LOL, he said when he watches student's films he can easily tell that they're just copying films that they see, with a bunch of cuts, and fancy crap, copying Wang Kar Wei, or whatever. I think he encouraged just shooting simply, letting the subject talk for itself.
he thinks about what he wants, most of it is in his head, then sometimes he writes it down, in a cheap notebook, then after that his crew-member, it might be same woman who have the backpack, edits what he writes (iirc he has a long-time collaborator that helps him write scripts)
at 20:00 be begins talking about a few other film-makers and films, examples of films that have a meaning behind, maybe requires study, says something about human society or whatever. (i think)
thanks for uploading! maybe the most important talk i've seen from Hou on the internet! usually he's all over the place, lol. but here it seems he was prepared to give his story 'n say a few things
damn, i was zoning out because my mandarin sucks, but at around 23:00 he starts talking about how after his military service, he went to Taipei, worked for a bit to save money, then went to college. i think it was quite useless(??), save for one teacher, then jumped into some company, worked for 8 months, then made his first few films, starring "Fēng Fei Fei" so, if anyone is interested in his biography, this is worth watching.
i think the film company then somehow got a group of foreigners, which included "Edward" Yang DeChang, in order to make two omnibus films ("in our time", "the sandwich man / a taste of apple"). then at Yang's house, they watched films together, and Hou was able to see films he hadn't really seen before (italian neo-realism, etc.), with natural actings, etc., then made "Boys from Fengkui"... and i'm guessing the rest is history. :)
near the end of the vid, i think he just talks about how to film naturally: just get actors together, on the first day they might feel strange, but if you keep shooting for a few days, they will loosen up, be friends, etc. then from there a sorta atmosphere arises, hopefully one that befits the scene? lol as an example story, Liang "Tony" (i think), after every cut would look up at the Hou, expecting Hou to say something, to be directed, "do this and do that", but Hou doesn't have anything to say, he just shoots the scene. After a few more shoots he understood Hou's method of doing nothing. It's like a zen/dao story, right? =D
before that, he spent a lot of time talking about being aware of, and building a habits of being aware of, the different perspectives everyone has of every experience, including when they consume art. unfortunately, i didn't understand the CSI part, lol
蔡康永非常非常会访问。声音最好听没有之一。
這是學校的標放😊😊很珍貴的視頻！謝謝分享❤
謝謝分享王家衞導演的原始材料！ 21/6/24.
好精彩的访谈，让我更加了解王导。一个有故事，因为其经历的导演。他了解演员，能演王导的戏，是一种表演的升华。诚如王导在片尾说的，在家也能导一部戏，素人也能成为大明星。这取决于导演的功力。王家卫，一位导师极的导演!😊
全损画质。。。
❤
訪問談中背景音樂太烦，影響聽王导及您的談話
《墮落天使》裡金城武的父親應該就是王導父親的投射。
當年輪流轉播的時候，香港人教育水平不高， 大部份觀眾都是勞工階層。若此劇在今時今日播， 就會變成神劇。
態度真誠 用字很精準❤
感谢导演的繁花，让我们海外上海人一解乡愁
我也是看了繁花來的，哭了哭了，謝謝導演！
@@isthatjudyz我也是，也不知為何會哭
雪裏紅是李麗華
谢谢哦❤
都市愛情 生活瑣事 刀手 黑社會 同性戀 同屋曖昧 江湖俠情 王家衛 用言情, 美麗光影 說出大眾身邊的故事 令 現代人有共鳴❤
看完繁花 来补
有警察就是警匪片，嗯。。一定是这样
the first 9 minutes seem hella important, but my Chinese sucks, about the core film-making process, using Cafe Lumiere as an example (i think)
LOL, he said when he watches student's films he can easily tell that they're just copying films that they see, with a bunch of cuts, and fancy crap, copying Wang Kar Wei, or whatever. I think he encouraged just shooting simply, letting the subject talk for itself.
he thinks about what he wants, most of it is in his head, then sometimes he writes it down, in a cheap notebook, then after that his crew-member, it might be same woman who have the backpack, edits what he writes (iirc he has a long-time collaborator that helps him write scripts)
at around 18:00 i think he makes an analogy to music, of using a chorus and counter-point in film...
