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Gracias!!

Gracias

Valeeu!

Obrigaado! 🧡

☀️🥺

Ownnn, obrigado!! 🥰

Thanks!!

Thank you so much!!

Thanks!!

Grazie!

@@TatoT tatot sei bellissimo un bel figo mi sono innamorato di te e ti guardo sempre mi piaci tantissimo ciaoooo da Alex Alessandro Casabianca 🤪❤️❤️🤪🇮🇪❤️

Thank you so much! Glad you liked it 🥰

​@@TatoTlo

Realmente! Jajajaj

Thanks! ❤️

Muchas gracias! Espero que encuentres lo que buscas pronto

Y yo no entendí jajajaja

​@@DanielaVerheslsttienes que verlo otra vez y lo entenderás, baja en el 8*😊❤

Obrigaaado! 🤗

Grazie

Jajajaja muchas gracias!!

Grazie!

Thank you so much!!

The filmmaker leaves us to make up half of the story ourselves. You could say the two would never have got together if it had been solely up to the dark-haired boy. They only got together because the redhead took control and kissed the dark boy through the sheet. Which means that the redhead must have been observing the dark one for some time, something we are not shown and have to imagine for ourselves. Likewise, in the last few seconds, what happened after the dark boy declined the invitation of the open lift door and carried on down to the first floor? We know he is not very brave, and he also doesn't know where on the eighth floor the redhead lives. So how did it happen: did the redhead have to come to the rescue again? I rather wish I didn't have to write half the plot myself.

@@robert-skibelo I see it differently: 1) 09:25 When the dark-haired boy wanted to press the button for the 1st floor, you can see that the red-haired boy is preventing him, or trying to prevent him, by grabbing his hand. 09:55 I think that the button for the 1st floor was not pressed and the elevator is still on the 8th floor here. His tense facial expression and eye movements show that he must be thinking about whether to dare to follow him. Finally, he seems to be able to overcome his shyness. 2) No, I'm sure that the red-haired boy hadn't watched him before. He is certainly not stupid and noticed that someone is interested in him. There were many noticeable things: A) His T-shirt was clearly wetter than the rest of his laundry. B) His red underpants were first gone and then back again and if they both should use different detergents, they now smelled different. C) He may have spotted the dark-haired boy before he could duck completely. Besides, the dark-haired one ran so fast to the elevator, after the red-haired one had entered there, that he could still see through the window which floor he had pressed. Otherwise, he would not have known that the red-haired boy lives on the 8th floor. But this also means that the redhead could have seen him. (However, the buttons in the elevator seem to be next to the door, because you usually look at the door and you see the buttons in two scenes. Therefore, the keys could not be seen through the window in the door. But then how did he know immediately that he had to run down to the 8th floor? But such small mistakes have also occurred in large, professional productions. But you have to ask yourself how he thought he could figure out which door to push the note under when he ran down to the 8th floor so expectantly. Well in euphoria sometimes you start things without having thought them through beforehand. But maybe he thought that there could be a rainbow sticker on the door). 3) The camera work from 07:48 to 08:01 (especially the last seconds) suggests that the red-haired boy is now watching him from the other side because of all the conspicuousness and is hiding just as the dark-haired boy did before. I don't think they wouldn't have come closer if the red-haired one hadn't taken the initiative. It would have just been delayed until the dark haired boy found out exactly where the other one lived on the 8th floor, so he could finally leave his note. He is too shy for a direct approach, as we could see in front of and in the elevator. I have now watched the film a few more times and I am always very touched. 05:57 But I don't understand why he scribbles on the black piece of laundry with a black pen first. It doesn't look like he wants to write anything, but he knew that his pen was writing, because he wrote on paper only minutes before.

@@Jia-Han Thanks for explaining. I see now that I was wrong about almost everything. I looked again and you are right about everything that happened when they were together in the lift: the redhead did stop the other boy from pressing the button for his own floor. I missed this (as did other perplexed commenters) and assumed the lift travelled down to the first floor after the dark boy seemed not to take up the invitation and let the lift door close. I think you are right too in your interpretation of all the shenanigans on the roof. A rainbow sticker on the door -- what a good idea! What a lot you know about these things! You must have had a much more interesting life than me.😂 I'm sure you are right too in thinking that the dark boy, while shy, would have got his man somehow if the redhead hadn't taken the initiative. You can see determination in his face at 10:00. One should not assume that others are like oneself. Yes, I am baffled too about why he first wrote in black on the black garment. It makes no sense at all. As you say, a touching little film. But now I want to see a sequel. I want to know what they said to each other when the dark boy arrived in the redhead's open doorway.

@@robert-skibelo I'm glad that I was apparently able to help. In general: Although I pay quite a bit of attention to detail and very often jump back a few seconds, I too sometimes misunderstand scenes and then found clarification in the comments. As for a sequel: maybe he didn't say anything at all, but just smiled. The redhead then invited him in, asked him what he wanted to drink, and then they sat there and the redhead just asked questions, which the darkhead continued to answer somewhat shyly. Little by little he lost more and more of his shyness. As you can see from the final scene, I guess they really do have a crush on each other.

Grazie! 🥰

Hilarious

Thanks!! 🥰