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- Видео 11
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Patrick Vincent
США
Добавлен 14 мар 2020
Printmaking techniques and ideas.
Toothpick Baren
Exploring cheap, accessible hand printing materials, I am exploring hand printing relief prints with a baren made from toothpicks. This device/technique is credited to Professor Seishi Ozaku (web.archive.org/web/20070524085949/homepage.usask.ca/~nis715/S%20Ozakus.htm). Try it out.
Просмотров: 1 751
Видео
Collagraph Intaglio Techniques: À la poupée, Viscosity printing, Chine-collé
Просмотров 5 тыс.4 года назад
Some color and texture variations for the collagraph print. Tutorials on three techniques to apply color and/or texture, using Austin Peay State University printmaking studio.
Polyester Plate Lithography (Home Studio)
Просмотров 7 тыс.4 года назад
Tutorial on printing a polyester plate (also known by brand names as Smart Plates or Pronto Plates) at home without a press. This video assumes some knowledge of hand-printing and home clean up procedure, as well as a familiarity with the basics of lithography printing. Much quicker and more accessible than Kitchen Lithography.
Multi-Stencil Graphics
Просмотров 2814 года назад
Variation of multiple stencil graphics. Uses Adobe Illustrator to design, hand-applied water-based ink through cut paper stencil. This is working with direct imagery as compared to a typographic design in previous videos.
Kitchen Lithography Redux
Просмотров 10 тыс.4 года назад
Another attempt at Kitchen Lithography. I have made a few plates that confirm a process that is more reliable and produce and "edition" of prints. The process borrows heavily from Henry Gepfer (ruclips.net/video/iNRH4i3DQEk/видео.html) and Phoebe Todd-Parrish (ruclips.net/video/J2ihtBbxrK0/видео.html).
Multi-Layer Type Stencil
Просмотров 2454 года назад
Home studio approach to using stencils as it relates to wood type/letterpress assignment. Using Adobe Illustrator and Photoshop to design the image, assign layers for output, and translating that output into stencil editions.
APSU Collagraph Intaglio
Просмотров 1,1 тыс.4 года назад
Instructional demonstration for Austin Peay students creating collagraph intaglio plates using the Printmaking studios.
Kitchen Lithography TESTS
Просмотров 16 тыс.4 года назад
Early attempts and process overview for students looking to make lithographs without a press or traditional equipment. These are rough tests, with some successes and errors. Hopefully my mistakes are helpful. Look at these ARTISTS, as they are better at the process: Emilie Aizier ruclips.net/video/G2w0IFm7JOY/видео.html Felicia DiGiovanni ruclips.net/video/UuBUlEt6vWw/видео.html jjewelart rucli...
Stencil Type Design + Printing
Просмотров 4524 года назад
At home approach to accommodate APSU type/letterpress assignment using water-based ink/paint, Adobe design programs for stencils.
Rubbing/Frottage
Просмотров 4,3 тыс.4 года назад
Home studio practice focused on alternatives for printmaking students without access to traditional equipment for relief prints or collagraphs.
Hand Print Relief
Просмотров 6024 года назад
Some techniques for printing and cleaning for relief prints by hand.
How do you etch the plate? I did not see or read that part in this video! Or does the sharpie or ink pen attract the rolled on with a brayer oil based ink?
@@dawnhoffmann3685 The plate is sensitized, so anything not drawn attracts water and rejects ink (when wet). The sharpie and ball point pen reject water therefore attract ink. These plates are made to be quick, skipping the whole etch process, but they are limited. Thanks for watching and the comment.
Thanks for sharing. I followed the other RUclips videos (using Cola and veggie oil) step by step and the results are horrible… Very difficult printmaking methods for beginners like me. Charcoal pencil, ball point pen don’t work for me.
Hi....can we use direct aluminium plate,instead of using aluminium foil? Will that work?
Flashing!
Very interesting project! May i know where can i buy the polyester paper? Or any glossy surface paper can be used?
I'm no chemist, but I've noticed the cola has phosphoric acid in the ingredients. In some aluminum plate videos, they use phosphoric acid with the gum arabic.
I'm scumming
I like this. A small detail though, I find the background music disturbing.
this is a really awesome comparison video, i've been looking for cheap ways to diy certain tools since I'm new to printmaking and cant't spend a fortune on this stuff yet, so I'm definitely gonna try this hack out. I totally agree that the print made with the toothpick baren looks the best. thanks!
Would it work better if you did the etch before you used the oil to dissolve the image?
Worth trying, I mean we do etch a litho stone before the dissolve/rub up part so that logic makes sense. If I get back to this process some time soon, I'll get that a go.
Thanks this was helpfull
Damp paper works a lot better when printing
The soap worked?? Whoaa
Wait... you wipe before etching? How does that work?
Super cool Vincent. I was watching on video where they don't clean the image with oil before inking. Have you tried that?
