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ornatirules
Добавлен 21 апр 2010
Debussy Quartet Op 10, Guarneri Quartet, 1987 in Baden Baden, Germany
Debussy Quartet Op 10, Guarneri Quartet
Просмотров: 16 053
Видео
Guarneri Quartet , Brahms op 51, no 2 1987
Просмотров 8 тыс.2 года назад
Guarneri Quartet , Brahms op 51, no 2
Guarneri Quartet Haydn, Op 76 No 4, Sunrise
Просмотров 10 тыс.2 года назад
Guarneri Quartet Haydn, Op 76 No 4, Sunrise
Hindemith 3
Просмотров 1946 лет назад
Paul Hindemith, sonata para solo viola (1937), tercer movimiento. Museo Fernandez Blanco, 25 de julio de 2018 Adrián Felizia, viola Registro audiovisual: Andrés Magula
Hindemith 2
Просмотров 616 лет назад
Paul Hindemith, sonata para solo viola (1937), segundo movimiento. Museo Fernandez Blanco, 25 de julio de 2018 Adrián Felizia, viola Registro audiovisual: Andrés Magula
Himdemith 1
Просмотров 2276 лет назад
Paul Hindemith, sonata para solo viola (1937), primer movimiento. Museo Fernandez Blanco, 25 de julio de 2018 Adrián Felizia, viola Registro audiovisual: Andrés Magula
Bruch
Просмотров 1696 лет назад
Max Bruch: Ocho piezas para viola, clarinete y piano Op. 83 (Nª1 en la menor:Andante) Recital en el Salón de Honor del CCK, 14/09/2017 Guillermo Astudillo, clarinete. Adrián Felizia, viola. Daniela Salinas, piano Registro audiovisual: Andrés Magula
Milhaud suite 1
Просмотров 1126 лет назад
Darius Milhaud: Suite para violín, clarinete y piano Op 157b (Primer movimiento : Ouverture ). Recital en el Salón de Honor del CCK, 14/09/2017 Guillermo Astudillo, clarinete. Adrián Felizia, viola. Daniela Salinas, piano Registro audiovisual: Andrés Magula
Milhaud suite 2
Просмотров 816 лет назад
Darius Milhaud: Suite para violín, clarinete y piano Op 157b (Segundo movimiento : Divertissement). Recital en el Salón de Honor del CCK, 14/09/2017 Guillermo Astudillo, clarinete. Adrián Felizia, viola. Daniela Salinas, piano Registro audiovisual: Andrés Magula
Milhaud suite 3
Просмотров 616 лет назад
Darius Milhaud: Suite para violín, clarinete y piano Op 157b (Tercer movimiento : Jeu ). Recital en el Salón de Honor del CCK, 14/09/2017 Guillermo Astudillo, clarinete. Adrián Felizia, viola. Daniela Salinas, piano. Registro audiovisual: Andrés Magula
Milhaud Suite 4
Просмотров 1076 лет назад
Darius Milhaud: Suite para violín, clarinete y piano Op 157b (Cuarto movimiento : Introduction et final). Recital en el Salón de Honor del CCK, 14/09/2017 Guillermo Astudillo, clarinete. Adrián Felizia, viola. Daniela Salinas, piano. Registro audiovisual: Andrés Magula
Clarke duo
Просмотров 1296 лет назад
Rebecca Clarke: Dúo para clarinete y viola (1941), segundo movimiento: Allegro. Recital en el Salón de Honor del CCK, 14/09/2017 Guillermo Astudillo, clarinete. Adrián Felizia, viola. Registro audiovisual: Andrés Magula Registro audiovisual: Andrés Magula
Shostakovich preludes
Просмотров 3716 лет назад
Dimitri Shostakovich: cuatro preludios para viola y piano. Recital en el Salón de Honor del CCK, 14/09/2017 Adrián Felizia, viola. Daniela Salinas, piano Registro audiovisual: Andrés Magula
haydn viola
Просмотров 6 тыс.7 лет назад
Haydn concierto para viola en Do mayor (transcripción del concierto para cello) Adrián Felizia, viola. Orquesta Municipal de Tres de Febrero. Javier Mas, director
Béla Bartók Viola Concerto
Просмотров 2 тыс.7 лет назад
Bela Bartok Concierto para Viola. Solista: Adrián Felizia. Orquesta Estable del Teatro Colón, Director: Mariano Chiacchiarini . Freddy Varela Montero, Concertino. Usina del Arte, Bs. As, 13/11/2016
Most awesome quartet!!!
Merveilleux..! Tout y est, TOUT.!
Sublime ! Magistral ! Quelle conduite musicale ! Avec Amadeus, Guarneri forment le duo gagnant des quatuors du XX ème siècle..! Les techniques d'archet sont justes parfaites. Vibrato idéal. Une merveille!
WIKI: The work consists of four movements: Animé et très décidé (G minor - D minor - G minor) Assez vif et bien rythmé (G major - E♭ major - G major) Andantino, doucement expressif (D♭ major - C♯ minor - D♭ major) Très modéré - En animant peu à peu - Très mouvementé et avec passion (D♭ major - G minor - C major - G major)
Which year? @Ornatirules
Like this at first listening
Magistral! Bravo 👏
Endeavor and Inspector Morse.
Good
Amazing❤
Stunning
timeless beauty
Perfect!!!
II. 6:35. III. 10:25 IV. 19:18. Arnold Steinhardt and John Dalley, violins. Michael Tree, viola. David Soyer, cello.
Is that Roisman's violin that Steinhardt is playing? The Guarneri had a great sound and wonderful ensemble control.
18:43 Second violinist playing pizzicato harmonics 😮
Beautiful!
