AMuSicScoRe
AMuSicScoRe
  • Видео 81
  • Просмотров 175 938

Видео

15r D, AIIa breve non tanto | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 1 тыс.Год назад
15r D, AIIa breve non tanto | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners, Fotoreproduktion, Eigentümer unbekannt: www.bruckner-online.at/mirador.php?Signatur=A-WnPhA1459 MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Pipe Organ - Flutes Human Playback Style: Standard Playback Tempo: Quarter Note = 60
7r | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 649Год назад
7r | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners, Fotoreproduktion, Eigentümer unbekannt: www.bruckner-online.at/mirador.php?Signatur=A-WnPhA1459 MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Pipe Organ - Flutes Human Playback Style: Standard Playback Tempo: Quarter Note = 60
00_00_000Do(C)002182023_0001
Просмотров 376Год назад
I am absolutely not a composer. This is just an exercise. MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Hauptwerk All Stops Human Playback Style: Standard Playback Tempo: Quarter Note = 60
53r | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 461Год назад
53r | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners, Fotoreproduktion, Eigentümer unbekannt: www.bruckner-online.at/mirador.php?Signatur=A-WnPhA1459 MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Hauptwerk All Stops Human Playback Style: Standard Playback Tempo: Quarter Note = 50
50v Führer | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 2 тыс.Год назад
50v Führer | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners, Fotoreproduktion, Eigentümer unbekannt: www.bruckner-online.at/mirador.php?Signatur=A-WnPhA1459 MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Hauptwerk All Stops Human Playback Style: Standard Playback Tempo: Quarter Note = 70
8r Vers, Schluß | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 562Год назад
8r Vers, Schluß | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners, Fotoreproduktion, Eigentümer unbekannt: www.bruckner-online.at/mirador.php?Signatur=A-WnPhA1459 MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Baroque Plenum Human Playback Style: Standard Playback Tempo: Quarter Note = 70
11v Mod[era]to, Mit starken Stimmen | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 446Год назад
11v Mod[era]to, Mit starken Stimmen | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners, Fotoreproduktion, Eigentümer unbekannt: www.bruckner-online.at/mirador.php?Signatur=A-WnPhA1459 MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Hauptwerk All Stops Human Playback Style: Standard Playback Tempo: Quarter Note = 100
11r Mit vollem Werke | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 509Год назад
11r Mit vollem Werke | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners, Fotoreproduktion, Eigentümer unbekannt: www.bruckner-online.at/mirador.php?Signatur=A-WnPhA1459 MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Hauptwerk All Stops Human Playback Style: Standard Playback Tempo: Quarter Note = 70
6v Händel | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 1,9 тыс.Год назад
6v Händel | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners, Fotoreproduktion, Eigentümer unbekannt: www.bruckner-online.at/mirador.php?Signatur=A-WnPhA1459 MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Hauptwerk All Stops Human Playback Style: Standard Playback Tempo: Quarter Note = 50
3r Mit starken St[immen] | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 3,3 тыс.Год назад
3r Mit starken St[immen] | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners, Fotoreproduktion, Eigentümer unbekannt: www.bruckner-online.at/mirador.php?Signatur=A-WnPhA1459 MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Hauptwerk All Stops Human Playback Style: Standard Playback Tempo: Quarter Note = 80
Bruckner, Anton · 84. [Kurze General Bass Regeln] | WAB add 258
Просмотров 920Год назад
MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Hauptwerk All Stops Human Playback Style: Standard Playback Tempo: Quarter Note = 60
14v D | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 867Год назад
14v D | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners, Fotoreproduktion, Eigentümer unbekannt: www.bruckner-online.at/mirador.php?Signatur=A-WnPhA1459 MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Hauptwerk All Stops Human Playback Style: Standard Playback Tempo: Quarter Note = 65
13v Mod[era]to | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 1,3 тыс.Год назад
13v Mod[era]to | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners, Fotoreproduktion, Eigentümer unbekannt: www.bruckner-online.at/mirador.php?Signatur=A-WnPhA1459 MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Baroque Plenum Reeds Human Playback Style: Standard Playback Tempo: Quarter Note = 68
Bruckner, Anton · Vers in G-Moll | WAB add 334/15
Просмотров 1,2 тыс.Год назад
WAB add 334/15 (www.bruckner-online.at/?page_id=1588) WAB 337/15 (www.bruckner-online.at/?page_id=870) MakeMusic Finale 26.2 Garritan Personal Orchestra 4: Hauptwerk All Stops Human Playback Style: Standard Playback Tempo: Quarter Note = 50
28r Mit starken Stimmen. Rink. | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 839Год назад
28r Mit starken Stimmen. Rink. | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
43r Andantino. Führer, Cadenz | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 920Год назад
43r Andantino. Führer, Cadenz | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
2v And[ante]. Mit starken Stimmen | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 4,1 тыс.Год назад
2v And[ante]. Mit starken Stimmen | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
32r Adagio, ... | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 2,5 тыс.Год назад
32r Adagio, ... | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Bruckner, Anton · Andante in A-Dur | WAB add 334/19 (Pipe Organ - Flutes)
Просмотров 3 тыс.Год назад
Bruckner, Anton · Andante in A-Dur | WAB add 334/19 (Pipe Organ - Flutes)
9v | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 1,5 тыс.Год назад
9v | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
10r Cis moll. Des dur. | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 462Год назад
10r Cis moll. Des dur. | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
24r B | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 1,8 тыс.Год назад
24r B | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
39v | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 1,9 тыс.Год назад
39v | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
13r Larghetto. Mit sanften Stimmen | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 3 тыс.Год назад
13r Larghetto. Mit sanften Stimmen | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
5r Führer | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 3,4 тыс.Год назад
5r Führer | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
4v Fuga | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 2,1 тыс.Год назад
4v Fuga | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
6r Führer, Schl[uß], Schluß | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 843Год назад
6r Führer, Schl[uß], Schluß | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
2r And[an]te. Mit sanften Stimmen | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 1,7 тыс.Год назад
2r And[an]te. Mit sanften Stimmen | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
1r And[an]te. Mit sanften Stimmen | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners
Просмотров 1,7 тыс.Год назад
1r And[an]te. Mit sanften Stimmen | A-Wn PhA 1459, Orgelbuch aus dem Besitz Anton Bruckners

