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I wish.. Sony doesn't really understand the design or the needs of filmmakers as they seem to just refuse to design one. They need to just produce an amazing all round LCD/eyepiece combo like ARRI that's compatible with the VF cable or adaptable to other connectors. They just don't seem to want to make one.

Thanks! Yes Tilta Vlock plate on the DJI transmission, the arm is a really basic old Tilta arri rosette extension but it is ultra short so it's not actually comfy (at least for me). But the Tilta plate is clean, just the power doesn't go to camera unless it's on which is actually quite a pain as for my work.

I do have a little loop and the little 16.9 letterbox shade, In sunlight I'd just angle the lens down to the floor rather than fiddle with the dangling piece to cover it up, but all great points and I assume screen burn issues are produced by direct sunlight as is what happens with all EVF's.

Thank you and I agree, lovely EVF and used them for years but they are heavy and cause issues with the FX6 handle flex, strange other brands have not made their own handle brace other than Bright Tangerine. Thankfully though, Bright tangerine AXIS is a really great bit of kit that is fully compatible with this EVF mount. It's almost the ultimate solution from my personal use case as It gives you all the flexibility you would want from an EVF and let's you quickly remove the EVF from the LCD quickly like how I attached it at the start (like how it works on the FS7 and FX9), it would also let you use the Handle support bracket as well, just it's another £400 on top and some extra weight to the overall camera package.

Fair enough and I appreciate your comment! With my Point of View in the video, I was trying to weigh the pros and cons over a hard case, such as why use it over a hard case and will it hold up anywhere and can it be used outside in all-weather. Cost wise these are better than a hard case and they just so happen to be a better size than a Pelican 1510 for my particular needs but otherwise, there are no other actual benefits over a traditional hard case. That's why my suggestion to utilize the space on the outside like a spot for a passport, Little pockets for matte box flags and cleaning clothes even French flags, and easy access to some camera batteries would help weigh these as an even better option compared to a hard case because one big CON to these bags is that they are way more awkward to open than a traditional hard case and neither offers external storage for simple things... So If it's fabric sow some pockets on it and at least in the Film Industry we would utilize those pockets!. These also won't survive in the rain or outside so just a basic all-weather cover suggestion would have just been useful period for those like me who don't work in a studio and always need to be ready for bad weather.

Appreciate the kind words!

Edited and graded using Resolve, shot at 100fps slowed to it's maximum on a 25p timeline, along with Ezra Cohens 16mm Grain pack which includes these very rough Fim Textures almost looks like VHS Noise and artifacts. I also added a halation like a glow around Highlights and a super subtle frame flicker but the grain is what you must be talking about?

@@Samskihero I was asking about the halation itself. I guess you can do that on davinci.

@@varunnair83 Yes you can, There are two ways of doing it, You can either use Glow effect set to Screen mode or use the Blur Controls. Check this video out ruclips.net/video/iuQ7FWQeH9E/видео.html