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Excellent.....BRAVI from Acapulco!

Nie gehört. Was für ein Meisterwerk!

Die Tempobezeichnungen sind: I Lento · Allegro moderato II Largo · Presto · Largo III Allegro molto vivace

Not bad att all.

Would be great to hear the Hatto record .

Go Graeme!

Dear discoverer, for me who accompanied Michael Herman a little for his repertoire of symphonies on MusicWeb, you are a blessing, because you prove the extent of what remains in the orchestral catalogs. As I allow myself from time to time, I tell you, regarding Moschinger, I discovered that Hans Rosbaud would have conducted the same orchestra for the symphony No. 5 on 25.X.1960, but perhaps you already know that. Best regards

Absolute Rarität. Wunderschöne Musik und Aufnahme von Sergiu Comissiona.

Great to hear this fantastic recording of Elgar's masterwork!

😊meget bra musikk

Absolut großartig!

impressionnant de vitalité !

Does anyone have the names and times of the movements?

Bulow once placed Bronsart's Concerto alongside d'Albert's 1st as the best piano concerti produced by New German School, and I can't agree more about the d'Albert part. The only problem I have is that its very literal recapitulation goes on for too long.

Opening sounds like Mahler 5!

❤

a great work of truly symphonic character

Fiedler knew Brahms, so it's interesting to hear his recordings.

Do you also have his fourth symphony conducted by Martin Sieghart?

Symphonie No 2 op.26 pour grand orchestre (1951-1956) I: Adagio - Allegro 11:07 II: Lento (in memoriam Arthur Honegger) 9:30 III: Presto 4:25 IV: Lento - Tempo di Marcia - Moderato maestoso 6:21 Aufnahme: 23./24. März 1959, Radiostudio Zürich

Does anyone know of a recording of his St. Franziskus-messe for choir, organ and strings? It is a wonderful work based on the Kyrie-Orbis Factor.

I prefer going by the original opus number, 24.

I remember many years ago I found the second movement of this work resembles the second section of hindemith's concerto for orchestra

Onbegrijpelijk dat de orkestwerken van Marinus De Jong nooit meer geprogrammeerd worden of opgenomen op CD. Alleen pianist Jozef De Beenhouwer blijft zich inzetten om het werk bekend te maken.

Irgendwann in den Achtzigern habe ich dieses Werk ein einziges Mal im Radio gehört und seither immer mal wieder danach gesucht. Nun habe ich es also gefunden! Der Bolero des Dirigenten Curt Cremer stammt von 1983. Offenbar handelt es sich hierbei um seine einzige jemals veröffentlichte eigene Komposition, die meiner bescheidenen Meinung aber nach längst zum allseits geschätzten Kanon der zeitgenössischen klassischen Musik gehören sollte. Großen Dank an Remus Platen, dass ich sie hier nach ca. vierzig Jahren wieder hören und genießen durfte! :-)))

(In cello sonatas composed from 1880-1900 that I know of and have heard there’s of course Brahms 2, Max Reger’s first two sonatas (1892, 1898/9?), Dohnányi, Strauss (1881), Grieg (1882), [Raff’s and Rheinberger’s fine sonatas date from the 1870s; of some others from this period- Enesco 1 (1898), Goldmark, Le Beau,…- I am not sure if I’ve heard them yet)- but this ranks very, very high among those I have. Only a few sonatas from this period are real repertoire favorites (Brahms 2, Grieg, maybe Strauss’ early one and increasingly Dohnanyi) but I anyway could predict some success in concert for this sonata…

I have the IDS CD with this sonata, which I treasure, but it’s terrific to hear another performance. Hopefully with the redistribution of the 1892 score on imslp others might consider taking it up…

Einfach toll!

GANZ GROSSER UND GUTER STOFF MEINE LIEBEN BRUEDER

It is amazing to me that Jacobi's works remain so dormant. He was truly a composer of great music, and quite prolific.