Комментарии

  • @LearnCompositionOnline
    @LearnCompositionOnline 4 месяца назад

    Groundbreaking

  • @LearnCompositionOnline
    @LearnCompositionOnline 4 месяца назад

    where does one play this?

  • @davidetiri
    @davidetiri 4 месяца назад

    It’s so similar to Bepi De Marzi’s Ave Maria: ruclips.net/video/xYYvgG_SNTY/видео.htmlsi=Jso4awW6d-ikGNqX

  • @LearnCompositionOnline
    @LearnCompositionOnline 4 месяца назад

    Do you know rallentando?

  • @handavid6421
    @handavid6421 5 месяцев назад

    curious open fifths at bar 4.

  • @jeovaneleiteparedes1557
    @jeovaneleiteparedes1557 7 месяцев назад

    You could make an edition of the entire book with beautiful scores. the pieces are beautiful, but reading the manuscripts is tense.

  • @jeovaneleiteparedes1557
    @jeovaneleiteparedes1557 7 месяцев назад

    Very good.

  • @jeanbranchereau89
    @jeanbranchereau89 8 месяцев назад

    pompe pompe pompe pompeux pompier ….

  • @markhughes7927
    @markhughes7927 8 месяцев назад

    ..miracle! - ended up in being in E-flat!❤

  • @carlacosentino5338
    @carlacosentino5338 10 месяцев назад

    Buongiorno, come fare per avere lo spartito di questo e di altri di questi brani di Bruckners? Grazie tante e buona giornata.

  • @ClergetMusic
    @ClergetMusic 11 месяцев назад

    It says “sanften Stimmen,” which means “soft voices.” The registration should not have been plenum with reeds as used in this video. This makes me suspect the music was put into a computer and the computer program uses a generic organ sound, usually the plenum with reeds, as it would be too complicated to simulate all of the registration choices available on even a small two-manual pipe organ. That, or this was played on a synthesizer keyboard whose organ sound is the generic one I just described. If I can find the score for this, I will learn it and record it, possibly several times, to demonstrate what “soft voices” (in French “jeux doux”) would be like on an actual pipe organ. This work would sound lovely with a soft 8’ principal, flute celeste, or viola celeste. An 8’ Erzähler would add nicely to either of those suggestions.

  • @Dulcian16
    @Dulcian16 Год назад

    Nice

  • @Joe-fu1ej
    @Joe-fu1ej Год назад

    I search for these on the net but can not find a copy? Can you help point me in the right direction? Thanks!

