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Me encanta este compositor

Hi! Have got more info on this recording? As far as I know, Muti never conducted a Matthus' piece.

Unique masterpiece.

This is the only recording I have ever found of this, outside of a documentary from 1969.

Damn, almost made me go into psychosis.. 😵‍💫😵‍💫😵‍💫

Thanks for posting this extremely rare recording. It's not even listed on the official Mahler Discography. Zillig also recorded Mahler's 8th in 1954 which is on RUclips already.

For practice- I 1:22 1:56 2:55 II 3:33 4:32 5:06 III 6:47 7:30 7:40 8:02 9:05 IV 10:42 V 13:49

Vielen Dank für's Hochladen! - Ein hochinteressanter Schweizer Komponist zu entdecken, wie's scheint...

Christmas came early this year! Many thanks from Canada.

Greatly appreciate these radio broadcasts of Ernst Levy's works. Quite a treasure trove of recordings!

Danke für's Hochladen! 🎼🎶

Exhilarating....Grand.....BRAVO from Acapulco!

MUCHAS GRACIAS!!!

J'aime beaucoup !

Very musical and about music. Not a remaking of music from scratch but so what?

Delighted to be able to hear this music. Just came across it in an Australian review. The Bulletin (19 June 1965) carried a review by David Salter of a youth concert with the Sydney Symphony under Joseph Post. Orchestral parts for Richard Mohaupt's "Townpiper Music"[Stadtpfeifermusik] did not arrive in time for rehearsal and “Irkanda IV, a shorter work by the Australian composer Peter Sculthorpe, was hastily substituted. Three instrumental dances from de Falla’s “Three Cornered Hat” were added to draw the concert out to an acceptable length. After an appropriately swaggering “Rienzi” Overture the orchestra settled down to the task of accompanying Jorge Bolet in the Schumann Piano Concerto.

Where to find sheet music

A bit like Mahler. Wonderful sense of voicings of the orchestra. Lots of polyphony. The emotional content seems to be one of a questing spirit.

Bravi!

Excellent.....BRAVI from Acapulco!

Nie gehört. Was für ein Meisterwerk!

Die Tempobezeichnungen sind: I Lento · Allegro moderato II Largo · Presto · Largo III Allegro molto vivace

Not bad att all.

Would be great to hear the Hatto record .

Go Graeme!

Dear discoverer, for me who accompanied Michael Herman a little for his repertoire of symphonies on MusicWeb, you are a blessing, because you prove the extent of what remains in the orchestral catalogs. As I allow myself from time to time, I tell you, regarding Moschinger, I discovered that Hans Rosbaud would have conducted the same orchestra for the symphony No. 5 on 25.X.1960, but perhaps you already know that. Best regards

Absolute Rarität. Wunderschöne Musik und Aufnahme von Sergiu Comissiona.

Great to hear this fantastic recording of Elgar's masterwork!

😊meget bra musikk

Absolut großartig!

impressionnant de vitalité !

Does anyone have the names and times of the movements?

Bulow once placed Bronsart's Concerto alongside d'Albert's 1st as the best piano concerti produced by New German School, and I can't agree more about the d'Albert part. The only problem I have is that its very literal recapitulation goes on for too long.

Opening sounds like Mahler 5!

❤

a great work of truly symphonic character

Fiedler knew Brahms, so it's interesting to hear his recordings.

Do you also have his fourth symphony conducted by Martin Sieghart?

Symphonie No 2 op.26 pour grand orchestre (1951-1956) I: Adagio - Allegro 11:07 II: Lento (in memoriam Arthur Honegger) 9:30 III: Presto 4:25 IV: Lento - Tempo di Marcia - Moderato maestoso 6:21 Aufnahme: 23./24. März 1959, Radiostudio Zürich

Does anyone know of a recording of his St. Franziskus-messe for choir, organ and strings? It is a wonderful work based on the Kyrie-Orbis Factor.

I prefer going by the original opus number, 24.

I remember many years ago I found the second movement of this work resembles the second section of hindemith's concerto for orchestra

Onbegrijpelijk dat de orkestwerken van Marinus De Jong nooit meer geprogrammeerd worden of opgenomen op CD. Alleen pianist Jozef De Beenhouwer blijft zich inzetten om het werk bekend te maken.

Irgendwann in den Achtzigern habe ich dieses Werk ein einziges Mal im Radio gehört und seither immer mal wieder danach gesucht. Nun habe ich es also gefunden! Der Bolero des Dirigenten Curt Cremer stammt von 1983. Offenbar handelt es sich hierbei um seine einzige jemals veröffentlichte eigene Komposition, die meiner bescheidenen Meinung aber nach längst zum allseits geschätzten Kanon der zeitgenössischen klassischen Musik gehören sollte. Großen Dank an Remus Platen, dass ich sie hier nach ca. vierzig Jahren wieder hören und genießen durfte! :-)))

(In cello sonatas composed from 1880-1900 that I know of and have heard there’s of course Brahms 2, Max Reger’s first two sonatas (1892, 1898/9?), Dohnányi, Strauss (1881), Grieg (1882), [Raff’s and Rheinberger’s fine sonatas date from the 1870s; of some others from this period- Enesco 1 (1898), Goldmark, Le Beau,…- I am not sure if I’ve heard them yet)- but this ranks very, very high among those I have. Only a few sonatas from this period are real repertoire favorites (Brahms 2, Grieg, maybe Strauss’ early one and increasingly Dohnanyi) but I anyway could predict some success in concert for this sonata…

I have the IDS CD with this sonata, which I treasure, but it’s terrific to hear another performance. Hopefully with the redistribution of the 1892 score on imslp others might consider taking it up…

Einfach toll!

GANZ GROSSER UND GUTER STOFF MEINE LIEBEN BRUEDER

It is amazing to me that Jacobi's works remain so dormant. He was truly a composer of great music, and quite prolific.

Diese Gesangsszene macht neugierig auf Klussmanns Opern: -"Das Lied vom träumenden See", romantische Oper in 3 Akten, Libretto von Margaretha Hashagen, ohne op. (um 1957). -"Rhodope", Oper in drei Akten, Libretto von Helga Staelin nach Friedrich Hebbels Drama "Gyges und sein Ring", op. 50 (vor 1964). -"Helena", Oper in drei Akten, Libretto von Helga Staelin, op. 51 (um 1971). -"Semiramis", Oper in drei Akten, Libretto von Henning Boetius, op. 54 (1972-74). -"Der Schlimm-Heilige Vitalis", Kammeroper, Libretto von Brigitte Hormann nach einer Erzählung von Gottfried Keller, op. 55 (1974/75), fertig gestellt von Wolfgang von Schweinitz.