at 20:00 be begins talking about a few other film-makers and films, examples of films that have a meaning behind, maybe requires study, says something about human society or whatever. (i think)
at 23:00 talks about unconscious, need to find what is within you, what you are skilled in
thanks for uploading! maybe the most important talk i've seen from Hou on the internet! usually he's all over the place, lol. but here it seems he was prepared to give his story 'n say a few things
damn, i was zoning out because my mandarin sucks, but at around 23:00 he starts talking about how after his military service, he went to Taipei, worked for a bit to save money, then went to college. i think it was quite useless(??), save for one teacher, then jumped into some company, worked for 8 months, then made his first few films, starring "Fēng Fei Fei" so, if anyone is interested in his biography, this is worth watching.
i think the film company then somehow got a group of foreigners, which included "Edward" Yang DeChang, in order to make two omnibus films ("in our time", "the sandwich man / a taste of apple"). then at Yang's house, they watched films together, and Hou was able to see films he hadn't really seen before (italian neo-realism, etc.), with natural actings, etc., then made "Boys from Fengkui"... and i'm guessing the rest is history. :)
near the end of the vid, i think he just talks about how to film naturally: just get actors together, on the first day they might feel strange, but if you keep shooting for a few days, they will loosen up, be friends, etc. then from there a sorta atmosphere arises, hopefully one that befits the scene? lol as an example story, Liang "Tony" (i think), after every cut would look up at the Hou, expecting Hou to say something, to be directed, "do this and do that", but Hou doesn't have anything to say, he just shoots the scene. After a few more shoots he understood Hou's method of doing nothing. It's like a zen/dao story, right? =D
before that, he spent a lot of time talking about being aware of, and building a habits of being aware of, the different perspectives everyone has of every experience, including when they consume art. unfortunately, i didn't understand the CSI part, lol
好喜歡聽墨鏡王談自己
背景音樂比對話聲還大
是黎耀輝誒！
2022來看第一☝️
收音效果那麼地差，不清不楚的， 要很吃力的去聽。 不過，還是值得。 慢慢地來，段落式的分梯次靜心悉聽。 一場打坐，放空。
13:50 侯導講述藝術創作者如何培養「鑑賞力」。👨🎨 29:38 電影《紅氣球》劇本的撰寫經過📝 38:40 談中國電影🎬的現代化（西化） 44:15 侯導談藝術鑑賞力如何在國家教育政策下從小扎根🎨🎻🎼 46:15 侯導聊和演員合作的經驗（辛淑芬、高捷、楊林、伊能靜等）🎭🎬
感谢🙏
謝謝上傳珍貴的侯導北影座談。👍
wong kar well
ruclips.net/video/WGMpcpwvPLo/видео.html
墮落天使是我一直重複看的 真的拍得不錯
阿飛正傳是偉大的作品
贾玲还有五秒钟到达片场
哈哈哈哈
两个上海之子的对话。
王家衛 會說 國語 啊。神奇
还会说上海话
他在上海出生；5 歲移居香港！ 母語是上海話。
而且廣東口音不算重
王家衛 我心目中的 神級人物。
两个祖籍上海的诶，突然发现这种巧合。
仰望
the background music is too loud, can't hear
音乐实在太吵。。。杂音！
很隨和文藝的導演，沒想到爸爸是個大流氓，把他爸爸看到的風花雪月全部拍出來
這個配樂聽了也是醉了
墨镜王如果学画画的话.应该是个大画家.每个镜头都是一幅画.美到极致。
可惜麦克风，现场有些听不清
阿飞正传 归类为 动作片 简直是豹笑。。。
蔡康永的訪談很無聊
你才無聊
導演Ｗomg Kar Wai 是神❤️
畫質慘。。
藝術家 王家衛
很复杂的一个人呐 看访谈之前觉得他应该是很疏离 四顾无依的那种人 但实际上很接地气 有很现实的一面 真诚中有一丝皎洁幽默。真的是很有趣的人
Agree.
王家卫一本正经地说重庆森林警匪片那里最有趣。导演真的很健谈
墨镜i love you