- Видео 16
- Просмотров 26 087
David Bareford
Добавлен 2 окт 2007
Seeking Mister Hyde: Transformation
An excerpt from Seeking Mister Hyde by David Bareford. This production premiered at Love Street Playhouse, Woodland, Washington USA on November 3-19, 2023.
This excerpt features John San Nicholas as LOUIS, Henry Lorch as REVEREND JEKYLL / HYDE, and Tony Provenzola as BAXTER.
This excerpt features John San Nicholas as LOUIS, Henry Lorch as REVEREND JEKYLL / HYDE, and Tony Provenzola as BAXTER.
Просмотров: 72
Видео
Seeking Mister Hyde: Coward
Просмотров 3010 месяцев назад
An excerpt from Seeking Mister Hyde by David Bareford. This production premiered at Love Street Playhouse, Woodland, Washington USA on November 3-19, 2023. This excerpt features John San Nicholas as LOUIS, Julisa Wright as FANNY, and Henry Lorch as HYDE.
EXCERPT: Don Quixote de La Center
Просмотров 14011 месяцев назад
A short clip from my play Don Quixote de La Center, from its production at Magenta Theater in Vancouver, Washington in August 2022. It featured the following cast: DONALD QUINTERO....................Christopher Cleveland SAM QUINTERO............................Jason Litts MARTA KOVALENKO..................Laura Henderson ALICE SIMMS.................................Rebecca L Hoffman DORIS/DR. CAR...
Laban's Eight Efforts demonstration
Просмотров 22 тыс.4 года назад
A short video to portray how using Rudolf Laban's Eight Efforts can give us different vocal and physical characterizations within the same text (in this case the Declaration of Independence).
LotD Dragon Fight
Просмотров 6310 лет назад
Anne Sears, Scott Allen Luke, and Dave Fink in Lifeline Theatre's The Last of the Dragons
Extended Kid Sister fight
Просмотров 11511 лет назад
This is the full version of a fight that shows up in snippets in my demo reel. It shows how the lead-up to a fight which may not be explicitly described in a script can be enhanced by a violence designer's attention. Warning: NSFW language
Fiore dagger plays
Просмотров 32311 лет назад
An example of how historical martial forms can be translated into stage combat, even in a modern setting. The observant may notice Fiore's First Master of the Dagger (unsuccessful), the First Counter Master, and the Third Dagger Master (more successful) in the struggle. An example of Chicago Style stage combat, performed by Tyler Harspter and David Gregory Bareford.
Nevan/Ryan Fight 2
Просмотров 10912 лет назад
Chicago Style stage combat unarmed fight with Nevan Richard and Ryan Noel. From the September 10, 2012 Chicago Style Close Quarters Workshop, led by David Gregory Bareford
David/Kate Fight 1
Просмотров 24112 лет назад
Chicago Style stage combat unarmed fight with David Bareford and Kate Belden. From the September 10, 2012 Chicago Style Close Quarters Workshop, led by David Gregory Bareford
Nevan/Ryan Fight 1
Просмотров 6112 лет назад
Chicago Style stage combat unarmed fight with Nevan Richard and Ryan Noel. From the September 10, 2012 Chicago Style Close Quarters Workshop, led by David Gregory Bareford
David/Kate Fight 2
Просмотров 53312 лет назад
Chicago Style stage combat unarmed fight with David Bareford and Kate Belden. From the September 10, 2012 Chicago Style Close Quarters Workshop, led by David Gregory Bareford
It's hard for me to describe the difference between Floating and Gilding. Good video though
This is one of the most beautifully made instructional videos I've ever seen. I wish all instructional videos were made this way. Everything I needed to know about this thing with no wasted time at all.
What a very good demonstration - so clear in both voice and physicality. Thank you.
Glide tends to be especially irritating to me. I interpret it as self-entitlement, the will to appear supercilious and above the audience. If someone else has these associations, I would be delighted to know. The demonstration was excellent, though, especially as it involves such subtle distinctions.
