concepts of time
Просмотров 1,2 тыс.3 года назад
Boulez: Notations 2 & 3 | Pierre Boulez on the contrasting concepts of time
Boulez: Notation 1 | Pierre Boulez über das Tempo und die Zeitgestaltung
Просмотров 2593 года назад
Boulez: Notation 1 | Pierre Boulez über das Tempo und die Zeitgestaltung
Boulez: Douze Notations | Interpretationshinweise von Pierre Boulez
Просмотров 2583 года назад
Boulez: Douze Notations | Interpretationshinweise von Pierre Boulez
Boulez: Notation 7 | Einführung von Pierre Boulez
Просмотров 6633 года назад
Boulez: Notation 7 | Einführung von Pierre Boulez
Boulez: Notation 4 | Pierre Boulez über die Dynamik
Просмотров 1483 года назад
Boulez: Notation 4 | Pierre Boulez über die Dynamik
Boulez: Notation 2 | Pierre Boulez on the tempo and time
Просмотров 6643 года назад
Boulez: Notation 2 | Pierre Boulez on the tempo and time

Комментарии

  • @MalabarTheGreat
    @MalabarTheGreat 4 дня назад

    With today's ear training apps, there is no excuse to not have a killer pitch recognition.

  • @brianprager8050
    @brianprager8050 28 дней назад

    I love, love, love this element in Bartok's music. But one should be a little restrained with something this precious. It's not Richard Strauss , and it's not "program music". Bartok was very clearly rejecting that sort of literal reading of musical meaning. I enjoy Andras Schiff very much; but I'd warn anyone not to keep these forest images as the boundary of what it's possible to feel from this music.

  • @jenolisztes9241
    @jenolisztes9241 Месяц назад

    Awesome…..The perfect combo is Ligeti and Pierre-Laurent together! Hope see you again somewhere!

  • @valerieheinderyckx4506
    @valerieheinderyckx4506 Месяц назад

    Great vidéo...thanks. ❤

  • @emilianocorradi4079
    @emilianocorradi4079 3 месяца назад

    Immenso Schiff

  • @Katja-wk9qj
    @Katja-wk9qj 3 месяца назад

    Super!

  • @falstaff63
    @falstaff63 3 месяца назад

    What a Master Class. Maestro Schiff give us much more in 6 minutes that some other in several hours. Thank you!!

  • @alans98989
    @alans98989 6 месяцев назад

    It's worth saying that, when it comes to musical dictation, those with perfect pitch have a significant advantage over those who don't, to the point that it becomes unfair. This is particularly true if the musical excerpt you're using is atonal or highly chromatic. If you're going to grade people on it, it would make sense to separate those with and without perfect pitch and grade them differently. It's as if, in math class, you had a portion of students who instantly knew the answers to problems without having to think or work out the solution.

  • @Robert...Schrey
    @Robert...Schrey 6 месяцев назад

    I know persons who can write down everything they hear. they are totally un-musical. 😂

  • @danmartinazzi
    @danmartinazzi 7 месяцев назад

    Amazing!

  • @danmartinazzi
    @danmartinazzi 7 месяцев назад

    Video così ti riconciliano con la vita, grazie!

  • @AnP865
    @AnP865 7 месяцев назад

    Rauber translates to something like robber

  • @user-td6cv7hr5d
    @user-td6cv7hr5d 7 месяцев назад

    Boulez y Messian Grandes comp.

  • @Quim141
    @Quim141 8 месяцев назад

    XD bassat

  • @aleksandarjankovski6542
    @aleksandarjankovski6542 8 месяцев назад

    Brilliant. Brilliant man.

  • @nickharte5035
    @nickharte5035 9 месяцев назад

    I used to sit with an acoustic guitar in front of the TV late at night while studying classical composition at university. I'd try and play along with the hideous infomercials that interrupted our film viewing as the same ads would appear frequently. This ended up being a surprisingly efficient educational tool as I always got 100% in every ear training dictation test.

  • @martinecaillard4361
    @martinecaillard4361 9 месяцев назад

    Sehr SCHON

  • @sur_Incises
    @sur_Incises 9 месяцев назад

    Just watch Aimard playing this piece last night in Beijing - it was the last piece of the program. I've seen this video two years ago, but hearing this piece in a concert still gave me much surprise.

  • @RG60Ibanez
    @RG60Ibanez 9 месяцев назад

    What's disturbing is that there is very few anything of this quality produced for children today.

  • @martagianola504
    @martagianola504 9 месяцев назад

    Is it possible to have a complete recording of the masterclass? I would pay for that!

  • @mauriceamaraggi8098
    @mauriceamaraggi8098 10 месяцев назад

    magnifique. Quel cadeau!

  • @paulbetjeman9933
    @paulbetjeman9933 10 месяцев назад

    finding these little youtubes of boulez talking in super-depth are a treasure trove to me -- thank you for putting them up

  • @marekvollach7831
    @marekvollach7831 10 месяцев назад

    What a bunch of subjective and narcissistic expectation making players suffer and their skin crawl. Yet this player is a musician I respect with all my spirit, soul and body. Such wonderful interpretive and technical skills

    • @arielorthmann4061
      @arielorthmann4061 7 месяцев назад

      How is "tempo is personal" a subjective and narcissistic expectation ?

  • @smoothjazz6915
    @smoothjazz6915 11 месяцев назад

    A wonderful musician

  • @marekvollach7831
    @marekvollach7831 11 месяцев назад

    Completely beg to differ; His hands have always been foreboding and stiff which is akin to most of his musical/esoteric/high-minded and devoid of passionate emotion way of being. The voice has a dead cadence with awkward pauses that -to me- makes him the Hangman or funeral director in a vampire movie.

