김지훈
김지훈
  • Видео 54
  • Просмотров 681 656
Fugue in Bach style
Fugue in Bach style, made for a counterpoint class in 2018. (slightly revised in 2024, original composition)
Просмотров: 444

Видео

Kapustin - 7 polyponic pieces for left hand op 87
Просмотров 1924 месяца назад
[0:00] 1. Fuga (a 3 voci) [1:30] 2. Fuga (a 3 voci) [3:24] 3. Canone alla Quarta [4:45] 4. Fughetta (a 3 voci) [6:25] 5. Canone alla Terza [7:46] 6. Fuga (a 3 voci) [9:32] 7. Fuga (a 2 voci)
Invention in Bach style
Просмотров 1184 месяца назад
Invention in Bach style, made for a counterpoint class in 2018. (Original Composition)
Haydn, Keyboard Sonata Hob. XVI:16, I. Andante
Просмотров 234 месяца назад
Haydn, Keyboard Sonata Hob. XVI:16, I. Andante
말러 2번 1악장 분석/해석
Просмотров 131Год назад
(HR = Hidden Rotation) EXPOSITION Subrotation 1 (with S) [0:00] P. 불행하고 어두운, 주인공의 본질적인 상태 {HR1: c minor} [2:36] TR이라 부르긴 너무나 약한, link (S의 불안정성/비실재성 때문) [2:56] S. 주인공이 갈망했던 "열정과 열망"(Mahler). 그러나 S가 원하는 E Major는 제대로 수립되지 못하고(root-tonic의 부재)... {HR1: E Major} [3:32] 이내 전조가 일어나더니... {HR1: B Major} [3:59] eb minor로 "붕괴", "wrong" biii:PAC EEC를 수립하기에 이른다. {HR1: eb minor} Subrotation 2 (without S) [4:0...
Manuel de Falla - El Sombrero de Tres Picos, Suites 1 & 2 (1919)
Просмотров 13 тыс.Год назад
Suite no. 1 [0:00] 1. Introducción (Introduction) [0:21] 2. La Trade (Afternoon) [2:24] 3. Danza de la molinera (Dance of the Miller's Wife) - Fandango [4:58] 4. El corregidor (The Corregidor) [5:59] 5. Las Uvas (The Grapes) Suite no. 2 [9:51] 1. Danza de los vecinos (Dance of the Neighbours) - Seguidillas [13:04] 2. Danza del molinero (Dance of the Miller) - Farruca [15:32] 3. Danza final (Fin...
Gabriel Fauré - Barcarolle No. 12, Op. 106bis
Просмотров 720Год назад
Gabriel Fauré - Barcarolle No. 12, Op. 106bis
Steven Stucky - Concerto for Orchestra No. 2 (2003)
Просмотров 725Год назад
[0:00] I. Overture (with Friends) [4:49] II. Variations [18:39] III. Finale
Robin Holloway - Concerto for Orchestra No. 2 (1979)
Просмотров 1,1 тыс.Год назад
[0:00] I. Allegro assai [7:05] II. Andante ~ [26:41] III. Tempo del primo
Jacqueline Fontyn - Halo for harp and 16 instruments (1978)
Просмотров 96Год назад
[0:00] I. Giocoso [8:16] II. Eterico
George Rochberg - String Quartet No. 3 (1971)
Просмотров 2,5 тыс.Год назад
Part A [0:00] I. Introduzione: Fantasia [6:52] II. March Part B [9:57] III. Variations Part C [25:51] IV. March [30:12] V. Finale: Scherzos and Serenades
Heitor Villa Lobos - Bachianas Brasileiras No. 5 (1938)
Просмотров 270Год назад
