Видео

Это совершенно великая симфония Гайдна! Бернштайн хорош )

9:29

Yep, they weren’t allowed the same with the Berlin Philharmonic until early 2000 at least the Berlin Philharmonic was first then the Vienna Philharmonic much later

Sheet joy - no less an authority than H.C. Robbins Landon thought Lenny was a top-notch conductor of Haydn and he was absolutely right

Such a great recording of this and Op 131 which is fantastic for string orchestra. I practically wore my record out until I bought the CD. Something about the power of all those strings for me gives the works a special sound, especially with a great orchestra. The purists will say it is not what Beethoven wrote but one only has to listen to hear the greatness of Beethoven. Mitropolous was the conductor who wrote in the bass parts and that is what Bernstein is using. I never heard this quartet until I heard this recording and it became one of my favorites, especially the slow movement. Special music far ahead of its time for sure. I am the guy sitting in my car unable to get out until the movement is over. Beethoven completely deaf when he wrote this.

Spot the women in the orchestra - go on there, keep looking. Then talk about the hey day of the VPO. This was the heyday whether you like it or not. Oh heavens and then there's the largo - this is Haydn at his most absolute sublime, understated beauty.

HAYDN ERA UN GENIO, MAS TRANQUILO QUE BETHOVEN Y MOZART.......JODER.....

Haydn forever surprises me ... the slow movement in particular is one of the most complex and richly developed I have ever heard, and when one realizes that only his student Beethoven would produce anything of this level before 1830 ... and in fact, "duh-duh-duh-DUH" is in that slow movement long before Beethoven would write the Fifth Symphony! The minuet too is amazing ... for a moment in the trio one can hear the echo of much older music ... of hurdy-gurdy songs that Schubert would pick up later on ... just remarkable.

I do like this in orchestra form ... it has its own special charm!

하이든은 감정보다 이성적인 음악가.그의 연구적이고 실험정신과 근면ㆍ성실성은 위대하고 대단하다. 개인적으로 하이든을 가장 좋아한다.물론 힘들고 지루하지만 항상 이성적인 하이든이 좋다.❤❤❤

Absolutely Amazing 😍

This piece was the first thing NYPO ever recorded.

for personal use: 9:14 ~ 12:22

I prefer listening to this at playback speed 0.75 🤷‍♂

15:00

15:03

15:05

11:23

Bravo! Always a joy to listen to this piece, especially the finale with its tremendous energy! Thank you, Bernstein, orchestra and all!

32:08 So much sarcasm I wonder if he's laughing at his upcoming death

Bernstein could be so great conducting Haydn !

9:37

This part is so special, not sure how to describe it: ruclips.net/video/b9Umjnwvn4g/видео.html

Mil gracias !!!

Thanks

Haydn should have been called 'The Magician'. I find it good to remember that without Haydn there could have been no Mozart and no Beethoven, although perhaps they would have evolved in different ways. This is such a happy and energising account of this wonderful symphony. Thank you.

Notice the difference between a French-shot video and an American-shot video: the French way is to concentrate on the instruments. The American-shot, the camera would have been on Lenny throughout.

After hundred times of listening, I still don't fully understand how Hydn constructed the magical - alas very fleeting - contrapunkt seconds at 27:00...

Bravo 🎉

His Schumann is always special.

My late mother favourite ever... Passed away 15 years ago... God rest her soul...

👏👏👏👏👏👏👏👏👏👏👏

Elegant and clipped, exacting classicism over romanticism in the faster movs, in contrast to his Mozart and Karajan’s Haydn, well judged faster tempos breezing forward with conversational interpolations, considerable intensity and overall unity, while avoiding trying too hard. However the slow mov then contrasts too much and the finale slightly is unserious; the overall conception lacks deeper values and interest, staying on the surface and showing ignorance of the music’s nature. It’s VPO-ized with an inevitable range of later Vienese overtones including J.Strauss and Bruckner and insistence on doing things their way, with even the plush and gaudy room they’re in bringing in extra social values; despite its qualities this is in dogged ignorance of HIP that indeed uncovers the real Haydn of unsold objectivity and crystalline poise; he may have lived in Vienna but there’s hijacking here.

Did those folks in Vienna get a show like this every week? That shit is crazy!!!!! In the end Bernstein is conducting with his facial expressions! That's not just a maestro, that's a wizard!

9:24 I love how that riff changes just a little bit from before so that you can tell it's entering the triumphant finale

Le nom " maestro " a été inventé pour des Leonard Bernstein

❤великолепно❤

19:38 це революція в музиці, Гайдн переверши сам себе

Haydn conveys on symphonies as thisvone a sense of perfection I hardly find on other pieces, even if I love many other composers, from Bach to Brahms to Wagner. 13:19

My cats love Franz Joseph Haydn's orchestral and instrumental music and often listen to his works. A short while ago, they were exposed to the great experience of Haydn's “Surprise Symphony,” in which they presented a collective astonishment at the second movement's fortissimo strike. They now perform a synchronized vertical jumping at the same fortissimo, having acclimated to the musical stratagem. But, it appears that they have adopted this behavior as a ceremonial act of engagement with this symphony.

Haydn, Bernstein, la Filarmónica de Viena!. Difícil pedir algo mejor ...

HC Robbins Landon said Lenny was the best Haydn conductor.

Bernstein was an excellent conductor who was well aware that he was in Show Business (especially when he was On Camera).

I think a lot of Bernstein...but not as much as he did. The conducting with his eyes was a stunt. He KNEW the camera was on him. Thats why he did it.

I'm not a great Bernstein admirer...but I am convinced that late Haydn symphonies need a big band...and some small authentic instrument orchestras really do play too quickly. Bernstein's Paris symphonies still hold their own. And this symphony is among many people's favourites in the whole Haydn catalogue. I still think one can go the other way in terms of speed; the opening is a little too slow for me, as is the largo.

🥰🌹❤👏❤🌹🥰

The 5th movement sounds about the same as the 4th

Gran director y gran obra de Haydn . Muchas gracias,

A masterpiece (although little known) made unforgettable by Bernstein's brilliant conducting.

Listen to Paul Gilbert version of this on electric guitar. It will knock ur Sox off