    • @amusicscore
      @amusicscore Год назад

      e.pcloud.link/publink/show?code=XZKBLWZPtL6rAMN0EFLuxSdU1hahHMTAiTk

  • @GhtPTR
    @GhtPTR Год назад

    Third beat first bar, care to explain?

    • @amusicscore
      @amusicscore Год назад

      A thirteenth chord > dominant seventh.

    • @GhtPTR
      @GhtPTR Год назад

      Yep, I figured that out, the problem is jumping from C 1 to a chord with E, F and G sounds a bit steep even considering E is delayed to D. Well, if not steep, at least audacious 😜

    • @amusicscore
      @amusicscore Год назад

      It's allowed to do in the harmonic rules, it's not a mistake.

    • @GhtPTR
      @GhtPTR Год назад

      Indeed. Well, to be fair, there is pretty much no mistake ever in harmony - maybe besides parallel fifhts or octaves, any chord can relate to any chord with some stretch, it's only a matter of deciding to which point you allow yourself to unsettle the progression. Cheers.

    • @amusicscore
      @amusicscore Год назад

      @@GhtPTR Thanks for your interest.

  • @GhtPTR
    @GhtPTR Год назад

    I guess you typed the score into Muse or sth. If so, thank you very much.

  • @FredMellink55
    @FredMellink55 Год назад

    ruclips.net/video/IRHz-u0NtKA/видео.html

  • @FredMellink55
    @FredMellink55 Год назад

    Here is my version ruclips.net/video/npkBuNKhDV8/видео.html

  • @christophmunch4796
    @christophmunch4796 Год назад

    Very beginnerish composition. Not worth it.

    • @GhtPTR
      @GhtPTR Год назад

      It is a study. Some transitions are questionable only if you forget the very long hard way to forge Bruckner's skills. For die-hard Bruckner fans, of which I'm one, the material on display here is extremely instructive, and I'd like to thank the channel for the transcription work.

  • @Mutuli
    @Mutuli Год назад

    Which principle did you use in composing this? Functional harmony, thorough bass or just counterpoint? * I understand that all the above employs the use of counterpoint.

    • @amusicscore
      @amusicscore Год назад

      I didn't compose this piece. This piece is part of a collection that could be attributed to Anton Bruckner. Info here: www.bruckner-online.at/?page_id=1588 WAB add 334 “Präludienbuch”. Bruckner Online > Werkverzeichnis Anton Bruckner (WAB) > WAB add 334 > Quellen > Zum Digitalisat.

    • @Mutuli
      @Mutuli Год назад

      @@amusicscore Okay, thank you.

    • @beethovencoverband6611
      @beethovencoverband6611 6 месяцев назад

      ​@@Mutulithe progression in bars 1-4 and 9-12 is called a monte romanesca (rising fifths), which normally uses 4-3 suspensions on each base note. If you use a 4-3 suspension over each base note, then the upper voices are in canon! (The melody goes up a fourth, then down a step twice, and then repeats in sequence). Bars 5-8 and 13-18 are common answers to a monte romanesca. See the book "music in the gallant style" by gjerdingen for more of these!

    • @tavinmj
      @tavinmj 3 месяца назад

      And a quiescenza at the end!

  • @Mutuli
    @Mutuli Год назад

    Beautiful.

  • @zeenohaquo7970
    @zeenohaquo7970 Год назад

    Bravo to brevity

  • @raulreyesortiz1732
    @raulreyesortiz1732 Год назад

    Wo kann man es kaufen ??

    • @amusicscore
      @amusicscore Год назад

      Source: www.bruckner-online.at/miradorDrucke.php?WAB=WAB337_7 . PDF: e.pcloud.link/publink/show?code=kZRdPSZK8bTTIzpVQybIoHEMb2p2QN01UaV

  • @jefflokanata
    @jefflokanata Год назад

    Simple, ye Beautiful.

  • @charlespalella9489
    @charlespalella9489 Год назад

    I cannot find the sheet music for this anywhere online. It's a great tune!

    • @amusicscore
      @amusicscore Год назад

      Find this prelude here: e.pcloud.link/publink/show?code=kZRdPSZK8bTTIzpVQybIoHEMb2p2QN01UaV

    • @charlespalella9489
      @charlespalella9489 Год назад

      @@amusicscore Wow! Many, many thanks!

  • @TheWorldOfHarmony
    @TheWorldOfHarmony Год назад

    It is a little tricky if there are two perfect fourths in a row. When you change the position the become perfect fifths. So an adjustment must be made.

