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Oslo Circles
Добавлен 31 янв 2016
Francesca Caccini: Marie, dolce Maria (1600), Berit Norbakken & Karl Nyhlin, Oct 2023
Francesca Caccini (1587-c.1630): Maria, dolce Maria
Berit Norbakken, soprano
Karl Nyhlin, theorbo
Oct 2023
Linderud Gård, Oslo
***
The Italian singer and composer Francesca Caccini was born into a family of musicians in Florence. She had a quite extraordinary career: she served at the court of Tuscany under three Grand Dukes: Ferdinando I, Cosimo II, and Ferdinando II, and was the highest paid composer at the Medici court in Florence. Her father was the famous composer, singer and member of the Florentine Camerata, Giulio Caccini. He and the composer Jacopo Peri are credited to have written the first known operas of music history.
Caccinis daughter Francesca took probably part in these opera p...
Berit Norbakken, soprano
Karl Nyhlin, theorbo
Oct 2023
Linderud Gård, Oslo
***
The Italian singer and composer Francesca Caccini was born into a family of musicians in Florence. She had a quite extraordinary career: she served at the court of Tuscany under three Grand Dukes: Ferdinando I, Cosimo II, and Ferdinando II, and was the highest paid composer at the Medici court in Florence. Her father was the famous composer, singer and member of the Florentine Camerata, Giulio Caccini. He and the composer Jacopo Peri are credited to have written the first known operas of music history.
Caccinis daughter Francesca took probably part in these opera p...
Просмотров: 195
Видео
Caterina Assandra: Duo Seraphim (1609) - Berit Norbakken, sopran & Oslo Circles, sept 2023
Просмотров 4378 месяцев назад
Caterina Assandra (ca 1590 - after 1618): From mottetti op. 2: Duo Seraphim Berit Norbakken, soprano OSLO CIRCLES Astrid Kirschner, baroque violin/leader Maria Ines Zanovello, baroque violin Henrikke G. Rynning, viola da gamba Karl Nyhlin, theorbo Luca Quintavalle, harpsichord Live at Linderud Gård, Oslo, Sept 2023. beritnorbakken.no/ www.oslocircles.com/ Caterina Assandra was an Italian compos...
J.S.Bach: Suite b minor, BWV 1067, Barthold Kuijken (traverso), Oslo Circles
Просмотров 13 тыс.10 месяцев назад
Johann Sebastian Bach: Suite b minor, BWV 1067 Recorded live at Margaretakyrkan, Oslo, 3rd Sept 2023. Barthold Kuijken, traverso OSLO CIRCLES Astrid Kirschner, baroque violin/leader Karolina Radziej, baroque violin Mari Giske, baroque viola Mime Brinkmann, baroque violoncello Mariangiola Martello, harpsichord 1.Ouverture 2. Rondeau 3. Sarabande 4. Bourrée II & II 5. Polonaise 6. Menuet 7. Badin...
J. S. Bach: Sinfonia from cantata BWV 196, Oslo Circles (Astrid Kirschner, leader)
Просмотров 91310 месяцев назад
Johann Sebastian Bach: Sinfonia from cantata BWV 196 "Der Herr denket an uns" Oslo Circles Astrid Kirschner, baroque violin Karolina Radziej, baroque violin Mari Giske, baroque viola Mime Brinkmann, baroque violoncello Mariangiola Martello, harpsichord Live at Margaretakyrkan (Swedish church), Oslo, sept 23 Video: Lighthouse productions www.oslocircles.com/ #bach #bwv196 #sinfonia #oslocircles ...
J.S.Bach: "Das Gute, das dein Gott beschert" from BWV 36b; Oslo Circles & Mari Askvik, mezzosoprano
Просмотров 90510 месяцев назад
Johann Sebastian Bach (1685 - 1750): Aria "Das Gute, das dein Gott beschert" from cantata "Die Freude reget sich" BWV 36b (1735, Leipzig) Mari Askvik, mezzosoprano Barthold Kuijken, traverso OSLO CIRCLES Astrid Kirschner, baroque violin/artistic leader Karolina Radziej, baroque violin Mari Giske, baroque viola Mime Brinkmann, baroque violoncello Mariangiola Martello, harpsichord Live at Margare...
