- Видео 11
- Просмотров 57 648
Carlo Domeniconi
Германия
Добавлен 1 апр 2012
The official RUclips channel of the composer and classical guitarist Carlo Domeniconi.
V - Fourth Movement (Presto) of Koyunbaba // Masterclass with Composer Carlo Domeniconi
Join us in a musical adventure as composer and guitarist Carlo Domeniconi takes us through the final part of "Koyunbaba." This unique tutorial focuses on learning the tricky fast notes at the beginning and mastering the special strumming technique called rasgueado. Domeniconi's friendly guidance breaks down complex parts into manageable steps, helping you improve your guitar skills and expressiveness.
00:00 Unusual slurs
04:29 Important sounds from left hand
06:30 Phrasing of the melody
07:45 More details
15:53 Explanation of the rasgueado technique
24:05 Play intelligent and respect the style
26:25 The ending of Koyunbaba
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Carlo Domeniconi
► Koyunbaba Score: www.stre...
00:00 Unusual slurs
04:29 Important sounds from left hand
06:30 Phrasing of the melody
07:45 More details
15:53 Explanation of the rasgueado technique
24:05 Play intelligent and respect the style
26:25 The ending of Koyunbaba
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
Carlo Domeniconi
► Koyunbaba Score: www.stre...
Просмотров: 7 806
Видео
IV - Third Movement (Cantabile) of Koyunbaba // Masterclass with Composer Carlo Domeniconi
Просмотров 3,6 тыс.Год назад
Discover the third movement of "Koyunbaba" with Carlo Domeniconi. In this tutorial, Domeniconi shares insights and guidance, revealing the intricate nuances and expressive techniques that breathe life into this enchanting composition. Join us on this extraordinary musical journey as Domeniconi uncovers the secrets behind the third movement, empowering you to connect deeply with the music and el...
III - Second Movement (Mosso) of Koyunbaba // Masterclass with Composer Carlo Domeniconi
Просмотров 4,4 тыс.Год назад
Welcome to our insightful tutorial where renowned classical guitarist and composer Carlo Domeniconi shares his expertise on mastering the second movement of the mesmerizing classical guitar piece, "Koyunbaba." In this exclusive video, Carlo Domeniconi delves into the intricate details and interpretations of the composition, offering valuable insights that are not found in the musical notation. ...
II - First Movement (Moderato) of Koyunbaba // Masterclass with Composer Carlo Domeniconi Moderato
Просмотров 9 тыс.Год назад
In this video Carlo Domeniconi and his student Julia Schüler work on the well-known classical guitar piece "Koyunbaba". The second video goes in depth with the introduction and futhermore focuses on the first movement "Moderato". 00:00 Introduction in depth 07:53 Difference between personal and impersonal playing 11:23 Playthrough the first movement 16:08 Common musical mistakes 19:59 The end o...
I - The Introduction to 'Koyunbaba' // Masterclass with Composer Carlo Domeniconi
Просмотров 22 тыс.Год назад
In this video Carlo Domeniconi and his student Julia Schüler work on the well-known classical guitar piece "Koyunbaba". Koyunababa describes not only a region in Turkey with beautiful but very rough nature but also a sheppard ("Koyun" = "sheep", "Baba" = "father") and a mystical and legendary figure. This first video of five focuses on the story behind Koyunbaba and Carlo Domeniconi's impressio...
Thank you for bringing such a beautiful piece of music to the world Sir.
I'm grateful for classical guitars and music and these humans
What a great privilege to tell the story of Koyunbaba as a Turkish. I respect to you so much sir. this is an unprecedented chance to watch this lesson first from you then Miss Julia.
A "good effect on the soul": maestro, that is the understatement of all time. This piece moves me like none other. Grazie.
Molto Grazie, Maestro Carlo for sharing! 🙏 It's a pleasure to finally see and hear you on this platform. Best regards from the San Francisco Bay Area, California, USA 🇺🇸
I’m from Turkey and I can deeply feel the geography in this song. It is unbelievable, really, how music can depict so much and the musician as the magician who brings out the wormhole so we can be transported to places. Thank you Carlo baba! 🙂🙏🏼♥️
This video has the same value as a diamond
I never tire of hearing this piece of music, and I’ve listened to it thousands of times. Beautiful
Man.. this guy is a load and so is his piece. That being said if you can survive watching these vids with that very very patient chick right there, you will get a lifetime of learning. I’ve heard this piece decades ago, but it’s so nice to be lead through the details. Thank you. Italians huh
Carlo Domeniconi is one of my favorite composers. I LOVE this piece!! I hope one day there will be instructions for Fantasia Di Luci E Tenebre and Variations On Anatolian Folksong!!! Thank you for sharing this!!
One of the most if not the most interesting piece of guitar ever written. As a guitarist I'm more into hard rock, shred, nu or heavy metal but Koyunbaba is something else. At least Master Domeniconi dared to explore very exotic territories which is about the notes and not the sound (as we do with electric guitar, pedals and stuff). Brilliant in every way.
I am really enjoying studying this piece and these videos are a treasure trove of advice
Same
My nephew Michael Gullo plays this sooooo well;))
Bu ezgiler beni çok duygulandırıyor insan ağlamaklı oluyor sürekli dinlediğim bir eser ve büyük ustaya saygılar.
