My favourite superhero film, and my favourite leitmotif from the film. I just wish the film had kept the earnestness of the first half, and ditched the camp and comic book villains in the second half. I always thought the film was a little schizophrenic in that respect. It is strange that for such a strong theme it never repeats after this scene in any of the other Christopher Reeve films.
Yes, there is a shift in tone, but what's amazing is how it all works so well together. You need the gravitas of the first 45 minutes for what comes later. The campiness of some of the villains doesn't take away from the real import of the choice Superman makes at the end in the midst of tragedy. And that later sequence derives its power from what we saw here in the early part of this film.
Principal timpanist Kurt Hans Goedicke of LSO from 1964-2000 talks about working with John Williams on Star Wars. He also recorded the Superman soundtrack ruclips.net/video/ABHokxGFPRc/видео.html
Hauntingly beautiful piece of music and arguably the most moving scene in superhero history. We can all relate to that moment in life when we leave the nest and when we hugged our parents goodbye for the first time. Masterpiece by Williams/Donner.
The dialogue wasn't really necessary. This music told us everything we needed to know. "I have to leave." "We always knew this day would come... always remember us."
Well, had to write just a few more lines: I think it is pointless to "evaluate" composers (and film composers for that matter) past and present. Some truly great ones I truly admire: Ennio Morricone (more a composer of great theme tunes and very emotional as well - but not a master of complex cues in sync to the image), Jerry Goldsmith, Howard Shore, Bill Conti, Bernard Herrmann, Thomas Newman (his father: Alfred Newman composed the great 20th Century Fox fanfare, re-recorded by Williams in 1977 for the first Star Wars movie to segue perfectly into the Star Wars main fanfare/theme - and if you are into '30s '40s old school I'd name Franz Waxmann, Max Steiner and W. E. Korngold (John Williams did a revival of this approach starting with the original Star Wars 1977). Many others but they are often not that versatile or remained in a now outdated genre (like the great Henry Mancini with his latin-jazz inspired scores of the 1960s, one of John Williams' mentors - Williams was his pianist!). Thanks for reading - this is not meant to be "teaching" LOL. I just do this stuff (composing/arranging etc.) for film and stage musicals (among other stuff). Sure on a much more modest level (no need to write my CV here :-) ). BUT there is no doubt: John Williams is the greatest ever. Almost all film composers I know personally are 100% of the same opinion. Repeating myself: Music teacher: "Who is your favorite film composer?" Class (in lound and perfect unison): "John Williams!!!!". Even if he didn't come up with truly great material in the last Star Wars movie (he was ill and probably the guys in charge didn't let him do it his way - it would have overshadowed the movie!). No matter what: John Williams already left more than a 100 life times of perfect music!
+Christian Schonberger Actually, I think he number 2 behind Herrmann, but he is unquestionable on Mount Rushmore. FOr me MR would be Herrmann, Williams, Morricone and Goldsmith.
+nikosvault Yes it's a tough call. Herrmann, as a violinist, was able to bring the string section alone (not to mention the other orchestra sections) to its fullest, expressive potential (the music score for "Psycho" has only the string section and there is nothing missing!". Herrmann also truly pushed the dramatic score into a completely new direction at the time. Absolutely fantastic and subtle textures. A giant leap from the old Waxmann,Steiner school of (over-) dramatic music scores with blaring trumpets and and cheesy strings (by today's ears, no disrespect!), both regarding melody/chord voicing - and - controlling timbres. Incredibly controlled chord clusters and a perfect mix of the tonal and atonal. Williams is usually way more "Wagnerian" in his approach and extremely cinematic, managing to sound incredibly beautiful without ever being cheesy. Anyway: Herrmann definitely is an excellent choice for anyone's "Nr.1".
I can't agree with "greatest ever," but his incredible scores have been connected with most of the more popular movies of the 1970s onwards. Consequently, his scores have had the greatest impact on the public.
