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1:50 doesn’t really sound like bad, but I know it hurt

4:06 no way. She was really sick, but still managed this

0:51 I don’t care that the e6 was flat, those f#5s❤️

4:41 🤑

1:25 is so cute tho

It’s weird how my least favorite of her songs is on my favorite of her albums

0:40

2:06 are those both Shanghai? I know the one after both is phoenix

0:59 was incredible

2:59 was the breathin performance after one of the best

1:43 I thought she was sick

Hi

Wow this video was actually really frickin good lol

She was just belting with no soulful feeling

2:45 this is actually so good

2:07 that ive g0OT

At Wango Tango she sings an f#5 not an e5

I just love how 1998 Mariah's voice is reminiscent of 1993 but sounds huskier as compared to performances during MB concerts (Perth vs. Los Angeles).

Where did you get that clip from

내 목이 다 아프다

Hay ocasiones en las que no puede hacer el tono de silbido, pero por favor es que es muy difícil y se nota la cantidad de aire que se necesita para poder hacerlo. Para mí es de las artistas más grandes que ha dado la música 😊

Você tem a performance completa de breathin desse show? Pode me enviar o link

2:36 it sounded cracked

3:23 I think daydream almost slipped out 👂👂👂

I love the low notes improvisation tbh. 🥰🥰

My favorite Mariah is raspy, gritty and struggling; the emotion that comes through in her rasp is heaven-sent. Perfect Mariah is lovely but raspy Mariah is my favorite 🦋🦋

what does sharp mean?

I wish Ariana released Pink Champagne back in 2012 :(

Las Vegas Chambracelet beats a lot of the other charmbracelet performances (besides Los Angeles and Zurich).

4:24 she sounds like 2006 in 1993 😮

The ease in 2015 is nothing compared to the ease in 2012 OH MY

0:39 is my favorite

Oops

mariah at the beginning💀

Just like the name of Ariana’s song the way

12:41 The way she sustained the 'woman' OMG

8:51 the end of 'woman' sounded so goodddd

B4-Bb4 > C5-B4

14:34 ✨✨ omg

I stan a Lambinator because I'm a Lambinator too and there are not many

Tokyo 1996 was peak

4:34 Where was this?

Suprised TEOM actually attempted the Eb5 i knew about montreal but calgary actually went for the whole thing props to her. 1993/1999 and 06 were by far the worst years for vision of love While 1990/1995/1996/1991/2003 were the best. I felt like she couldve done the Eb5 in most charm dates with the key being lowrred by 2 steps that Eb5 is actually quite easy.

2:47 did her voice crack?

Regardless if she sounds off she’s still amazing and a lovely person

*giving you visions of dub*

I stan a lambinator! I'm also a lambinator-there are so few of them sadly, I've only seen like two Lambinator channels-the others just argue who's whistles or upper belts are better lol