👍👍👍
nice technique cool effects!
Thanks! Nice
Great!
Sorry, sharpie oil ?
I re-watched to be sure, but I don't recall saying "sharpie oil." I don't enunciate well, is this a closed captioning suggestion?
The difference between vinegar and coke is that coke contains gum arabic, and therefore is closer to etching solutions used in stone litography. I believe the gum arabic protects the hydrophilic parts of the plate during the etching. Anyway, thank you for the gorgeous and informative video!
Very cool idea!
I use gum Arabic and citric acid in the wiping water. Helpful with scumming.
Excellent! This makes sense, as I would normally do that in a studio. Some of my solutions were pretty quick, so clearly I missed steps and materials. Thank you so much for sharing!
This looks amazing. It would be a great print for Halloween. Great job Pat.
I think the bigger issue you seem to be having is from the type of paper and also possibly the ink
Absolutely! This is not great paper and the ink is not ideal for this process. Thanks for commenting. If you have recommendations please feel free to post them so others can see.
can you use normal oil ink for oil paintings? what are the alternatives to the expensive and bulky (at least in my country) litho/relief ink? What can you draw the image with?
Hmmm. I've never tried it but I am going to guess at what may happen. The oil-based ink often has waxes and driers and other additives that condition it for an even drying time and helps it roll out. Oil paint is likely to have a different combination of wax/oil/pigment/additives so it's likely to behave differently. You can buy small tubes of oil-based ink if it's just the size. Since lithography-especially Kitchen Litho-is so fussy, introducing new variables may make things difficult. That said, if you try it and it works, then maybe it's doing something better than oil-based printmaking ink does. Long way of saying I don't know but I have doubts.
Hi I really enjoy your videos. I am curious if this would be the same technique for paper litho? I was also wondering how you hold the spoon, are you using the edges or the ball of the spoon to apply the pressure? Have you experimented with other dedicated palm presses?
Thanks for watching and the very specific questions. This should work for paper litho, though I can rarely get more than a couple prints from that processes versus the Prontoplates/Smartplates (which I can print at least 20 most times). I am using the ball of the spoon for most of it but then the edge when I need to apply more pressure on certain areas. I've tried other palm presses but not made a video. People like the glass Frog and that works well. A really good barren is probably best though, I have a ball-bearing barren from McClain's that I love.
@@twinbeepress thank you for the quick reply. Your videos are very informative and to the point. I look forward to more videos as they become available.
Very informative. Only 239 views now, but you have made a quality product. I learned a lot and subscribed.
I will definitely try this
Thanks for the video !I tried many ways ,also failed many times. All of them just worked well at first print .Actually,cola seems doesn’t work for me.😂
Oh no! My students had mixed success too, meaning lots of failures. I couldn't get sharpie to work,so I used litho crayons, yet all of them said sharpie or permanent marker was the best, most reliable. If you haven't tried it yet, maybe sharpie will do it
@@user-sx8eo6sk9u Excellent! I'm glad the sharpie worked for you. I should probably update the video.
Patrick Vincent Great, I'm looking forward to your new videos!
would ink jet work too?
You're free to try it, but inkjet ink is water soluble so it's like it would wash off during the sponging process. Laser jet and photocopy use a fused plastic so it rejects the water, allowing ink to gather. If you have any success with an ink jet test, I'd be very curious to hear about it.
No. Ink Jet printer ink soaks into paper. A laser or photocopy uses toner that is adhered to paper with heat. The toner actually sits on top of the paper. It is the toner that attracts the ink. You can use a Sharpie to draw on the polyester plate as well.,
I’m glad I found this! I just got a etching press. It was a good refresher to the techniques I learned in college.
Thank you! I am happy to follow up if you want. I love collagraph as an accessible way to make great prints. Please share what you make
Thank you! This actually worked well. I'm just having trouble reprinting...
What trouble are you having? I'll do my best to diagnose
Thanks for sharing this Patrick, I like also how the stencils are 'hinged' to the paper pad . Are you familiar with the work of Pati Scobey? visit this link and scroll down its about the 4th demonstration(SGC's Conference 2016 ) listed elizabethbusey.com/demonstrations-stretch-mind/. I really like the soft edges achievable and how one is able to incorporate tone. I have also seen some Inuit artists incorporating tone with stencil based prints. By the way do you have experience of collagraph plate making?
Thanks for the comment, I'm so sorry I didn't notice this until now! I do have some experience with collagraph, I should have some videos on my channel. Thanks for the link! I was definitely at SGCI in 2016 but must have missed Pati Scobey. Her technique is so much more refined than mine-I agree that the softness she's achieving is incredible. TBH I developed this project/process quickly assuming students had little resources, though I clearly should invest in pochoir proper. I'll also look out for Inuit artists using stencil, as I was unaware of that as well. Thanks so much. Again, apologies for not recognizing your generous comment earlier.