+jamie bennett Agreed. :) James Horner was brilliant. The score of The Land Before Time was one of my favorites. Titanic was amazing as well. But as you said, no one can beat John Williams. :)
One of the best pieces of music ever conceived. As a teen in rural west-central Illinois I first saw the movie, I soon after had to buy the soundtrack with my meager earnings from a part time job... for all these years since... it was THIS particular score that has stayed with me and entered my mind every few months... I went to RUclips today, hunted around a bit... and FOUND it! Thank you for posting.
Hanz Zimmer comes from the pop and synth scene. He is great for "modern" movie soundtracks and many composers imitate him (or try). But John Williams is on an entirely different level. He is not just one of the most talented composers ever (together with the likes of Leonard Bernstein and George Gershwin), he is also a highly accomplished jazz and classical pianist and a fantastic orchestrator. His use of motives dovetailing into each other, his fantastic use of counterpoint (two or melodie lines at the same time without clashing) and his absolute command of timbres, articulations and dynamics to create what are probably the most highly emotional music ever. And his music has weight and tells a thousand stories. Something images never can. He breaks your heart and heals it right after that. I think he is the greatest ever. But that's just me.
John Williams Isolated Score Leaving Home 🏡
My favourite superhero film, and my favourite leitmotif from the film. I just wish the film had kept the earnestness of the first half, and ditched the camp and comic book villains in the second half. I always thought the film was a little schizophrenic in that respect. It is strange that for such a strong theme it never repeats after this scene in any of the other Christopher Reeve films.
Yes, there is a shift in tone, but what's amazing is how it all works so well together. You need the gravitas of the first 45 minutes for what comes later. The campiness of some of the villains doesn't take away from the real import of the choice Superman makes at the end in the midst of tragedy. And that later sequence derives its power from what we saw here in the early part of this film.
I have no words expect "perfection "
Capolavoro Assoluto.. Molto Emozionante. Bravissimo John Williams
😭
They're just standing there! I don't remember them doing that for 3.5 minutes in the movie!
Thinking of our sweet mama,,,Aloha oe🌺 beautiful inspiring music
Had this in mind when I heard that Richard Donner has passed away. RIP Mr. Donner
Principal timpanist Kurt Hans Goedicke of LSO from 1964-2000 talks about working with John Williams on Star Wars. He also recorded the Superman soundtrack ruclips.net/video/ABHokxGFPRc/видео.html
Alberto lo que muchos llaman frikismo otros le decimos pasión. Superman Forever!! Que se cumplan todos nuestros sueños!!
Un abrazo, amigo.
8 people kneeled before Zod.
The best superhero movie ever!
Hauntingly beautiful piece of music and arguably the most moving scene in superhero history. We can all relate to that moment in life when we leave the nest and when we hugged our parents goodbye for the first time. Masterpiece by Williams/Donner.
One of the most beautiful scenes in the history of film.
This was just played on the 2019 Oscars during the "In Memorium" segment.
pretty boring.. sorry
+amerea - Thank you for sharing.
you could use some SERIOUS counseling...
Michael Bay is calling you.
okay, better copy from tonights oscars
Played at the Oscars tonight.
lol, took awhile to remember where this came from and...yeah. Superman
The dialogue wasn't really necessary. This music told us everything we needed to know. "I have to leave." "We always knew this day would come... always remember us."
great
"Remember us, son... Always remember us... " :'(
The musical "phrase" between 2:30 and 2:36, brings me to tears every time "remember son, always remember us"
Best soundtrack, best editing, best cinematography, and BEST SUPERMAN MOVIE EVER!
