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Thanks for your story very real and supportive

I also completed 100 days sober, now i can see life with total clarity

Got mine new for 500 actually 250 with a trade in. No issues with strings bottoming out so im guessing the bridge issue was your problem. Could have maybe adjusted the string height? Anyways cool find. Going to be putting mine on the bench soon too. Mine has the standard crappy intonation issue and its muddy when tuned to E with 80 gauges.

Just wondering if there can be an ultraportable wireless setup for IEM monitoring? Thanks

brilliant video, thanks for that. you deserve many more views, really !!!

Although i understand why everybody likes the Warm More, when purely in the context of a mix, these high ends are way too harsh, and the unit seems to struggle a bit on the low ends aswell. i'd probably tweak it way more lightly ! Although it defenitely has that openness you can hardly acheive with pluggins, i'd rather spend the same price on a Tegeler EQP1 or a IGS Rubberband !

Day 70 and many of the experiences good and bad relate for me.

I just ordered a headphone amp & headphone extension. Thanks for the tips!

I would have loved to see how the cockblocker would do in this comparison. In terms of feel it's the best noise gate I ever played.

I always tell new guys. Play it from the high e. It's the same. Then you learn to add the lower notes. Or drop the lowest string and you have bar chords up top and normal below.

I agree the TC Sentra is the Best!

3 months for me!

The Decimator took it here in the audio section even over the Zuul, it's kept the audible hiss inbetween notes under control better

Great work ! What was the string gauges ? Could you please share the string types ?

I want to buy a mixer that has a usb output so that a can connect a mobile phone and record videos with the audio from the mixer.....is it possible to do this?

I want one, but they're so expensive...

Interesting. I prefer the sound of the modern style much more. I like that it's tight and focused.

Hello Caesar, you're such a nice birdie! :)

I've been using a Decimator 1 for many years now & its a great pedal. After watching your video I'd most probably upgrade to one of G Strings if i needed another one. I really wish you could have gotten hold of an older 2 channel Rocktron Hush pedal. I have two of them & they behave very similar to the Decimator 1. I also have the Hush you tested & it is completely different. In it's defence though it is not designed to take the input from a guitar, it should be placed after a noisy pedal, probably the reason it was noiser. Really cool shootout

Wow this is awesome, thank you for the info! I appreciate you going trough each sound and effect! :)

Really curious as to how exactly you pulled this off, as this sounds better than any spring IR I've heard yet and I'm trying to make some myself.

When I had a newer SR505 I actually considered removing the preamp but I didn't want a passive bass, so I wound up blowing a ton of money on a Dingwall, simply because I still wanted an active bass that sounded better. Especially when recording I'm definitely not a fan of passive guitars, let alone basses, and thankfully my new 10-string guitar had Fishman Fluence Moderns, which, while I was hoping for something better, it at least had active pickups which still saved my recording sessions.

Can you do talk back with it?

Day 50 with out alcohol feeling 2.0 reborn

Any more mix challenges planned in the future??? I got the itch to do another.

this vs m track solo?

Soviet Propaganda? What ret*rd hot take.

Great stuff - Thank you

I need a whole separate video about why it's called "Jimmee Dee"

Is it well compatible with any DAW (Cubase in particular) And how does it compare to Groove Agent S.E ? Is it really an added value for rock and metal prod ?

Can it play 8d sound?

Cool? Sounds like cheesy 80s b movie.

3 days sober!

Really enjoyed this. 👍

I loved watching this video. I love COB and hearing the breakdown of one of their main patches was awesome. I nearly lost it when I thought you missed mentioning the orchestral hit haha, but you just snuck it in at the end.

