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I love and greatly admire Ashkenazy’s playing, he’s one of the great pianists for sure. Yet, after hearing some of the daring and virtuosic versions of this ferociously difficult concerto and cadenza (Yuja Wang, Marta Argerich, and of course Horowitz) in this piece Ashkenazy seems careful and reserved by comparison.

❤ The maximum Thank you ❤

👋👋👋👋👋👋👋

Way too fast. Ruins the beauty of it.

AMO ESSA MÚSICA.

Horowitz at his best. Starting 0:46s it is surrealist. Horowitz has met God. Sincere playing and super passionate. His early tempo is (on purpose) slow to increase the effect later on. Rachmaninoff has complaint about Horowitz slow tempo but understood the purpose later on... Earl Wild for ex, seems more in control and speed aligned with Rach conception but the effect is not there...

Bronfman is the best among living pianists who plays this

Cudowna muzyka genialnego Chopina, boskie wykonanie.

Piękno muzyki Fryderyka Chopina to fenomen graniczący z cudem.

Muzyka Fryderyka Chopina będzie zachwycać wiecznie. Dzieło stuleci i symbol naszego narodu polskiego. ♥️

Piękno muzyki Fryderyka Chopina to fenomen graniczący z cudem. Chopin to najpiękniejsza spuścizna dla ludzkości. Wspaniałe wykonanie.

Cudowna muzyka genialnego Chopina, boskie wykonanie.

Arcydzieło, rewelacja ! Chopinie, geniuszu. ❤️❤️❤️

Arcydzieło, rewelacja ! Chopinie geniuszu. ♥️♥️♥️

The "small printed version". as called in inside circles

The goosebumps keeps on coming, indescribable!

Gran Rubinstein...

Que hermosura

3:51

The best performance of this of all time!

♥️👌

This is pure love translated to music and it always makes me cry

Perfection 🎹🎵

0:52 omg i have goosebumps

Merveilleux Pianiste merci beaucoup

Magical ....♥️🎼🎵🎶🎹

Beautiful...

Fortepian jakiej marki.

It makes me sad that only 146,300 people searched "Chopin Piano Concerto, op. 11, no. 1, mov. 1" But it makes me happy to see this piece, as it got me infatuated with the piano when I heard it on the radio. I always had a knack for music, but this just absolutely enveloped me in it. It's what makes me a Pianist, today, 7 years after I heard this piece in my moms car, after a boring day in the 1st grade. I strive to play this in a concert hall, with a well known conductor/maestro, and orchestra, as Chopin, in my opinion, the greatest composer of all time, will be one of the only composer for me, as the majority of my current repertoire is made up of Chopin's easier Nocturnes and Waltzes. Thank you for uploading this 12 years ago, almost a year before I was born.

The piano parts at 3:06 and 7:50 are as expressive as the best of Chopin. I take Rubinstein's version as the template by which to judge all others, but I also recommend Zimmerman's version.

I imagine, his playing is source of Polska music.

Like his version

Gracias Román Polansky!

anyone here sobbing while listen to this masterpiece on 2020..?

The most clipped, staccato approach of any other version I've heard, but interesting.

The best version I've ever heard from human (so far I only liked synthesia's version)

so sentimental

my favourite piece of music

Love magician's musicians , they all presents from God for us.

Can u see guys why i love Argerich with all my heart? Why she is by far the best? She is the perfect balance between virtuosity and musical expression. I have to admitt this cadenza is faster than Marthas, but is not even close ‘musically’. I mean, than one who is more virtuoso than Martha, is not as expressive as she is. And that one more expressive is not nearly as virtuoso as she.

Love how he briefly makes everyone forget it's a piano concerto and then suddenly 4 minutes into the piece the piano comes crashing in!

Im here, who are you? I miss Expectacular:)

fastest octaves here for all versions

_____ MARAVILHOSO! Graças ao filme "O Pianista", conheci a arte de Szpilman

:)

No era de este planeta. Los Rubatos, la dinámica y la expresividad de este señor no se... vino de otro planeta. Me hace llorar... Es como que puedo escuchar y darme cuenta de lo que le pasaba a Chopin en su cabeza mientras escribia esto... A alguien mas le pasa?

Wow.

It's such a beautiful day.

When Rachmaninoff first met Horowitz on January 8, 1928, they went over the 3rd Concerto in the Steinway basement on 57th street in New York. Afterward, Rachmaninoff made a few suggestions about dynamics, phrasing, and mentioned that he liked this shorter cadenza more than the longer one."the alternate cadenza is like an ending in itself. It's not good to end the Concerto before its over" (page 430 Horowitz biography by Glenn Plaskin)