J. S. Bach:"Betörte Welt" BWV 94, Oslo Circles, Barthold Kuijken, traverso,Mari Askvik, mezzosoprano
Просмотров 3,6 тыс.11 месяцев назад
Johann Sebastian Bach (1685 - 1750): From cantata "Was frag ich nach der Welt" BWV 94: Aria "Betörte Welt" Mari Askvik, mezzosoprano Oslo Circles Barthold Kuijken, traverso Mime Brinkmann, baroque violoncello Mariangiola Martello, harpsichord Live from a concert at Margaretakyrkan (Swedish chuch) in Oslo September 2023 Text: Betörte Welt, betörte Welt! Auch dein Reichtum, Gut und Geld Ist Betru...
OSLO CIRCLES: Bellissimo Seicento, concert live at Gamle Aker kirke, Oslo, 3.4.22
Просмотров 6812 года назад
Bellissimo Seicento Oslo Circles Astrid Kirschner, baroque violin Josué Meléndez Pelaez, cornetto Gunnar Hauge, baroque violoncello Jadran Duncumb, theorbo Gunnhild Tønder, positive organ Concert live at Gamle Aker kirke, Oslo 3rd April 2022 Excerpts from: Giuseppe Scarani : Sonata sesta Andrea Falconieri: Battaglia de Barabaso yerno de Satanas Giovanni Paolo Cima: Sonata a 3 Francesco Corbetta...
Oh, Venice! - Oslo Circles plays Venetian baroque music
Просмотров 5412 года назад
OH, VENICE! Live from a concert in Gamle Aker kirke, Oslo, 11th Sept 2021 Oslo Circles Astrid Kirschner, baroque violin Renata Kubala, baroque violin Gunnar Hauge, baroque violoncello Jadran Duncumb, theorbo Rinaldo Alessandrini, harpsichord Excerpts from: Biagio Marini: Sonata sopra La Monica Francesco Cavalli: Canzona a 3 Giovanni Gabrieli: Canzon a quattro detta la Spiritata Antonio Caldara:...
Oslo Circles & Marianne Beate Kielland, mezzosoprano, rehearsal 13.11.2021, Gamle Aker kirke, Oslo.
Просмотров 7242 года назад
Oslo Circles, rehearsal 13.11.2021, Gamle Aker kirke, Oslo. Johann Sebastian Bach: Vergnügte Ruh, aria BWV 170 Marianne Beate Kielland, mezzosoprano OSLO CIRCLES Astrid Kirschner, baroque violin/ leader Maria Ines Zanovello, baroque violin Mari Giske, baroque viola Gunnar Hauge, baroque cello Einar Schøyen, violone Per Hannisdal, baroque bassoon Marcus Mohlin, organ www.oslocircles.com/
Marianne Beate Kielland (mezzosoprano) & Oslo Circles: Lascia ch'io pianga
Просмотров 3273 года назад
Georg Friedrich Händel (1685 - 1759): Lascia ch'io pianga from Rinaldo HWV 7a Marianne Beate Kielland, mezzosoprano Oslo Circles: Astrid Kirschner, baroque violin May Kunstovny, baroque violin Mari Giske, baroque viola Gunnar Hauge, baroque cello Anna D. Starr, baroque oboe Jon Fredrik Hjemli, baroque oboe Jørgen Skogmo, theorbo Marcus Mohlin, harpsichord Encore, live from a concert at Bærum ku...
Es ist ein Ros entsprungen, Ditte M. Bræin, soprano & Oslo Circles
Просмотров 2,3 тыс.3 года назад
Michael Praetorius: Es ist ein Ros entsprungen Ditte M. Bræin, soprano Oslo Circles Astrid Kirschner & May Kunstovny baroque violins Mari Giske, baroque viola Gunnar Hauge, baroque cello Fredrik Blikeng, double bass Jadran Duncumb, theorbo Christian Kjos, harpsichord Live at Oslo Ladegård, Dec 2020 Video: Lighthouse Productions
In dulci jubilo, Ditte M. Bræin (soprano), Oslo Circles
Просмотров 2,7 тыс.3 года назад
In dulci jubilo Vers 1: Hans Leo Hassler (1564 - 1612) Vers 2: Michael Praetorius (1571 - 1621) Vers 3: Johann Sebastian Bach (1685 - 1750) Ditte M. Bræin, soprano Oslo Circles: Astrid Kirschner & May Kunstovny baroque violins Mari Giske, baroque viola Gunnar Hauge, baroque cello Fredrik Blikeng, double bass Jadran Duncumb, theorbo Christian Kjos, harpsichord Video: Lighthouse Productions Live ...