[0:00] I. Ária (Cantilena) [7:13] II. Dança (Martelo)
[Sonata Theory] 53~54p: Expansion-section subtype of continuous exposition with no caesura signals
Просмотров 2702 года назад
Related text in original book: 53~54p "FS may move pas the S-point without our noticing it. In other words, we eventually come to realize that we are beyond any conceivable S-point. By all reasonable standards, it is now too late for an S-theme, although we did not register our having passed by its potential moment: we heard neither a medial caesura nor any compelling generic signals of an appr...
[Sonata Theory] 37~39p: "Unfrozing" I:HC MC
Просмотров 872 года назад
Related text in original book: 37~39p "An exposition, for example, might make an early feint toward the I:HC option (by seeming to move toward or even onto the relevant structural dominant) only to renounce it or pass it by in order to produce a later V:HC or V:PAC MC. In this situation, when a I:HC is actually articulated en route as a seeming point-of-arrival and a dominant-lock begun on that...
[Sonata Theory] 26p: Dominant seventh in the V:HC MC
Просмотров 822 года назад
[Sonata Theory] 26p: Dominant seventh in the V:HC MC
[Sonata Theory] 25p: Shifting to minor mode in the V:HC MC
Просмотров 762 года назад
[Sonata Theory] 25p: Shifting to minor mode in the V:HC MC
[Sonata Theory] 20p: Absence of repetition scheme in exposition
Просмотров 1542 года назад
[Sonata Theory] 20p: Absence of repetition scheme in exposition
Francis Poulenc - Sonata for Piano 4 Hands
Просмотров 73 тыс.4 года назад
Francis Poulenc - Sonata for Piano 4 Hands
Caroline Shaw - Partita for 8 Voices
Просмотров 65 тыс.4 года назад
Caroline Shaw - Partita for 8 Voices
Arnulf Herrmann - Fiktive Tänze
Просмотров 1,1 тыс.4 года назад
Arnulf Herrmann - Fiktive Tänze
York Höller - Sphären
Просмотров 1 тыс.4 года назад
York Höller - Sphären
Joji Yuasa - A Winter Day (1981)
Просмотров 1,1 тыс.4 года назад
Joji Yuasa - A Winter Day (1981)
Pauline Oliveros - Horse Sings from Cloud (1982)
Просмотров 6 тыс.4 года назад
Pauline Oliveros - Horse Sings from Cloud (1982)
Philip Glass - Einstein on the Beach: Knee play 1, Train
Просмотров 224 тыс.4 года назад
Philip Glass - Einstein on the Beach: Knee play 1, Train
György Ligeti - Piano Études (selections)
Просмотров 1,3 тыс.4 года назад
György Ligeti - Piano Études (selections)
Magnus Lindberg - Aura
Просмотров 2,3 тыс.4 года назад
Magnus Lindberg - Aura
Tristan Murail - Désintegrations
Просмотров 2,1 тыс.4 года назад
Tristan Murail - Désintegrations

