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14:47 15:03 15:30 The only thing I'm wondering about is ? he has two BAE eq and only one warm, and heritage, sounds like the BAE was used on both snare and kick, where only one was used on the whole, or just the kick ?

Leo is amazing! AbleSet is super cool. Great ran alongside our gear.. Great vid!

I wonder if it’d be possible to rig a bunch of these to one of those Radial XLR female to cat5 racks? Then you’d have a clean patch bay for your inputs on the console side.

Great video. My biggest regret is diving into the waves plugins, not realising that you have to pay for them again and again to keep them working. Biggest scam on the internet.

4 conductor, 3 channels with 1 common ground?

"I could measure it, but i don't want to" was very relatable :D Very good and informatve Video!

This will be great for my wife. She’s a studio session singer and while recording her last weekend she asked if she could have control over click independently of her vocal monitor. Way cheaper than other solutions we looked at!

Can literally do a whole snake over Cat5

I guess there isn't a 4th channel because it's dedicated to the power over ethernet?

This was a great review. You funny too.

Great video! What group is this setup for?

You’re a legend dude

What are those clownputers? Prolly got no games.

I think where some of these clones start to fall apart (as someone who owed a WA73EQ for many years) is when you use them on multiple sources in a recording. My WA sounded pretty good on vocals but when I started to add harmonies and additional background vocals, they start to have a harshness in the mid range as they started to add up together.

Great video, Kyle. You are much better at explaining the ins & outs of playback connectivity than I am. Love Ableset too, it's sneaky powerful. Hope you're well

I am a great drummer with limited knowledge of electronics starting my own tracking studio and I didn’t understand a damn word you said could you please simplify your system and explain it

❗️❗️❗️

Out of the 3 Heritage Audio is the only unit that has the 3 stage just like a Neve. For me HA is if you want more of that actual Neve sound and Bae would be for adding thickness as its really different compared to an actual Neve.

Better but that snare peek needs a bit softening up and fattening in the lower mids.

Thanks for sharing.. my coise is first mic

Thank you!! Our band is heading in this direction now and there's so much to know for sure. Best vid explaining the playback rig I've seen!! Any recommendation for having a company build one for me?

Love how the drums sit in the mix so well. I'd love know about the cymbals and their models.

The half hour video confirms that great sounding drums and cymbals are the starting point to a great recording session. If your gear doesn’t sound great before you start recording then miking the kit won’t fix the problems. It will create more problems in editing, mixing and mastering.

Can you more explain the part about the Line Check ?

HA rules !

Kip Allen sent me here…great comparison!

I would love another video on this such as how you control it in a live scenario

This is really helpful and easy to understand, thank you!

Lemme get this straight - the bae 500 series is thicker than the warm and heritage racks? Insane. Correct my if I’m wrong. 500 series 1066?

I have a model 12 will external pres sound good with it

If you ever get your hands on a GAP PRE-73 EQ Premier, be interesting to hear if there's any difference, compared to say the WA. Because they are half the price of the WA 73, almost 1/4 the price of the Neve. So could almost fit out a whole 8-channel drum recording frontend for the price of just over two Neve units. Similar with the Warm Audio WA-12 API-style pre, compared to CAPIs, which are almost twice the price, or APIs which are almost 3x.

For me, coming from the guitar and electronics home studio side, I think I would avoid wasting money on the following: tube upgrades, makes minimal difference. Too many overdrives: once you've found two or three you like, can sell the rest. Stock pickup upgrades, too often the new ones will be a little different, not necessarily better. Most stock speaker upgrades, often the amp manufacturers chooses one that pairs well. 4x12 cabs - too hot to handle unless you can isolate them really well - similar goes for 100w+ tube guitar/bass amps like Plexis, JCM800s, SVTs. Hardware all-digital syntheseziers, just use plugins, or even free ones - they are often better. Mixing consoles - most but not all home studios would do better to get an audio interface with many inputs, and go straight in, and spend the money on a few great rack or 500-series preamps, EQs and compressors. Loud/big tube bass amps and 8x10 cabs - there's a reason most studios won't have much other than a B-15 and a great D.I for bass.

Sounds great, nice tone, like off a nice old 70s vinyl record, which I always like. Similar setup here. Main interface is a Motu ultralite mk.V. But I use that Behringer for extra pres. For overheads, hats. Similar mics too, Beta52A on kick, SM57 snare top (no snare bottom). SM7b on hi-hat, though a 57 could do that. Audix D's on toms. Line Audio CM4 stereo pair on overheads. I use a couple of other things, but those would put it over budget: JZ Vintage 67 as room mic. GAP Pre73 for kick, Camden Cranborne EC1 pre for snare. Motu pres on tom pair. Want to get API pre pair for toms. And would like to upgrade to Audient ASP800, or better yet SSL Quad Pure Drive for better pres and ADC than the Behringer. Another affordable way of recording, if the room sounds good, and a more open sound works, is something like the 4-mic Recorderman technique. So, maybe a pair of Austrian Audio OC16 above and to the side, a Beta 52 on kick, SM57 on snare.

Fire! ❤

Trash video you do all that but dont do a vocal test give me back my view

insert button on the warm beats the heritage all day someone that an anlaog user that feature is the most important.....

Thanks for sharing and doing this review. I am currently in the process of testing a focusrite ISA vs a heritage Audio 73. I was curious how did you get a blue color heritage Audio all I’ve seen are gray lol.

PS. I read o your site that you're in Nashville, Have you tracked drums in the past for Michael Flanders (expat Aussie there I do some work for occasionally). JD

You samples sound fantastic, SOLD !! I will be buying the entire library shortly, amazing work Kyle. Where are you based by the way?

I'm hearing a lot more transient attack and low end in the heritage

Build quality and extra functions makes WA the winner for me. :-) I just got one, and saved quite big on getting the WA used, compared to a new HA unit - which is rare to come by used in Norway.

Question: any phase issues with 4 overheads? Thanks!

What are the sizes?

Warm didn't follow spec, and that was also in the inductor's which rupert neve said you need to have 3 not one or two !

Nice work man

Not a subtle difference to me: the Heritage clearly has a tighter low end and a better transient. It’s like it’s smeared slightly, but still really well defined.

wow, did you quantize it? it looks so evenly in line.

Kyle, love your work! What camera are you using and what lighting devices? Your content looks amazing!

5:33 5:49 6:09 6:14 6:34 7:16 7:27 7:44

You really are a master on recording drum. Do you mind sharing the rest of your mic setup.