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When has jazz become elitist BS ?

What is the model of that guitar? x.x

Thanks for the Japanese subtitles. They really helped understand all of this material 😅

Bueller... bueller.....

Clearly, not a teacher, as he definitely can play. Otherwise, a fantastic insight into one man's interpretation process. Just take a second to think of this: it's not that maestro is deliberately playing these shapes fast to disturb people on youtube who are not fluent enough to follow in his footsteps. No, this is exactly the speed and precicion the man actually was thinking in. Bravo.

Wow this guy sucks! Keep practicing pal!

Why jazz is a chaotic bunch of notes?

Lots of theory knowledge, musical gibberish.

Espectacular

Me encanta pat Martino pero pedagógicamente hablando esto no sirve para nada….la auténtica improvisación transcurre en una secuencia armónica y ahí los problemas son otros que aquí ni se nombran…

I think Pat learned a lot of what he plays from playing with the guys and groups he has played with in his life.and then he has developed a system in which he can explain what’s going on!

A7 Emin7...

Pedantic Martino

watch this video at 3/4 speed. you'll thank me later 🤣

Master 🙏🏼🙏🏼❤️❤️

Kind of defeats the purpose of teaching guitar when its covered in Kanji

This man is brilliant, I can watch it but I can’t understand it

If you want to understand this and why he plays so many notes..you need to hear the lines as a group, a chord ontop of the main harmony chord. If you play the line slow, the substitutions never sound good. The notes in any substitution need to be played fast to bring out the harmony

Martino was a genius. I'm sure he's having a blast in heaven. Probably teaching mere mortals with a knack for music how to become more fluid in their craft. I hope I can sign up for his class...😊

39:36

Muchas gracias

¡Su música debería ser mucho más conocida!❤🔥

I love how differently everyone sees the guitar. I see more like holdsworth, where I picture the entire scale form on the neck. Very interesting. From what I understand, here, from briefly viewing and not completely studying Martino’s approach, is that he is playing “Dorian” lines over a 7th chord, which would be in a mixolydian fashion, which is why he is saying he is playing a fifth over the chord. For example if he played an A7 chord, he would solo in Dorian mode, which would be em7 lines, because the A7 chord is mixolydian in d major.

El libro ya tiene las Backing tracks?

I would rather hear a person play with FEELING. To play with what he is feeling inside. That's something u cannot teach. This guy is reducing ART to a bunch of theories and equations. That's sad. What an educated idiot. Garbage. Pure garbage.

Beautiful Groove & Vibe ❤

Side note, you can tell around 29:00 mark where he’s performing with the band just how big those strings are. 😮

I saw Pat a couple times. He never forced anything. It was all very natural for hiim.

I love how Pat swings Hard Bop. But in the explanations I feel like I am listening to a lecture on Quantum Physics! RIP Brother Martino

Man, listen to those stabbing, somewhat alienesque lines! I put Pat, John McLaughlin, and Holdsworth together because they all sound like they are coming from space. Something otherwordly about all those players musical vibe. I know Holdsworth also derived his own unique systematic approach. I don't know about McLaughlin. Maybe it was the time. the late 60's early 70's. the space race. getting off this planet. Getting philosphical. It shines through the music. Pat could be such a warm player but he could also sound stone cold.

nice

what moron decided to put captions right over the guitar in a guitar instruction video? thumbs up

RIP Maestro.

大好きなギターリストでした。 本当に残念ですが天国でもギターを弾き続けてください。 RIP from japanese guitarist

pat martino one of those guys you have to just shake your head at does anybody understand this stuff?

A summery: Key of C: Dm7 G7 Cmaj7 Over the G7 chord you can think any combination of the following: Fm7 Bb7 EbMaj7 Abm7 Db7 Gbmaj7 Bm7 E7 Amaj7 4 key centers each a tri-tone away from each other.

We are very lucky he does the examples very very very slooooooow 🙂 however I do understand, when you have the knowledge like he does, it is extremely difficult to deal with the rest of us the mediocre guitarists, Imagine Friedrich Nietzsche writing lullaby for kids

jazz ASMR

RIP Master ❤️

What kind of guitar is Pat playing? Kind of reminds me of the old Eubanks guitars from like 20 years ago….

What are those strings? Zemaitis guitar?

Lots of comments saying this is bad teaching and unnecessarily complicated. I don't see anything having been made more complex in the slightest..Pat's instruction in this video is nothing more than an expounding on his incredibly simple to understand approach to playing over changes and the dodecaphonic substitutions he employs therein. I suspect the reason so many find what he is saying complicated is a lack of the foundational theoretical/improvisational knowledge required to comprehend the concepts Pat is teaching. A video teaching Russian adverbs is useless for somebody who doesn't have a basis in Russian or know what adverbs are. Of course it would be confusing. However what Pat is explaining here is simply his own manner of conceiving and organizing particular sounds systematically in order to recall them on command with a simultaneous emphasis on an understanding of the harmonic structures from which they are derived.

You should have put the subtitles somewhere else. Not right on his guitar!!!!??????

Rest in Peace Pat 🌹

Muito bom este vídeo, pelo conteúdo do MESTRE e, pela qualidade de imagem e áudio. Obrigado amigo, sou Fã do Pat Martino. Agora é LUZ.

Rick Beato brought me here

Geez, man, lookie here: The chord "A7+" is merely the seventh position of Bb Melodic Minor, and Eb9 is in its four position. That is why, when you are looking at notes to find related chords, you will gravitate toward the notes of its diatonic scale. Thus the tendency toward Bbm7, by which Pat really intends to say is a "Bb minor major chord," which is the root chord of Bb Melodic Minor. Once you know the scale, add a chromatic note or two within the form for hip measure, and you got yourself a Martino. I guess one more thing. If you are looking for a science of the application of a well-placed chromatic note, perhaps it is a good time for the reminder that augmented chords are also found in the seventh position of Harmonic Minors (and every M3 from its root note in a loop), and they are in the first position of Harmonic Majors (again found every M3 from its root note in a loop). In the unlikely event that you will find yourself in jazz hell presented with a chord progression containing BbminMaj to A7+ to Eb9 over which you are forced to apply theoretically sensible notes lest you be fixed on Satan's Dante anal spittle, grab the notes from Bb Harmonic Minor and those from A Harmonic Major that are not in Bb Melodic Minor (the diatonic parent of those three chords), and you have an academic excuse to have chosen those accidentals in your fancy shmancy arpeggio. Amen

Rip Pat

Eats a guy like Jimmy Bruno for breakfast, Jesus Christ.

It was a solution to a perceptual problem... God bless you, sir and keep you in this time of trial.