Видео

Subpar Bass and Tenor

Rarely seen a better Quel Cor Tradisti than this one. The gold standard was Callas and Correlli in the late 1950s and early 60s but this takes a fabulous silver

No. Awful singing.

Terrible singing.

Vomito

Penose. Oscene. Inascoltabili. Atroci

Se questa è un sovrano

Mamma mia... Che vergogna

Brava!

Brava!

Beautifully and passionately performed.

Qella donna non e lucia. Camina , anchche con secchio per lavare terr. Un fastidio durante tutta oper senza fine, iinsopportabile. Juan DIEGO FLOREZ IL.PIU COOMOVENTE, PIU DIPERATO , VERO EDGARDO. VOCE STUPENDA, PIU LIRICA N9N SI PUO FARE NESSUNO DI JDF.MARTA BEATRIX DARDAY

HE is THE ABSOLUTE UN8QE, DIVINE BEST 19996 EN ALWAYS ANNTILL JUAN DIEGO SINGS. MARTABEATRIX DARDAY

IPIU SOLARE DI TUTTI JUAN DIEDO FLOREZ, EDGARDO UNICO, SUA SOFFERENZA MORTE E VERO, EDGARDO SOFFRE, VITA UN INFERNO E MUORE COME SE FOSSE MORTO. UN8COO, INSUPERBILE!!! COOME SEMRE OVVIO. DIVENTA TUTTI CHE CANTA. UNICO MERAVIGLIOSO MIRACOLO DI GRAN DIO. MARTA BEATRIX DARDAY

❤❤❤❤

In inglish meaning

Totalement d'accord, les deux sont fantastiques

This is so funny, and expertly choreographed - the surly kitchen maid tries to snatch the good bottle of wine away from Juliet, but constantly misses it, not least due to their wide full skirts... 😃 Great singing too!

Bravissimo pour La belle du monde soprano - JULIE FUCHS et pour PHILIPPE Talbot !!!!!

Muchas gracias !!! Me encantó

Doesn't beat the Sutherland rendition with the absolutely massive high E flat

Oh heavens what beautiful singing. This woman has stolen my heart ❤️ completely . The tenor is fabulous too.

Two great singers singing heavenly music - what more can you want...except spelling the names correctly 🙃

A true gem among interpretations !! Bellini's music and two great singers so into the roles - what a joy 💥

Oh dear, too much stage business, not good.

@ahimsainternational I agree 100 %. I also saw productions where Norma and Pollione are standing alone and singing alone. Looking at the audience. Which to me doesn't make any sense at all. As you said - singing and acting here are sublime, touching and convincing. But Sondra Radvanovsky and Joseph Calleja are always a perfect match. I am looking forward very much to their Tosca in Barcelona. And yes this is the Met production. And the whole production is worth watching if only on video. Just great.

2 of my absolute favorite singers today.

It's hard to believe that there have not been any comments in the almost 20 months since this was uploaded. This appears to be the Met performance with an astonishing duet with Sondra Radvanovsky and Joseph Calleja. I watched about ten versions of this poignant duet from the last act. It is the only one in which the emotions of the conflicted lovers are depicted in a realistic manner. For example, in some productions, Pollione is not even looking at Norma when he asks for forgiveness. He is often singing to the audience, not to Norma. In some productions, Norma is more aloof, concentrating more on the music than the drama. I feel this performance rivals the best of Callas in terms of the acting and the psychological state of the parents who are about to die. Norma is a lover and mother, not a priestess. However, Pollione's heart has been moved by her nobility. The acting here is as good as the voices so it deserves more views and thumbs up!

Magnífico, meu caro! Muito obrigado por postar. Não conseguia encontrar este concerto em lugar nenhum do youtube...infelizmente.

merci d'avoir mis ce chef d oeuvre en ligne.

Awful. Where's the emotional connection between Adalgisa and Norma. Callas and Stigani understood it so did Sutherland and Horne. Radonovsky is just so unsuitable for Norma. She's over acting . Opera is well and truly dead

DEH! NON VOLERLI VITTIME "Deh! non volerli vittime", a ária da cena final Do 1º Ato da ópera Norma, de Bellini, traz O coro que recita: vá agora para a pira, sinal Que o seu sacrifício limpe o altar, em cartaz. Somos contra amaldiçoar alguém na morte Porque as dores do sofredor irão aumentar, Pois não devemos condenar nenhuma sorte. Norma, a alta-sacerdotisa, é de só se amar. Os tempos Covid - 19 são de muitas dores Que tudo é efêmero e o acerto de contas Vem por aí, é o Miserere dos compositores. Oportunidade rara de se olhar ao horizonte Onde luz vem a cada dia e esquecer afrontas. Mensagem inspirada em palavras do monte. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - DEH! NON VOLERLI VITTIME (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.

Beautiful scenery, where was this performed?

This is the original key? No? I thought Mira Norma was usually transposed?

Mal audio. Suban de nuevo

Идеальный дуэт. Большие мастера своего дела. Какие насыщенные голоса. Мои аплодисменты!!! 👏👏👏♥️♥️♥️

C ' est le Silence des Agneaux???

Sublime duelo de eximias . Bravi !!!!

Stupenda è dire poco..bravissima

Absolutely beautifully sung, but way too much stage business with the children and the nanny. Very distracting. Thank you for posting this. More please...

She does not have the agility to pull this off. The tremble is painful.

¡Qué bella puesta en escena! La imagen de Lucía pasando por la escena.

Bravissima

Con toda la sinceridad: no es Ópera para él... requiere más fuerza lírica...

Amazing Scene Great Juan Diego Bravo 🎵🎵🎵

Bonjto mesml

He is the best today!!! Belissimo!!!

Algo correu mal, pois a fluidez dos slides não acontece como desejável, sobrepondo-se muitas vezes o anterior sobre o seguinte.

Fotografias tiradas na Sé do Porto, na passada segunda feira, durante o espectáculo que pretendeu encenar episódios relacionados com a restauração da diocese do Porto, há 900 anos, e com a formação de Portugal.

Em noite de lua cheia, a iluminação de Natal em Braga tem mais encanto.