Diese Gesangsszene macht neugierig auf Klussmanns Opern: -"Das Lied vom träumenden See", romantische Oper in 3 Akten, Libretto von Margaretha Hashagen, ohne op. (um 1957). -"Rhodope", Oper in drei Akten, Libretto von Helga Staelin nach Friedrich Hebbels Drama "Gyges und sein Ring", op. 50 (vor 1964). -"Helena", Oper in drei Akten, Libretto von Helga Staelin, op. 51 (um 1971). -"Semiramis", Oper in drei Akten, Libretto von Henning Boetius, op. 54 (1972-74). -"Der Schlimm-Heilige Vitalis", Kammeroper, Libretto von Brigitte Hormann nach einer Erzählung von Gottfried Keller, op. 55 (1974/75), fertig gestellt von Wolfgang von Schweinitz.

is this available to buy /DL anywhere? looks very rare...

I absolutely love your channel. I have no idea where you get these recordings from, but I thank you very much for posting them! 😌

Weiß jemand was über Entstehungszeit und Zeit der Aufnahme?

Bob Simpson was born in 1921, not 1904.

After the most dramatic introduction...and what do we get? A flute!!! Then more drama including football rattles and maracas and heavy orchestration throughout. Sorry, this was written for the wrong instrument despite the exotic cadenza that concludes the work.

sinfonia argentina was composed in 1936

Has a slight tinge of Shostakovitch, but a bit sweeter.

Julius Chajes (geboren 21. Dezember 1910 in Lemberg, Österreich-Ungarn; gestorben 24. Februar 1985 in Detroit). Reminds me of M. de Falla's 'Nights in the Gardens of Spain'. I'll save it in my favorites.

underrated piece

Très beau Concerto bien interprété !

Nach der Novelle „Die Regentrude“ von Theodor Storm 1. Vorspiel „Die Regenfee“ 2. Feuermann und grauer Vogel 3. Andreas und Marie 4. Die Erlösung 5. Finale „Hochzeit“ Vielen Dank für all´ die schöne Musik hier!!!

It almost turns into the Clog Dance!

In 1968 East German radio broadcasted a program commemorating the 25th anniversary of Buttner's death. I just listened to a recording of the historical radio program, and in it are two clips of his violin sonatas. One is in F major and the other in C minor. The former is played by a violinist whose name sounded like Joachim Hantsch and the pianst Gunter Kootz, the latter played by Gustav Schmahl and Herbert Kaliga. I wonder if you can find these two recordings?

Thanks very much for sharing this rare but superb rendition of Furtwängler Te Deum! 🙏🏻

Dear sir, thank you again for this discovery. If it is indeed the 2nd symphony, it seems to me that the date of composition is 1953 (No. 3, recorded by Amadeo, dates from 1957 and the 4th from 1968). It was performed by Jan Koetsier with the Bavarian Radio Orchestra on September 5, 1961.

Actually there are quite a few unknown Swiss composers (Peter Mieg immediately springs to mind) to be investigated. Schibler is another. Influenced by Stravinsky in my view, this symphony is good. Tightly orchestrated and pulls no punches. A great find. Thank you.

Aufnahme durch den BR am 16./17.2.1975 im Rahmen der Rohrer Kammerkonzerte

Ich habe als Diplomarbeit ein Werkverzeichnis von P. Constantin Mach erstellt und gerade mal nachgeschaut: Das Werk ist 1951 entstanden, wurde 1953? im Kongress-Saal des Deutschen Museums in München uraufgeführt. Solist: Aldo Schön, Münchner Philharmoniker, Ltg: Jan Koetsier. Diese Aufnahme scheint die Aufzeichnung des BR im Deutschen Museum am 9.4.1954 zu sein. Besetzung Orchester: Str, 2Fl,2Ob,2Kl,2Fg,2Hrn,2Tr,2Pos,Tuba,2Pk.

Makes a better case for Spohr than more recent recordings, but even so his eminence in his time is a little hard to understand. His music lacks structural integrity, compelling development, persuasive melody, and is poorly orchestrated. Given his vast output, it appears he was a champion notespinner. Parts of this symphony work OK, but it all sounds inorganically stitched together.