Antoine Forqueray (1671-1745): Musette , Jadran Duncumb, lute
Просмотров 1,7 тыс.3 года назад
Antoine Forqueray (1671-1745): Musette transcription for baroque lute by Robert de Visée (1650-1725), Saizenay manuscript (1699) Jadran Duncumb, lute Live at Oslo Ladegård, Dec 2020 www.jadranduncumb.com/ Video : Lighthouse Productions.
Bach: Aria 'Mein gläubiges Herze' from Cantata BWV 68, Oslo Circles , Ditte M. Bræin
Просмотров 20 тыс.3 года назад
Johann Sebastian Bach : Mein gläubiges Herze from cantata BWV 68 Ditte M. Bræin, soprano Oslo Circles: Astrid Kirschner & May Kunstovny baroque violins Gunnar Hauge, violoncello piccolo Fredrik Blikeng, double bass Jadran Duncumb, theorbo Christian Kjos, harpsichord www.oslocircles.com/ Oslo Ladegård, December 2020 Video: Lighthouse Productions
John Playford : From Musick's Hand-Maid: Parthenia & Georg Friedrich Händel: From Messiah : Pifa
Просмотров 2023 года назад
John Playford : From Musick's Hand-Maid (1663): Parthenia & Georg Friedrich Händel: From Messiah HWV 56 (1741): Pifa Oslo Circles: Astrid Kirschner, baroque violin May Kunstovny, baroque violin Mari Giske, baroque, baroque viola Gunnar Hauge, baroque cello Fredrik Blikeng, double bass Jadran Duncumb, theorbo Christian Kjos, harpsichord Oslo Ladegård, December 2020. Video : Lighthouse Productions
Livestream: Marianne Beate Kielland & Oslo Circles
Просмотров 4004 года назад
Livestream: Marianne Beate Kielland & Oslo Circles
Prøve med Oslo Circles & Magnus Staveland (tenor), Akershus slottskirke, 7.4.2020.
Просмотров 3584 года назад
Prøve med Oslo Circles & Magnus Staveland (tenor), Akershus slottskirke, 7.4.2020.
Bach: Contrapunctus XIV from Die Kunst der Fuge, and choral : Vor deinen Thron tret' ich hiermit
Просмотров 2,8 тыс.4 года назад
Bach: Contrapunctus XIV from Die Kunst der Fuge, and choral : Vor deinen Thron tret' ich hiermit
Johann Sebastian Bach : Die Kunst der Fuge BWV 1080, Canon alla Duodecima. Oslo Circles
Просмотров 6134 года назад
Johann Sebastian Bach : Die Kunst der Fuge BWV 1080, Canon alla Duodecima. Oslo Circles
Johann Sebastian Bach : Die Kunst der Fuge BWV 1080 : Contrapunctus V. Oslo Circles
Просмотров 9714 года назад
Johann Sebastian Bach : Die Kunst der Fuge BWV 1080 : Contrapunctus V. Oslo Circles
Johann Sebastian Bach : Die Kunst der Fuge, Contrapunctus VI (in Stylo Francese) - OSLO CIRCLES
Просмотров 1524 года назад
Johann Sebastian Bach : Die Kunst der Fuge, Contrapunctus VI (in Stylo Francese) - OSLO CIRCLES
Oslo Circles, Corelli sonata op.5/10, F major, live
Просмотров 1,4 тыс.5 лет назад
Oslo Circles, Corelli sonata op.5/10, F major, live
Händel 'Ombra mai fu' fra Xerxes HWV 40
Просмотров 1 тыс.5 лет назад
Händel 'Ombra mai fu' fra Xerxes HWV 40
Marianne Beate Kielland & Oslo Circles : Lamento
Просмотров 2 тыс.6 лет назад
Marianne Beate Kielland & Oslo Circles : Lamento
Tarquinio Merula: Hor ch'è tempo di dormire
Просмотров 5338 лет назад
Tarquinio Merula: Hor ch'è tempo di dormire
Fantastic, but I miss the oboe, at the end.
👏👏👏👏👏
klingt echt und unverkünstelt, bravo.
Vielen Dank für den netten Kommentar!
Astounding. I'm so glad that Mr. Kuijken is still playing at this high level in his 70's. As an aging vocalist and flute player, this kind of performance gives me hope for the future.
Yes, very inspiring indeed! Thank you for your nice comment!
My wife sang this in church many years ago Thanks for sharing
Mime!
Vielen Dank für Ihr großartiges Konzert. Freundliche Grüße nach Oslo !