    • @amusicscore
      @amusicscore Год назад

      The original is written as you see it.

    • @TheWorldOfHarmony
      @TheWorldOfHarmony Год назад

      @@amusicscore What I mean was that it is not possible to alway just reverse the voices, one has to make some changes as Herr Bruckner did.

  • @TheWorldOfHarmony
    @TheWorldOfHarmony Год назад

    I like the cadences. They sound so solid. I just noticed the exercises were done in three positions. Why don't you give an intro screen with short description. Just an idea. You can do it easily in Canva.

  • @TheWorldOfHarmony
    @TheWorldOfHarmony Год назад

    Generalbass and organ! I love that. Thanks 😊

  • @michadrzewo1369
    @michadrzewo1369 Год назад

    I need to ask, how do you open orgel preludes from WAB addycji 334? How to gen score from sides, you linked?

    • @amusicscore
      @amusicscore Год назад

      I personally copy the pieces with a software (in this case I use MakeMusic Finale). Here the .pdf 14v D: e.pcloud.link/publink/show?code=kZRdPSZK8bTTIzpVQybIoHEMb2p2QN01UaV Here they are all complete but with the initials 337/: www.bruckner-online.at/?page_id=870

  • @amusicscore
    @amusicscore Год назад

    ruclips.net/video/E7bUEHXtdIo/видео.html

  • @rjuttemeijer
    @rjuttemeijer Год назад

    That’s pretty loud for piano dynamics.

    • @FredMellink55
      @FredMellink55 Год назад

      Yes, here is my version, I created recently: ruclips.net/video/1Ek3900yQ8c/видео.html

  • @uigliam
    @uigliam Год назад

    In the last bar, the A backing note, instead of C, would have convinced me more.

    • @amusicscore
      @amusicscore Год назад

      The original is written as you see it.

    • @uigliam
      @uigliam Год назад

      @@amusicscore Yes I know. Mine was just a personal observation, referring to melodic taste. Obviously Bruckner writes perfectly. 😉

    • @TheWorldOfHarmony
      @TheWorldOfHarmony Год назад

      I sounds good either way.

  • @uigliam
    @uigliam Год назад

    It sounds like an ordinary harmony exercise borrowed from Mozart, performed at high volume... without a valid reason.

    • @AurumFlavius
      @AurumFlavius Год назад

      clearly reminds Agadio for Glass Harmonika K356

    • @uigliam
      @uigliam Год назад

      @@AurumFlavius Yes

  • @walkerwhitehouse5413
    @walkerwhitehouse5413 Год назад

    I appreciate the score videos. It seems like the registration is always the same though is that intentional?

    • @amusicscore
      @amusicscore Год назад

      As reported there is an error in the second measure ruclips.net/video/a_JBXjEjwyU/видео.html.

  • @joseejoaqui4
    @joseejoaqui4 Год назад

    👌

  • @robhaskins
    @robhaskins Год назад

    surely the last two eighth notes of m. 2 are A and G!

    • @amusicscore
      @amusicscore Год назад

      Thanks! ruclips.net/video/fcTqrvVsdXw/видео.html

  • @Komponist-m4e
    @Komponist-m4e Год назад

    Sehr schönes Beispiel der Vorlagen, deren sich Bruckner bedient hat!

  • @jakrol
    @jakrol Год назад

    It's a lovely piece but I can't help but feel the choice of the "All Stops" VST doesn't really follow the direction of "Mit sanften Stimmen".

    • @amusicscore
      @amusicscore Год назад

      ruclips.net/video/s-UwCwYSLgM/видео.html

  • @Komponist-m4e
    @Komponist-m4e Год назад

    Das sind Kompositionsstudien!

  • @carlacosentino5338
    @carlacosentino5338 Год назад

    Buongiorno, vorrei sapere dove posso trovare gli spartiti di questi brani di Bruckner. Grazie tante e buona giornata.

    • @amusicscore
      @amusicscore Год назад

      Trovi tutti quelli pubblicati in questa raccolta: www.stretta-music.it/bruckner-werke-fuer-orgel-nr-134102.html Solo i Vier Präludien: imslp.org/wiki/4_Preludes_for_Organ%2C_WAB_128_(Bruckner%2C_Anton) Questo specifico: e.pcloud.link/publink/show?code=XZBChjZy1xuvJ18QRj8DIrTbvIEeRBh1twX

    • @carlacosentino5338
      @carlacosentino5338 Год назад

      @@amusicscore TANTE GRAZIE, GENTILISSIMI.A PRESTO.