17.18 Dur dur durrr:) Yavaş .
This is such an incredible piece of music. How did you write this?
carlo babaa büyüksün! What a beautiful piece you have written, bearing the name of a place where I live. kendine iyi bak baba
koyunbabaaaa. carlo baba where are you roght now old men? i am so close to bodrum do you need any help?
The warmest thanks to you both!
At 7:35, you can hear that "tick tock" of the percussive sound of the string hitting the frets. It is something LiJie does in hers as well and many others don't do. I really like it because it adds just more texture and structure to the tempo too. Some criticize that version as being dry, but it's probably my favorite because it is so close to the music as written and yet has personality in the sound. This is the favorite thing in her performance to me. I'm glad to hear you have it as well. I struggle with this and I haven't been able to make it a part of my version of this piece. I hope to master it some day.
For me, the third movement contains the emotional climax of the entire piece. It frustrates me so much when people just play the Presto.. For me, I don't hear the sound of a firework, but definitely an explosion. I call it the sound of a heart being ripped in two. I have a hard time playing it without shedding a tear. I love it when he says "it's not fast, it's slow". I spent probably two years figuring out how to play it clearly and with sufficient intensity and getting all that delicious bitterness. I wish I could do it consistently. Heck, some days, I wish I could play it at all without it breaking my own heart.
Definitely! Same here, the opening is devastating...
So happy to see you making this video to share with us. This piece is the most powerful thing I have ever learned and when I play it, it runs through my veins. Before this, all I have had from you directly to learn from has been your performances of the piece with your variations. I am overjoyed to learn more about your vision of the music here.
When I play this I get visualizations in my mind. I hear sheep and I hear echoes. When I learned A Rose in the Garden, it is just completely repeated, so it was a very good exercise in thinking about *why* I want to repeat and what the function is in the piece. Contrast that to something like HVL Etude #1, where I think the only purpose of the repetition is to warm up the fingers and muscles... Haha In my mind, in Koyunbaba, the repetitions are a device to shift between the protagonist awake, listening to sheep milling about and asleep, dreaming of another time, both of joy and of some indeterminate tragedy. I love experimenting with this by adding some harmonics as well since they can add a dreamy feel. I think that as the piece progresses, the dream turns dark and he relives some tragedy and when he wakes up, it sticks with him, like when you wake up from an intense dream and it hangs about your mind, bothering you even though it was just a dream poking into reality.
Insane to see this on RUclips. Such a delight to hear explanation of the ideas being the piece by composer himself!!
Ahh this brings me back to my undergrad days. Really enjoyed learning this particular movement for juries
Maestro mi sono trasferito da poco più di un anno nella sua città natale, e nonostante il mio peregrinare e chiedere in giro non ho mai trovato la sua casa natale. Mi piacerebbe conoscere il luogo in cui è nato, i posti che ha respirato prima di andar via dall'Italia, vorrei poter dire ai miei figli "qui è nato il miglior chitarrista del mondo" ogni volta che passiamo in macchina di lì. Sarebbe un regalo bellissimo, così come lo è stato ascoltare per la prima volta la sua voce. <3
Thank you!
This was such a delight to watch. Just spectacular.
Koyunbaba struck me like no other song. It was great to hear him discuss it. Thanks!!!
Thanks Carlo for this masterclass and for all your music. And thanks Julia.
This is wonderful. Even I learn a lot and I am a Ukulele-player. My wish is that the master would write a short piece like this for Ukulele (Re-entrant or lineair).
👏👏👏
What a find! Thank you for sharing this!
Bellísima información, maestro
the best piece was by li jie
süper
Very cool to hear the composer talk about and explain about the piece, and also to witness the relationship between a maestro and his student.
Master please teach us about one of your grand masterpiece Toccata in Blue 🥺
I absolutly loved " the call from far" idea... So deep...a mosso so full of disonances
The first time i heard this masterpiece i could imagine what scene each movement described which without any exception would be the same for anyone. This show how powerful and well composed rhis piece is.
Best regards from Turkey
Gorgeous Carlo DOMENlCONl
I absolutely love this composition.
I would love to be that lucky to have lessons with Carlo. OMG ! Great recording.!
I love this piece, it is posible to get the sheet? Where I can find it? Please help me with that
Grande Maestro, brava allieva.
Hallo Carlo, in meinem vorherigen Leben habe ich das Stück geliebt und alle anderen deiner Stücke auch! (bevor ich ms hatte) Schön, wieder eine Stunde mit dir zu erleben! 😊👍🏼
Fantastic lesson, Thank you Sir..🎉
I love the third movement
My favorite too. For me, I see it as an ABAB poetic structure. First and third are the idyllic, beautiful pieces that lead into tragedy. Second and fourth are the releases of the built up intensity, leading right back to the calm and tranquility of the beginning of the first, albeit slightly tainted with whatever it was that the subject of the piece was experiencing that tortured him so beautifully for these fifteen minutes or so.
Ma c’è un gatto che canta con voi!❤😊😊😊❤
❤grazie maestro! Che meraviglia sentirlo direttamente dalla sua voce!
PLEASE!!! do more this is amazing