Love RedPack -- very clean samples

Very relatable in many ways. Thanks for this

Nick, this is F'n outstanding, man. Nice work. 👏

My grandfather has a degree in woodworking and electronics and me and him added a noise gate inside my tube amps me and my grandpa took the inside of a noise gate circuit wired it up inside my tube amp I play cleans only I play rockabilly bluegrass and blues the preamp tubes are RCA 6V6 tubes for each amp I use Thomastik flatwound strings I'm 21

spectacular patch, it's so nostalgic!! loved to see the breakdown

Thanks for the mention. I am glad my video helped. I am amazed by the detailed analysis and breakdown of the sound in this video. Thats some intense observation!😊

Even though I skipped through a lot of it, the tidbit of info I needed was perfect. I'm plugging in a guitar (that has noisy lipstick pickups) into my computer and needed to remove noise. Suddenly knowing noise gates on the computer are just better, it was just a matter of finding the right one that worked for me. I ended up finding a plugin called Brusfri by Klevgrand that seems to even eliminate the noise even while playing notes, which was exactly what I was looking for.

25.5 accustic

I bought a JV1010 to get Jens Johansson´s sounds but COB also have some great sounds

Nailed it

YES!!!! ReaGate! Many attempts in the ancient days of trying to use that on the Muse Receptor

Criminally undersubscribed channel

REAPER, the DAW of choice for all audio testing

Sentry is awesome. You can set it to still let some great feedback out - when you want to!

Ok.. So, I gotta point out that when you got to the "top 6", you said they're all "4CM", but they're NOT! The TC Sentry, Revv G8, and Boss NS-1X are "4CM" gates.. meaning you can run it through both ends of an amp, and it'll actually gate both ends (or you can gate noisy pedals through the Send and Return, as well as gating in front of the amp, or in the loop.. wherever you need it). "4CM" doesn't just mean that the pedal can use 4 cables, though it is a common misunderstanding. (The term was made popular when people started using the Boss NS-2 through both ends of their amps.) Gates like the ISP G-string and Fortin Zuul+ are "triggered" or "keyed" gates (aka "Muzzle" gates, along with others.. like the Highwind Phalanx, GUPtech SUN and MWAC, Lichtlaerm Audio Key and Gate, and quite a few others), which HAVE to be used in an amp's effects loop (or after your source of distortion/preamp), and they only work as intended (and can really only be judged) if you use the "Guitar or 'Key' In and Thru" (directly from the dry guitar signal). The original Fortin Zuul only had a "Key In" because Mike Fortin didn't want anyone thinking it was a "4CM" gate. (They're based off of rackmount "studio" gates, which typically only have a "Key input".) Next, the KMA "Pylon" is solely a "front end" Gate/Boost, and the "Send and Return" is specifically for adding an OD pedal (or any noisy pedal being used in front of an amp), not for "4CM" use. It's also made especially for extended range guitars, and can also be used as an amp's footswitch as well, simultaneously turning the gate on and off when switching channels. For best results, you'd still need a gate in the loop for "amp noise", or "dead silence"... like the Lichtlaerm Audio "Key and Gate", since it was designed by Daniel Ringl, just like the KMA Pylon.. except the "Key and Gate" works more like the ISP G-string and Fortin Zuul, so it's made for using in an amp's effects loop.. (the opposite of the Pylon), but any single ended gate should be good enough. The MXR Smart Gate is also considered to be a "front end" gate.. best when used along with something like a Decimator (or even a Hush) in the loop (or an amp's built-in gate, if it has one). Also, the Rocktron "Hush" ONLY works as a noise reducer, not a "Gate" (like the built-in "gates" from amps like the Peavey JSX or Bugera 333XL.. It only "tames" amp hiss.. No gating involved.) Finally, about the ISP Decimator II's... Again, while they can be used anywhere in your signal chain (like the original Decimator), they're designed to be "linked" together, especially if you want to use them to their full potential. (Also, the G-string II's "Link Out" is for "dual amp" or "stereo" rigs.. You can Link Out from the G-string II into the "Link In" of a Decimator II that's running in the loop of a 2nd amp, so both gates are "tracking" the guitar signal from the G-string II, while "gating" through the effects loops of 2 different amps.) I've tried all of those gates, and if I had to pick one from your top 6, I'd probably go with the Sentry, too, since it can be used in front, in the loop.. or both, but nothing compares to using 2 gates, and that's where the Decimator II's (when linked together) shine the most.