  • @anbruck1
    @anbruck1 Год назад

    I do not know this "Orgelbuch aus dem Besitz Anton Bruckners", of which this is a second piece. Where did you find this "Orgelbuch"?

    • @amusicscore
      @amusicscore Год назад

      Bruckner Online > Werkverzeichnis Anton Bruckner (WAB) > WAB add 334 > Quellen > Zum Digitalisat

    • @anbruck1
      @anbruck1 Год назад

      @@amusicscore Thanks! I have found them. There are pieces, which were not selected by Dité to be put in his "Vademecum für Organisten" and "Festliche Präludien".

    • @anbruck1
      @anbruck1 Год назад

      PS: I have adapted the Wikipedia page on Bruckner's organ works accordingly.

    • @anbruck1
      @anbruck1 Год назад

      @@amusicscore The "Präludienbuch", WAB 334, consists of 159 short organ pieces, of which twenty-two have been issued by Louis Dité in his Vademecum für Organisten and Festliche Präludien. Are you intended to upload the 135 remaining ones?

    • @amusicscore
      @amusicscore Год назад

      @@anbruck1 I don't know but I'll try.

  • @weepingscorpion8739
    @weepingscorpion8739 Год назад

    I'm only an amateur organist and the church organ I usually play doesn't have pedals and as such I often wonder if I'm ever able to play pieces by big composers. Well, now I can add Bruckner to my list of composers with pieces I can actually play. Thank you!

  • @wjgonzalez1
    @wjgonzalez1 Год назад

    Where can I buy the music score?

    • @amusicscore
      @amusicscore Год назад

      www.bruckner-online.at/miradorDrucke.php?WAB=WAB337_7 or check the "About" section of my channel.

    • @deodatdechampignac
      @deodatdechampignac Год назад

      Don 't you know Bruckner is public domain ?

  • @anbruck1
    @anbruck1 Год назад

    There are two other Bruckner's organ works, which, so far I know, you have not yet uploaded: the Fuge in d-Moll - WAB 125, and the 'Perger' Präludium in c-Moll - WAB 129. Are you intended to upload them later?

    • @amusicscore
      @amusicscore Год назад

      I didn't upload them because they are already on You Tube but I will upload them anyway.

  • @anbruck1
    @anbruck1 Год назад

    The "Kurze General Bass Regeln" is classified WAB add 258 by Bruckner-Online

  • @hansklein5548
    @hansklein5548 Год назад

    Wo sind die „sanften Stimmen“ geblieben?

    • @amusicscore
      @amusicscore Год назад

      My mistake, sorry. ruclips.net/video/E7bUEHXtdIo/видео.html

    • @ClergetMusic
      @ClergetMusic 11 месяцев назад

      My thoughts exactly.

  • @hernanpiro
    @hernanpiro Год назад

    0:21

  • @IpCrackle
    @IpCrackle Год назад

    These are great pieces! Is there any way to obtain them?

    • @amusicscore
      @amusicscore Год назад

      Original source: www.bruckner-online.at/miradorDrucke.php?WAB=WAB337_11

    • @IpCrackle
      @IpCrackle Год назад

      Thanks. But this is your transcription?

    • @IpCrackle
      @IpCrackle Год назад

      Never mind, I found them!

  • @anbruck1
    @anbruck1 2 года назад

    This "Vorspiel und Fuge" in c-Moll , WAB 131, has been composed on 15 March 1847. The next autograph pieces are the "Fuge in d-Moll", WAB 125, composed on 7 November 1861, and the "Perger Präludium" in C-Dur, WAB 129, composed in 1884. There is also a "Konzertskizze in c-Moll", WAB 241, a sketch for an improvisation on 28 August 1884 in Kremsmünster.

  • @anbruck1
    @anbruck1 2 года назад

    Horn has made a score of his first improvisation. His first improvisation has been also recorded by Klaus Sonnleitner (1996), Siegfried Petri (2009) and Gerd Schaller (2015).

  • @anbruck1
    @anbruck1 2 года назад

    Another completion of the missing score of the bass trombone. In Band XXI of the Gesamtausgabe (Kleine Kirchenmusikwerke, 1984) the missing score of the bass trombone was composed by Hans Bauernfeind. For the recording by Jürgen Jürgens with the Camerata Accademica Hamburg [CD - Music of the St. Florian Period (Volume II)], the f the missing score of the bass trombone has been composed by William Carragan.