Well, had to write just a few more lines: I think it is pointless to "evaluate" composers (and film composers for that matter) past and present. Some truly great ones I truly admire: Ennio Morricone (more a composer of great theme tunes and very emotional as well - but not a master of complex cues in sync to the image), Jerry Goldsmith, Howard Shore, Bill Conti, Bernard Herrmann, Thomas Newman (his father: Alfred Newman composed the great 20th Century Fox fanfare, re-recorded by Williams in 1977 for the first Star Wars movie to segue perfectly into the Star Wars main fanfare/theme - and if you are into '30s '40s old school I'd name Franz Waxmann, Max Steiner and W. E. Korngold (John Williams did a revival of this approach starting with the original Star Wars 1977). Many others but they are often not that versatile or remained in a now outdated genre (like the great Henry Mancini with his latin-jazz inspired scores of the 1960s, one of John Williams' mentors - Williams was his pianist!). Thanks for reading - this is not meant to be "teaching" LOL. I just do this stuff (composing/arranging etc.) for film and stage musicals (among other stuff). Sure on a much more modest level (no need to write my CV here :-) ). BUT there is no doubt: John Williams is the greatest ever. Almost all film composers I know personally are 100% of the same opinion. Repeating myself: Music teacher: "Who is your favorite film composer?" Class (in lound and perfect unison): "John Williams!!!!". Even if he didn't come up with truly great material in the last Star Wars movie (he was ill and probably the guys in charge didn't let him do it his way - it would have overshadowed the movie!). No matter what: John Williams already left more than a 100 life times of perfect music!
+Christian Schonberger Actually, I think he number 2 behind Herrmann, but he is unquestionable on Mount Rushmore. FOr me MR would be Herrmann, Williams, Morricone and Goldsmith.
+nikosvault Yes it's a tough call. Herrmann, as a violinist, was able to bring the string section alone (not to mention the other orchestra sections) to its fullest, expressive potential (the music score for "Psycho" has only the string section and there is nothing missing!". Herrmann also truly pushed the dramatic score into a completely new direction at the time. Absolutely fantastic and subtle textures. A giant leap from the old Waxmann,Steiner school of (over-) dramatic music scores with blaring trumpets and and cheesy strings (by today's ears, no disrespect!), both regarding melody/chord voicing - and - controlling timbres. Incredibly controlled chord clusters and a perfect mix of the tonal and atonal. Williams is usually way more "Wagnerian" in his approach and extremely cinematic, managing to sound incredibly beautiful without ever being cheesy. Anyway: Herrmann definitely is an excellent choice for anyone's "Nr.1".
I can't agree with "greatest ever," but his incredible scores have been connected with most of the more popular movies of the 1970s onwards. Consequently, his scores have had the greatest impact on the public.
Ah, the feels... I love this piece of music... John Williams is the best. I think it'll be a while before someone who's as good as he was comes along.
+Alexander Ian horner was up there mate...big time....but williams is the grand master
+jamie bennett Agreed. :) James Horner was brilliant. The score of The Land Before Time was one of my favorites. Titanic was amazing as well. But as you said, no one can beat John Williams. :)
One of the best pieces of music ever conceived. As a teen in rural west-central Illinois I first saw the movie, I soon after had to buy the soundtrack with my meager earnings from a part time job... for all these years since... it was THIS particular score that has stayed with me and entered my mind every few months... I went to RUclips today, hunted around a bit... and FOUND it! Thank you for posting.
You’re welcome 😇
John williams is God
Se Fattal No silly John Williams is Beethoven, and what symphonies Tachvosky's played was God.
John williams is God
hanz zimmer knew he couldnt topple this
Hanz Zimmer comes from the pop and synth scene. He is great for "modern" movie soundtracks and many composers imitate him (or try). But John Williams is on an entirely different level. He is not just one of the most talented composers ever (together with the likes of Leonard Bernstein and George Gershwin), he is also a highly accomplished jazz and classical pianist and a fantastic orchestrator. His use of motives dovetailing into each other, his fantastic use of counterpoint (two or melodie lines at the same time without clashing) and his absolute command of timbres, articulations and dynamics to create what are probably the most highly emotional music ever. And his music has weight and tells a thousand stories. Something images never can. He breaks your heart and heals it right after that. I think he is the greatest ever. But that's just me.
+Christian Schonberger never heard someone so perfectly describe how I feel about Williams.
+Eggshell Thank you! :-)
@@ChristianSchonbergerMusic nice observation, mister... :D
Zimmer is good, but Williams is in a class by himself. The greatest living musician.
Ah John Williams...where would the world be without your music?
Yep. I can't imagine life without his music. This man is an angel sent from Heaven to make it all at least a tiny bit more bearable.
The greatest living musician. And when he passes, he will join the pantheon of musical gods.
2:23 :-)
A sus pies una vez más, pieza musical de una belleza y sensibilidad inigualable.