Комментарии

  • @AndreyRubtsovRU
    @AndreyRubtsovRU 10 часов назад

    i find it hard to enjoy this

  • @Woofrie
    @Woofrie 4 дня назад

    16:55 Top 10 metal moments in classical music

  • @MaryJamesMusic
    @MaryJamesMusic 7 дней назад

    The voices are clear and distinguishable from each other; There's no lack of circle of fifths chord progressions; And the dramatic use of the perfect cadence is there. A truly remarkable work! Now I want a fugue in your style!

  • @jeremy8473
    @jeremy8473 15 дней назад

    Wow... this sounds so good!!

  • @JonathanGilmer
    @JonathanGilmer 19 дней назад

    He was truly a master of writing for strings!!

  • @davidwilliams8405
    @davidwilliams8405 23 дня назад

    I saw this first in 1984, as an art student in Cleveland, Ohio, and couldn't believe my ears; never heard or saw anything like it, thought it was phenomenal, still do.😮😮😮

  • @peterrobinson6904
    @peterrobinson6904 28 дней назад

    Horrible hideous music

  • @suelamullaj7068
    @suelamullaj7068 28 дней назад

    Capolavoro dell'umanità!!!

  • @MiraproductionTv
    @MiraproductionTv Месяц назад

    Goog! You could anyway check the 18th measure.

  • @jeffwatkins352
    @jeffwatkins352 Месяц назад

    I'm guessing this is the BAM performance. Or is it a newer one? Would love to see/hear this live one day. It was my first exposure to Glass way back in the mid 1970s thanks to the original cast recording. I've been a Glass addict ever since.

  • @Strattbatt
    @Strattbatt Месяц назад

    2:24 audition

  • @pinkdragon4830
    @pinkdragon4830 Месяц назад

    20:15 - 20:48 goes so hard (especially 20:28 )

  • @joshuapocalypse
    @joshuapocalypse 2 месяца назад

    Pretty easy to hear classical musics influence on metal.

  • @ruanpiano5129
    @ruanpiano5129 2 месяца назад

    안녕하세요 악보 구할 수 있나요?

  • @johnpcomposer
    @johnpcomposer 2 месяца назад

    I like the intro with it's alternating harsh episodes with no tonal center and neo-romantic music...It's not really developed much, but the transitions are striking and very effective. It's juxtaposition is perhaps a sign-post of the two extremes we'll be hearing throughout: The 1st march is Bartokian. The Variations are clearly Brahmsian and are quite beautiful, but perhaps go on longer than they should. Doubtless there is an intention behind this juxtaposition of stylistic extremes which I can't grasp the reasoning of on a 1st listen. Is this intended as polystylism? Just listened to his entire 6th symphony yesterday and was very impressed with all of it, except a short stretch in the last section where a marching band quality becomes a bit too blatant and out of character with the rest of the symphony. There are lots of reasons composers are neglected and no century has more undeservedly neglected composers than the 20th century...but you wonder if it is in the ways some of this very well-written music does not quite hang together that makes performers shy away from it. Does it have a logical consistency or does it push and pull us in too many directions? And are they just too imitative for us to care? It could be the formal aspects of a work like this. It's rather unwieldy for a quartet at 47 minutes, with 3 shorter movements and two rather massive ones. The 2nd march brings us back to his Bartokian mode. The very long finale then alternates strident agitated sections with serenades that now sound like bittersweet paeans to Mahler....the 2nd scherzo sounds like distorted Mendelssohn. Then another Mahlerian serenade. almost quoting the end of Mahler's 9th. The final scherzo is back to the Bartokian harshness, coming full circle to the motif from the opening of the work and repetitive flurry to end. Not sure what to make of it all, but it's not something I would return to because if I want to listen to Bartok, Brahms, Mahler or Mendelssohn then I will listen to them.

  • @RED40HOURS
    @RED40HOURS 2 месяца назад

    what soundfont/vst did you use for the piano sound? It sounds so good!!!

  • @johnpcomposer
    @johnpcomposer 2 месяца назад

    1st two movements left me kind of cold...but starting with the 3rd movement I started to feel this. It's really such a mesmerizing and compelling work. Full of strangeness and dark thrills.

  • @RaymondDoerr
    @RaymondDoerr 2 месяца назад

    The march is really good, the harmony is so satisfying

  • @timothybrittain4161
    @timothybrittain4161 2 месяца назад

    But WHO IS PLAYING IT? How absurd not to tell that!

  • @trannongoble7722
    @trannongoble7722 2 месяца назад

    PSYCHO! Bernard Herrmann was clearly influenced by this piece. Especially the finale (IV) and (V).

  • @NikaMusic-pt9qq
    @NikaMusic-pt9qq 2 месяца назад

    3rd part🔥

  • @Angeloyur
    @Angeloyur 3 месяца назад

    Very fine choice, excellent pieces!