gurl how did u manage to put all the exact dates

Ariana Grande Vocal Analysis (2024) Voice type: Light-Lyric Soprano Vocal range: C3-B5-E7 (4 octaves and 2 notes) Range with the most consistent quality, comfort, and technique: G3-C#5/D5-A5 At best: F3-F5-C6 Lower register: (7/10) Low notes are bright and clear and have a good projection up to G3 consistently and F3 at best. Quite surprising for someone with a high tessitura considering her high sitting voice. However, she loses consistency, projection, and becomes airy and weak F3 and below. Mid-belts and mix: (7.5/10) Mid belts are surprisingly strong for someone who frequently utilizes a heady mix in her belts. Her approach in her mid-belts during her later years (2019 onwards) is more balanced compared to her honeymoon era (2014-early 2016) where her approach is more heady and dangerous woman era (late 2016-2017) where her approach is chestier. She has good control over her mid-belts and it is more balanced, consistent, accessible, and more tensionless than people assume resulting in an open, free, well-projected, and controlled sound consistently from G#4 to D5 especially from Bb4 to C5 at her best. She definitely improved this part of her voice over the years. Upper-belts/mix: (7/10) As a soprano like her, her ease and control in this area are good. She may not be the very best and the pinnacle of upper-belting out there, as some of her diehard fans tend to believe, but her consistency and stamina in this area is no joke. Although not consistently, she produces the best and balanced quality from Eb5-F5. As she goes higher beyond F5, she tends to sound thinner but still often avoids straining and too much tension up to G#5 (her signature upper-belting/mix note). However, she loses consistency when she reaches A5 and above which can sometimes be prone to tension, although this doesn't happen much as she was still able to possess a decent quality of mix up to Bb5 especially in her be my baby and breathin performances most of the time. This ease and consistency in her upper-belting range is due to her heady approach with her mix and mixed-belts. Nowadays, she utilizes a more balanced approach (balanced head and chest mix) to her upper-belts/mix especially in her thank u, next and yours truly era. This balanced approach is evidently showcased especially in her sweetener tour and 2023 yours truly 10 year anniversary live performance where she produced a decent but balanced mix. Although she has improved this part of her voice over the years, it has always been consistent in quality and technique with minor flaws and inconsistencies. Upper-register (head voice and falsetto): (7.5/10) Contrary to popular belief, Ariana utilizes her head voice just as much as she utilizes her falsetto. Her falsetto is probably one of the best that pop music has to offer. It is polished, smooth, controlled, and easily accessible. On the other hand, her head voice is also good and is consistently well-coordinated and connected up to A5. Performances such as moonlight, thinkin bout you, be alright, get well soon, and many more including song covers such as no one mourns the wicked and I wanna dance with somebody showcases her control and consistency in her head voice. She may not possess the best and most developed head voice in the music industry, but she can still keep up. Her head voice possesses a bright, strong, and roundness quality consistently up to F#5 and sometimes up to A5. However, her head voice can sometimes sound airy which limits her true potential. Further analysis with her head voice after the wicked (2024) movie will come out with her role as Glinda the good witch. Vocal Agility: (7.5/10) This may be the vocal skill she possess that has consistently improved over the years. She may not be as good as the best riffers out there like Mariah Carey, Tori Kelly, Beyonce, JoJo, and many others, but her vocal agility is definitely above average and is an integral part of her singing style. She can consistently execute vocal riffs and runs that are precise, fast, and complex with good creativity and musicality. The only downside is that there are few performances where she sounds pitchy and unstable and her vocal runs are sometimes repetitive. Lastly, during her early years, she tends to move her jaw a lot and fortunately, she got rid of that habit almost entirely. Whistle register: (9.5/10) One of the best whistle register user in her generation. Able to control her whistle with ease and is also able to create vocal runs and vocal phrases with it. Vocal Dynamics: (6.5/10) She has showcased vocal dynamics from time to time where she sang from pianissimo up to fortissimo. This is greatly showcased in her 2023 yours truly 10 year anniversary live performance. However, there are very rare cases of her showcasing crescendo and decresendo. Vibrato: (10/10) Her vibrato is one of the most controlled and well-developed that pop music has to offer. It can range from soft/subtle to aggressive/intense and can even shift to it smoothly. This great vibrato is also evident throughout all her register especially in her belts and upper-register. Vocal transition: (9/10) Able to easily and smoothly transition between registers from chest to head to whistle and with great control. Pitch: (8/10) Her wide vocal range allows her to hit high notes and low notes with good pitch accuracy. She rarely gets off-key and goes sharp/flat. Vocal stamina: (9/10) She is able to consistently perform in long periods and still able to maintain a decent to good technique and quality while doing a bunch of adlibs. The disadvantages she has with her stamina are the very few vocal performances where her voice got exhausted performing long periods and minor inconsistencies with some of her live vocal performances. Note: this analysis is based on an educated opinion and knowledge about vocals and music. Hence, this analysis is based on what I hear from the vocalist's live performances throughout the years. So feel free to politely disagree. Overall: 8.04/10 Overall comment: She is not as bad as critics say she is and also not as great as diehard fans made her out to be. Her development is distributed fairly evenly throughout range with her mid-belts and upper-register being currently the most developed register. Her major weakness may be that she tends to sing beyond her range with the most consistent quality, comfort, and technique. Fortunately, notes beyond her consistent range are rarely strained, tensed, or weak. Lastly, her biggest asset may be her whistle register, musicality/creativity, vocal stamina, vocal transition, and vibrato. At the end of the day, Ariana Grande is rather a stylistic vocalist with an adequate vocal technique and skill to back up her singing style. She tends to change her singing style depending on the era that she's in.

Besides the unique timbre and tone of Mariah's voice, what makes her songs so difficult is the amount of melismas, riffs, register changes and note jumps in such a short space, which makes breathing difficult. That's why she herself had a hard time getting through the songs and damaged her voice in such a short space of time, besides already having nodules, the songs were vocal suicide for her to be touring.