  • @Autostade67
    @Autostade67 Год назад

    ARgh - I should proofread - "(or even 'Atmospheres') when they watch '2001 OR 'Lontano'..."

  • @Autostade67
    @Autostade67 Год назад

    People hear the 'Requiem' (or even 'Atmosphere's) when they watch '2001' of 'Lontano' in 'The Shining' and many immediately decide they should steer clear of Ligeti (which is a pity, because along with Penderecki's 'Threnody for...', the Requiem is one of the most harrowing pieces of music yet composed...and what is music to be if not to thrust to the extremities of all experience? It's also a bit hypocritical because for most lay people - me included - those films were their first exposure to this genius), but his 'juvenile' piece, 'Musica ricercata' is a testament to the simple beauty he could achieve with the polyrhythm of No. 7, some of the settings of Hungarian songs and the icy micro-polyphony of 'Lux aeterna' Why he isn't regarded with more conviction as one of the greatest composers of the 20th century I'll never know.

  • @mauriceamaraggi8098
    @mauriceamaraggi8098 Год назад

    Superbe

  • @mauriceamaraggi8098
    @mauriceamaraggi8098 Год назад

    superbe

  • @mauriceamaraggi8098
    @mauriceamaraggi8098 Год назад

    What a pleasure to have found Explore the score. As a film maker and musician I tried more than 25 years ago to produce such type of videos. It was impossible. I would not find any support even from Arte. I love it.

  • @vhego
    @vhego Год назад

    Indeed I’ve always felt this piece had a 3D feeling when listening to it, stunning. A genius composer

    • @vhego
      @vhego Год назад

      Plus: it’s funny how such an advanced piece is actually still making use of Bach’s counterpoint

  • @ilirllukaci5345
    @ilirllukaci5345 Год назад

    ruclips.net/video/obCaI57OXbY/видео.html

  • @ilirllukaci5345
    @ilirllukaci5345 Год назад

    Thank you.

  • @tanianotte8919
    @tanianotte8919 Год назад

    Schiff is such an inspiration. He looks always in another world deeply connected with music!

  • @matthieuchapeau
    @matthieuchapeau Год назад

    great pianist and performer🙏🏽

  • @MorganHayes_Composer.Pianist

    This is one outlook, here's another : " I compose at the piano, and I do not regret it" Igor Stravinsky. And it doesn't have to be one or the other either.

  • @Scriabin_fan
    @Scriabin_fan Год назад

    This etude is so beautiful. I wish I had the technique necessary to play these beautiful pieces.

    • @yat_ii
      @yat_ii 2 месяца назад

      Same

  • @fredericfrancoischopin6971
    @fredericfrancoischopin6971 Год назад

    Its so fucking hilarious

  • @paulwhetstone0473
    @paulwhetstone0473 Год назад

    Wow, what a treat to hear such a clear analysis of this Ligeti etude. Thank you very much.

  • @truBador2
    @truBador2 Год назад

    Ah, the "Good" Schiff. Not the Evil one. Bravo.

  • @malenautrera
    @malenautrera Год назад

    why the fuck did whoever edited the video cut out all the parts where she plays? -_-

  • @fazergazer
    @fazergazer Год назад

    Breathtakingly beautiful ❤

  • @MrInterestingthings
    @MrInterestingthings Год назад

    Wonderful to hear Aimard explain the aims of the composer here . I thought no. 1 was impossible with strong fingers and wrists but NO.12 has polyrhythms going on too and the density and voicing is an almost impossible human goal in piano playing ! I bought several players in these when they were first recorded after the Bolcolm etudes they are some of the most fabulous writing ever for keyboard !

  • @ericwilhelm2941
    @ericwilhelm2941 Год назад

    András Schiff is so beautiful

  • @istvankovacs5328
    @istvankovacs5328 Год назад

    Már a számitógép elött feltalálták a lyukkártyát... 😅

  • @cjanebell
    @cjanebell Год назад

    Just listened to Bartok, and then found this - by one of the most distinguished, intelligent, extra-ordinary musicians ever born. Wonderful!

  • @testchannelone6616
    @testchannelone6616 Год назад

    With all due respect for Mr. Schiff, a very fine pianist and often a deep thinker, his statement that Beethoven's written instruction "gesangvoll mit der innigsten Empfindung" translated as "singing with the innermost feeling" is a very poor English translation is a tad ludicrous. How is this a poor translation? Mr. Schiff's English is pretty darn good, so he must have a better suggestion. But he doesn't say. Or, if his English is bad, then how would he know that the translation is poor??

    • @naphtanaptha
      @naphtanaptha 4 месяца назад

      not sure why he thinks its bad, but in my opinion 'singing' doesn't really mean the same thing as 'gesangvoll', and 'empfindung' is a much less common and plain word than 'feeling'. I am content with 'innermost' but still two out of three important words don't really hit the mark. its obviously a technically correct translation, but it doesn't really communicate the exact same thing (as no translation ever does)

    • @foodforthought4546
      @foodforthought4546 3 месяца назад

      @@naphtanaptha I agree that translations are rarely exact.

  • @johnmiller1620
    @johnmiller1620 Год назад

    Mr. Aimard is a master at gauging the extent in which to blend technical musical terms and descriptive language in his explanations. As a result, he makes clear what might otherwise seem random or impossibly high concept, and opens up our ears and minds to Ligeti. All of the videos he (Aimard) has done on Ligeti are wonderful.

  • @BenSchoeman595
    @BenSchoeman595 Год назад

    One needs time to discuss music - I dislike the short lecture times allocated to analysis nowadays. Messiaen took his time and look at the results ❤

  • @ddevoester
    @ddevoester Год назад

    Quickly becoming my favorite pianist