Herzlichen Dank für Ihren freundlichen Kommentar! Gruss zurück aus Oslo! :)
En utrolig vakker og klar sopran!
This masterpiece was meant for royalty. I wish I could improvise using my violin as silently as possible in the suite of sound.
Grande Kuijken ! Tempi perfetti ! Tutti molto bravi !
Grazie! :)
suuper good dynamic range and sound engineering - beautifully articulated notes, fantastic performance - thank you for sharing this rare gem!
Thank you very much for your very nice comment! Best wishes from Oslo!
So beautiful! ❤️🤗🌷
❤❤
Fantástico! Greetings from Mexico city.
Thank you very much from Oslo!
👌💐🙏
Sublime
nádhera...hudba aj interpretácia...❤
A great recording! Very well played! Greetings from Germany! 👍
Thank you very much for your nice comment!
👍🥰 Bravi!
Thank you :)
great performance Greetings from Germany
Ass happy a piece of music that there is.
Groß ist die Welt, klein ist der Mensch. Was ist dir wichtig. Wovon lebst du …
Beautiful! And it's one aria where that slow a tempo and that considerable rubato work well.
Pretty amazing that you haven’t gotten any complaints about the fast pace of the coral. According to his obituary, Bach dictated the chorale prelude to his son-in-law on his deathbed, and therefore many believe that it should be played slowly, and with seriousness. I don’t believe in that story, because the composition is very complicated. Therefore, even Bach had to have been healthy and not terminally ill to be able to compose such music. Also, there exists a shorter version from about 1715. The time signature is C, so the pace of this performance may be closer to the original than most other versions. And the melody of the chorale is easier to perceive at this fresh pace.
Michael Praetorius wird sich freuen, das zu hören!
Lovely but too many breathes for my liking.
Vackert!
What a marvelous interpretation. Thank you so much.
Thank you - nice, that you like it!
Excelente!
Thanks very much!
Gracias!!! Thank you!!!
Love
Sooooo schön!Danke!
Briljant!
love it!
nice energy and abruptness with great timing...💯💫
se nota mucho que todos alli disfrutan mucho lo que hacen, muy Buena Interpretación, Gracias por Compartir
Flott musikk og fantastiske musikere 👏👏👏👏👏
Tusen takk :)
fantástico
He tenido el placer de escucharla en directo en Oviedo. Ha sido un descubrimiento maravilloso. Una hermosura.
Schitterend en het plezier van muziek maken spat ervan af
Magnífica apresentação!
The part of the second instrument in the final coda is done with the oboe and not with the violin. What is the point of making a video with a philological approach and historical instruments and then not inserting the specific instrument indicated by Bach?
really stupid indeed
maybe it's practical to do so? it's not a big problem. it sounds good to me and it's a performance very much worthy of appreciation imo
@@polikun2884 I repeat that if Bach had wanted a second violin, he certainly would not have entrusted the part to the oboe. Bach was Bach and he knew well what he wrote. I am convinced that when music is performed in a philological way, it must be done correctly, respecting the will of the composer. Whether you like it or it sounds good to your ear is debatable. Indeed, we know that Bach can be performed in any way and with any instrument. But in this way we return to the uninformed musical concepts that existed before the philological rediscovery of early music.
@@giuseppenalinoboe Thank you very much both of you for your engagement! Maybe you would like to hear the story behind this video: we made it as a part of our musical 'Christmas cards' in December 2020. That was a time when Oslo was in a pandemic lockdown, and also our oboe player was in lockdown 1200 km away (yes, Norway is a long country). In that year there were no Christmas concerts here, so we decided to send our audiences weekly advent video greetings, to give them a little bit of Christmas joy in all that uncertainity and loneliness. Of course, we have otherwise played this aria many times with oboe - and we will continue to do so, too :)
@@oslocircles4427Well, thanks for the explanation that you may have had to put as detail under this video. A big greeting from Italy and good continuation for a sumptuous concert activity with a lot of success!
Quelle splendide interprétation, merci ❤
thanks
Merci pour votre beau travail. Vous avez 2 amis de plus!
that sound so beautiful, i think i'm gonna cry
Nice video, stay connected! 🙂
ぼくの臨終に際して、このフーガの技法の最後とコラールを聴きながら召されたい。 「私はここに貴方の御座の前に進み出ます（Vor deinen Thron tret ich hiermit）」(BWV 668）
Sehr schön und eindrucksvoll!
Yeeeess