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Glad you like the video. The output of the se-02 goes to the input of the audio interface. And then I treat that like a regular electric instrument (think electric guitar). That's what I do most of the times, unless I want to do something with MIDI. You'll need to use an adapter for the jack cable. But that's pretty much it.

Thanks!

It's all from the instrument. The clean sound goes to the stock logic amps. I don't remember which, but almost everything I used is stock amps

Glad it helped!

You are very welcome 🙂

Hello. Thanks! Yes it is possible. Command + arrow keys. CMD + Up/Down arrow keys for vertical zoom CMD + Left/Right arrow keys for horizontal zoom. If you want a detailed video on various ways of zooming, I cover everything in this video: ruclips.net/video/cCC5VlbB13s/видео.htmlsi=H4YSOoSPyWWGcDIR

@@ConstantineMusicComposer Nice! Thank you for the answer.

Sadly, I do not own a minimoog (or behringer copy) yet. Hopefully, soon! When I get one though, I'll probably do a similar video tutorial series as I did with the se02. Glad you liked the tutorials. Thank you

One of the better VST Moogs would work too, actually. And the Behringer D is very inexpensive; )

The standard manual is probably one of the worst I have ever seen. Very glad you liked the series and it helped you. Thank you. All the best.

Old? Just three years old! I'm afraid I have no hi-hat patches.

You are very welcome!

Haha. That might be one of the best comments I ever got. Thank you

Thank you!

Where does your pfp comes from ?

What about the color correction? You have to include that on the cons.

De nada :)

You are very welcome. Glad it was of help!

You are very welcome!

Not really. It depends on the genre and the player. I only use them if I have to.

Glad I could be of help!

Thanks for the comment. There's a lot of interesting information on it. I like the approach. I do agree that the engineer should always approach it like a musician and not strictly as an engineer. Although, you are the rare case of musicians that know exactly what they want and can actually describe it too. That's why I encourage all musicians to learn at least the basics of production. The final result will be much better if they describe things like you do. Also, you mentioned some interesting things that I really want to try.

Hello! Thanks! I'm referring to the waveform. Everything else I like. The waveform though is really bad compared to other daw'. It's one of the things I think they need to improve on. I honestly think that other daw' display waveforms better. Other than that, I'm happy with logic!

First of all, thank you. Second, I have no experience with Behringer products (Other than their synths). Out of curiosity, why did you invest in getting the same dynamic mic twice? Why not one, and then a stereo matched condenser pair? You can definitely experiment with those for recording though. I wouldn’t make any suggestions on how to record you piano, as I do not know what the room looks like. All I can say is to move it away from the wall, and try all the techniques I am demonstrating at the video. And then find the one that sounds good and experiment further with various distances.

@@ConstantineMusicComposer i’m not sure, I just never considered doing it with a stereo pair. I’ve had these for a while anyway. My other microphone I have is an audio technica condenser microphone, which ran around $100 at the time. Then I have a Shure sm57 dynamic microphone, which at the time also was around $100.

@@TheTechPianoPlayerKid in my humble opinion, a piano should always be in stereo. A mono recording is not doing it justice. Experiment with different positions. Don't be fussed about the mics at the moment. And try to move the piano away from the wall too.

@@ConstantineMusicComposer Will do. Thanks so much for your advice and suggestions.

Thanks :)

Thanks for watching!

Haha. Thanks!

Faulty unit? I hope not, but if you are following my steps and it doesn't work, you'll have to look into it.

Thanks- I realized I was on an older firmware (bought the unit used). All working now!

Thanks!

Using a 3.5mm jack with an adapter to turn it into a 1/4. From the output of the se-o2, to the input of the audio interface. Treat it like a regular instrument.

Anytime!

Hello. You probably missed a step somewhere. Checklist. 1. Send the kick to a bus and set the amount to unity. 2. Set the kick channel to pre-fader 3. Set the bus to 'no output' 4. Set the sidechain for the bass channel to the kick channel on the track spacer. Hope this helps. If not, try and follow the video step by step. I don't see any other reason why it wouldn't work on your end.

What do you mean by unity? Is that 0?@@ConstantineMusicComposer

I do these steps but when I mute the kick track. it still mutes aux bus.@@ConstantineMusicComposer

@@blasher4 Unity or unity gain is when the audio that passes through your gear (Or plug-in in this case) and the output level is same as if the gear (Or Plug-in) is not on the signal path. Same input and output level. Think about it as one in, one out. By saying, put it on unity gain, that would be to bring your bus at 0dB. As for the rest, I do not know what you might be doing differently from what I do on the video. There must be something that is missing because if you do it exactly as I am, then you should get the same results.

Old? It's only three years old! Yes, everything in the video is K&M.

From the output of the se02, which is a mini jack, to an adapter to make it a 1/4 jack, and then you simply plug that one to the scarlett input. So treat it like a normal instrument. Ger the right levels and all.

I used a jack 3.5 to 6.3 trs cable but that didnt work. Dont know why I cant hear the roland se02 in my headphones @@ConstantineMusicComposer

Try other cables and adapters too. Might be that. Worst case scenario, you might have a faulty unit. But you need to rule out everything else first.