  • @_Aiming
    @_Aiming 3 месяца назад

    18:00

  • @ryandodd8941
    @ryandodd8941 3 месяца назад

    This copied a lot of licks from 2013 carolina crown

  • @inhorama338
    @inhorama338 3 месяца назад

    Nice piece ! Well done

  • @parisnadja
    @parisnadja 3 месяца назад

    필립글래스..!

  • @cmclean6475
    @cmclean6475 3 месяца назад

    But who is playing this??????

  • @wiktor37krokodyl
    @wiktor37krokodyl 3 месяца назад

    Najlepsze!

  • @owenypony
    @owenypony 3 месяца назад

    Who is performing here?

  • @violinhunter2
    @violinhunter2 3 месяца назад

    This would make a good outer space movie soundtrack. I always thought Stucky would become a good composer but he didn't. He followed what others were doing - lots of motifs, lots of percussion, some minimalism. unnecessary complexity, sound for the sake of sound, nothing memorable, not worth listening to twice.

  • @Cosmicprog2012
    @Cosmicprog2012 4 месяца назад

    PERFECTION

  • @Zardman7
    @Zardman7 4 месяца назад

    Is it modern enough?-Bartók to one of his colleagues after fearing he wasn’t modern enough

  • @juwonnnnn
    @juwonnnnn 4 месяца назад

    👍

  • @sutats
    @sutats 4 месяца назад

    The Smartest Guys In The Room (2005).

  • @cowfunk
    @cowfunk 4 месяца назад

    Jon Fishman sent me

  • @yannd.8256
    @yannd.8256 5 месяцев назад

    paroles svp

  • @amasirat
    @amasirat 5 месяцев назад

    My study of orchestration by Samuel Adler brought me here.

  • @user-oc7us2zo5f
    @user-oc7us2zo5f 5 месяцев назад

    😂

  • @caknox1
    @caknox1 5 месяцев назад

    My Lord.... the remarkable bookends I just experienced: I never fail to weep when the chorus begins to sing in Knee Play 1, Train. At the same time, the Counting Crows line shredded me with unexpected laughter. I am now nothing but a block of sentient unflavored gelatin. God Loves Us All.... or just ain't there.

  • @witograf634
    @witograf634 5 месяцев назад

    Muzyka mojego życia ❤ Siemion Byczkow >> The Best

  • @leonbernsdorf2548
    @leonbernsdorf2548 5 месяцев назад

    Who are the performers?

  • @mauriziofaggiprofessionalc6021
    @mauriziofaggiprofessionalc6021 6 месяцев назад

    Esiste un prima e un dopo Einstein on the Beach, perché ha veramente segnato un punto di non ritorno per le arti performative.

  • @user-tg8co1et9f
    @user-tg8co1et9f 6 месяцев назад

    16:40

  • @user-re2xc5ud2y
    @user-re2xc5ud2y 7 месяцев назад

    16:43

  • @MrInterestingthings
    @MrInterestingthings 7 месяцев назад

    Like Wagner it is gesamkunstwerk. It has to be experienced in all its mayerial/media forms .

  • @MrInterestingthings
    @MrInterestingthings 7 месяцев назад

    Oh I wish I had gone to New York in 2012 to see it again. 1976 the noise and attention made in 1976 living in Los Angeles I will never forget. How do the singers dothese difficult rhythms and even the counting changes without a score in front of them ? Bed from this opera is revelatory as is Night train . Train makes such a unique unforgettable experience upon first encounter. It is truly music that feels like the world we live in Now esp. the 1970's and 1980's in places where we are confronted with chaos it becomes our scarifying present !

  • @MoustiluigiRandom
    @MoustiluigiRandom 7 месяцев назад

    Ah!

  • @andyhouston9836
    @andyhouston9836 7 месяцев назад

    A masterpiece. Thanks!

  • @ferrosole
    @ferrosole 7 месяцев назад

    Дарк соулс два лучшая игра серии

  • @tmamone83
    @tmamone83 7 месяцев назад

    Cool! Kinda reminds me of Laurie Anderson.