❤❤❤❤ Guarneri Quartet e... ❤Brahms
¡Muy bien! ¿De qué país es la Orquesta Municipal?
Es de argentina
Maravillosos Guarneri. Bravo.
RUclips có sự cố , 1 youtube có 2 chủ - Đỗ Thanh nghỉ hưu tên 65 tuổi đó là thật - Đỗ Thanh có công ty là giả ** Vậy các bạn cần tránh xa đề khỏi bị lừa Nhà nước cần có cách giải quyết cho tôi Đề nghị cộng đồng mạng lên tiếng
Gad....these fellers here sure understood't how to play them fiddles and a pianino...groooooossssssartig....
0:02 Allegro con spirito Quarter = 130 8:38 Adagio, Quarter = 48 14:40 Minuetto, Bar = 54 (Trio at 16:38, same approx. tempo); 19:36 Allegro ma non troppo, half note = 100 (Piu Allegro at 22:44 half = 136, Piu Presto at 22:59, half = 148). Arnold Steinhardt and John Dalley, violins Michael Tree, viola David Soyer, cello
25:22
My teacher ❤️
Thanks for this - sublime!
Why there is only one violin? Was that what Brahms intended?
Unsurpassed!
14:30
I lived near Maryland University for awhile. These guys used to have rehearsals that were open to the public. It was fascinating and riveting. Just to get to take a peek under the hood was wonderful. Maybe it's because I'm a musician, but those were exciting events. This Debussy is fantastic.
I remember that! I lived in the DC area at the time and went to one of those rehearsals. They were always one of my favorite groups - the energy and very personal interpretations were something to behold.
Good
Superb!
Sounds Like Pennsylvania New Jersey and New York Lincoln Center Sound around an Apple Tree Beautiful Bass Sound of a Cello and Viola with Beautiful Upper Strings and this Sound went to Heaven to be with Applebaum who had a Good Viola Playing Kid Named Mike Applebaum Love this Quartet with a Deep Bass Sound of the Lower Strings but needs 2 Good Violin Players to Complete the Bass Sound of the Guarneri String Quartet
You don't think Steinhardt and Dalley are good? Come on.....lol. In terms of sound, who's better?
Good Applebaum
The Applebaum didn't fall very far from the tree.
Hope to hear this Quartet in Heaven
Good Mikhail Rudy you get the Guarneri Quartet to a New Level Deep Viola Good Cello Good Vibrato John Keep it up until 2 People Died after That Hope to Hear this Quartet in Heaven
Es bastante común que los grandes cuartetos tengan en su formación excelentes segundos violines,incluso de sonoridades más finas que le primero.
Thank you so much for uploading!!!
Audio is bad.
Bravo!
16:59 yikes lmaoo
big oof haha
Awesome musicians
muy bueno!!! no conocía esta versión para violaa
is there a 'technical' term for the 'choppy' par that starts at 31:05? it fascinates me
In my opinion, it sounds better on cello. The effect is lost when played on viola. The viola is a strange instrument.... also, I have never seen a viola play higher than a C above the A harmonic on the A string... do violists not go that high? Because parts of this piece are (relatively) put an octave lower.
I think you can’t just say that based on one interpretation of the work. I’m about to play it this month as a soloist and even cellists seem to be pleased. And we do go over the A harmonic, the viola is a much richer instrument that you think. I suggest listening to Maxim Rysanov, Gerárd Caussé and Tabea Zimmermann
Yeahhh...I kind of have to agree here. Despite the poor sound quality, you can tell it doesn't quite sound right on the viola. The sections which sound rich and beautiful on the cello fall flat because the viola is sonically different and not just because they are separated by an octave, e.g., the cello A string is more intense than the viola A string. The last movement suffers less by this and may even make more sense on the viola (the lower notes anyway) since low notes and fast writing can sound muddy sometimes. Unfortunately since neither Mozart or Haydn left a dedicated viola concerto, these transcriptions might be the best we can do for the period. (No one needs to remind me of the Sinfonia Concertante.) Kind of odd since Mozart actually PREFERRED the viola to the violin, but I guess there was no audience demand to hear the instrument in a solo setting.
@@Apalexpe do you go exactly one octave higher than the cello? Would be very interested to hear your version as I also believe more in Casimir Ney's view than that the viola has a range of 3 octaves. Van you post it if you recorded it please?
Well it was written for the cello, so it would sound better on the cello. As a viola player, I was very interested to see this (and puzzled when it changed the C major concerto to D major, rather than arranging the D major concerto). Violists do go up high, but it is easier to do so on the cello for lots of reasons (including gravity).
I'm not sure if the effect is truly lost. Personally and just an opinion too, I prefer this performed on any instrument that is not the cello and besides the viola, have listened to the solo guitar and solo double bass interpretations of this and prefer hearing it than on a cello. I find the sound of the cello very off putting and usually if I listen to any work originally written for the cello, it would need to be played on another instrument with the exception being the violoncello piccolo. To each their own!
Over a year ago, I promised myself to listen to most (if not all) of Brahms' compositions. It's an arduous task, not because the music is anything but lovely, but because I haven't heard SO MANY of them yet. He was a prolific composer, but my effort is well-rewarded . This one and Op. 26 are completely new to me, and are truly delightful. I wish both Brahms & Schumann had written more of everything--they are the overshadowed geniuses, I feel.
Magnificent work of art
Bravo!!!!♡
Seems to me a rather heavy-handed interpretation. Most of the time it sounds like they're trying to get to the end and get out before the pub shuts, while the piano tries to drown everyone else out. It is without the sensitivity I have heard in other performances and the melodies were trampled to death in the stampede.
queda buenísimo en viola!