An interesting thought experiment would be to ask a number of people what impressions of character or personality they pick up from each of the Efforts...
Thanks for this!
You went hard on this. 😅🔥
Amazing!
Perfect!
very helpful thanks a lot!
This was so helpful! Thank you for your demonstration.
I'm studying a degree in Drama and we went through this last week. This video as made it more easier for me to understand. Thanks
Its the gift that keeps on giving. Thank you, thank you, thank you. again. I have watched and shared this so many times.
that was amazing thank you !!!
Glad it was useful!
Great information and acting. Thanks so much for sharing.
Thank you! I was looking for some gliding, wringing, slashing, and punching examples since the video I learned about these from only demonstrated the other four. Glad to finish my list!! :) (Heard about Laban's efforts from "How To Create 100 Distinctly Different Voices" ruclips.net/video/FVmAEezr6ao/видео.html)
This was brilliant! Currently learning about the effort's in my acting classes
that was epic
Very good indeed
Very veryyyyyyyy useful
thank you David! this was very helpful as a VCE theatre student
So brilliant! Well done
It's great to see an actor apply the Effort Action Drives (not "Efforts") to dramatic expression, which was Laban's original intent. Your spatial intent was not always clear and as a result your Glide looked like Float, and your Float was not sustained and looked like Flick. Your Wring was not indirect and looked like Press, and Dab needed to be lighter, but the rest seemed clearer. One thing you did, consciously or not, was to demonstrate the higher application of the Effort Action Drives: to combine the Drives. This is the natural way to move, people don't go around just flicking or wringing to the exclusion of other drives. It's great that you are exploring this with your drama students!
Brilliant. Thank you so much for this.
Brennal Lee Mulligan Vibes
I take that as high praise!
float wasn't sustained enough IMO but good job
Hello, I just wanted to say that I have no formal experience with any form of acting but as a DM I've been really trying to step up my game, so to speak. I just discovered the existence of the Laban Chart maybe a day ago, and this video really helped me understand a lot more about it. Thank you!
Fantastic! I'm really glad it might help. I often just jot the name of the effort next to the NPC's name in my notes and it's a quick way to call up their mannerisms and way of speaking consistently each time to PCs interact with them.
This is great! Thanks! I'm learning how to do more voices for D&D
LOL, that's ironic: I've been DM'ing for over 35 years...
@@dbareford this is super helpful, I’ve been unsure what to do for my orc fighter without doing what immediately comes to mind because he’s noble born. Totally using this whenever I play next.
Brilliant! Do you have a video on the three variables of each effort? Ex. Light + direct + sudden?
For reference, here are the relevant timestamps. 0:30 Glide 0:50 Punch 1:12 Float 1:33 Wring 1:54 Press 2:12 Slash 2:28 Dab 2:44 Flick 2:56 Glide again
Thank you!
AMAZING!! thank you so much!!
I appreciate the feedback. Thanks!
Thank you sir! This is so helpful, I love how every effort took a different character when approaching these lines :D Amazing!
Glad it was helpful, Rahima! Were/are you taking a Laban class?
This is so helpful thank you!
Glad it was helpful!
fabulous, used this as part of my lesson plan for choreography class, helped A LOT, thank you!
Fantastic! Thanks for continuing to teach the arts during this crazy time!
Took my first acting lesson and we looked at the Laban technique. This was suuuuper helpful seeing it performed through actual script. Thank you!
This was Excellent! I just took a class on the physical Laban techniques from Oral Storyteller Katie Knutson, who recommended your video as a noteworthy example of the verbal utilization. I'm so glad she did. Well done!
Oh, wow: I'm so glad it was helpful! I made it for a stage movement class I was teaching; didn't expect it to have a broader reach!
Superb presentation! Thank you!
Very helpful, thank you!!
Nice!