Andrea Sordano
Andrea Sordano
  • Видео 9
  • Просмотров 38 705
Andrea Sordano - Le vrai vert del'Espérance
Avez-vous quelquefois observé le soleil qui se couche sur un horizon de mer? Oui! sans doute. L'avez-vous suivi jusqu'au moment où, la partie de son disque effleurant la ligne d'eau, il va disparaître? C'est très probable. Mais avez-vous remarqué le phénomène qui se produit à l'instant précis où l'astre radieux lance son dernier rayon, si le ciel, dégagé de brumes, est alors d'une pureté parfaite?
Non! peut-être.
Eh bien, la première fois que vous trouverez l'occasion - elle se présente très rarement - de faire cette observation, ce ne sera pas, comme on pourrait le croire, un rayon rouge qui viendra frapper la rétine de votre oeil, ce sera un rayon vert, mais d'un vert merveilleux, d'un ve...
Просмотров: 376

Видео

Stars at our backs - (Monster Hunter: World OST) - Transcription
Просмотров 9964 года назад
Hello! This is one of my last transcription work. Here is the original: ruclips.net/video/po_t8I9FC2Y/видео.html The sound you hear is NotePerformer 3. I used Sibelius for the score.
Symphony No.1 - Henri Dutilleux [w/ score]
Просмотров 26 тыс.4 года назад
This symphony demonstrates Dutilleux's attachment to the use of variation form, which is found in the outer two movements. The use of a passacaglia as a symphonic first movement is extremely rare. It consists of 35 repetitions of a four-bar bass motif, shown in the opening four bars by the double basses. The second movement was defined by Dutilleux as an 'original and energetic scherzo', and ve...
J. S. Bach - Suite BWV 996 w/score (Lutenwerk: Gergely Sárközy)
Просмотров 2,6 тыс.4 года назад
The Suite in E minor BWV 996 can be dated around 1717. It is very likely that J. S. Bach conceived it for Lautenwerk (or Lautenklavecimbel, Lautenklavier, Lautenwerck) a sort of gut-stringed harpsichord, with a sound similar to the lute. According to Rudolf Bunge, Bach commissioned the construction of one of these instruments between 1717 and 1723, period in which he was serving in the court of...
Prelude No.1 - Eduard Tubin
Просмотров 8094 года назад
Prelüüd No.1 by the Estonian composer Eduard Tubin. Eduard Tubin was an Estonian composer. It is considered to be one of the major representatives in the history of Estonian music, whose development began with the liberalizations of Tsar Alexander II in the mid-19th century. Eduard Tubin was born in Torila, in the Livonia Governorate. His parents were amateur musicians, but his first interest i...
End Of The Road (Acapella) Score - Boyz II Men feat. Brian Mcknight
Просмотров 4,7 тыс.4 года назад
This is my first video transcription. The song is End of the Road in the acapella version with Brian Mcknight. Hope you like it! For making the video I used Sibelius 2018. The transcription has been made mostly using my ears (lol) and a couple of tools: Adobe Audition and TuneTranscriber. I use Audition for the spectrum analysis and TuneTranscriber for slowing down the track where I need to. If...
John Cage - William's Mix (1951-1953)
Просмотров 2,6 тыс.4 года назад
Hello, this is my first video about promoting electroacoustic music. Please leave feedbacks in the comment or send a message. Thanks to Andrea Veneri for the support making the Jitter patch. Personal website: andreasordano.it Information have been taken here: johncage.org/pp/John-Cage-Work-Detail.cfm?work_ID=246 www.medienkunstnetz.de/works/williams-mix/ en.wikipedia.org/wiki/Williams_Mix
I do Music Transcriptions online from Audio or Manuscripts
Просмотров 1654 года назад
Check my gig on Fiverr! www.fiverr.com/andreasordano/do-the-best-music-transcription My gig includes: - Transcriptions from audio/video files. - Transcriptions from manuscripts. - Transcriptions for any genre : from Jazz/Pop (Melody and Chords) to Contemporary Classical Music. - Transcriptions for any instrument : Vocals, Guitar, Piano, Organ, Harp, Ensembles, Orchestrals - Using of extended te...
Andrea Sordano - Castelli di Carta, for large ensemble
Просмотров 2248 лет назад
The title means "Paper Castles". What inspired me, while writing, is a poem by Eleonora Capodiferro. This is the poem (without a title): Ho contato ogni passo, ogni movimento della terra io l’ho seguito sulle punte dei piedi per non far rumore, per non farti svegliare. Ho perduto i miei passi e la terra ha cominciato a tremare atrocemente. Il tuo sonno, sprofondato in una di quelle voragini con...

Комментарии

  • @peteacher52
    @peteacher52 Месяц назад

    Bach is recorded as not overly liking the highly ornamented music of his French contemporaries, saying "Scarcely a note is free of it." Perhaps a good idea to bear this in mind when interpreting his music.

  • @zhiying3001
    @zhiying3001 2 месяца назад

    hi i would like to the pdf of the sheet music?

    • @zhiying3001
      @zhiying3001 2 месяца назад

      i m so intrested this ost

    • @andreasordano
      @andreasordano 2 месяца назад

      Hi, you can see that I put my email in other comments. Please write me there info [at] andreasordano.it

    • @zhiying3001
      @zhiying3001 2 месяца назад

      @@andreasordano sended

  • @nicholaswerner8170
    @nicholaswerner8170 4 месяца назад

    Thank you for this score! I suppose it's too late to swap out the audio for a recording that's not super compressed? The piece kind of loses its finesse without hearing actual dynamics.

  • @guidog.preparata3430
    @guidog.preparata3430 6 месяцев назад

    Beautiful - would you share the score in pdf?

  • @ronald220964
    @ronald220964 9 месяцев назад

    Very good

  • @valerieheinderyckx4506
    @valerieheinderyckx4506 10 месяцев назад

    Je ne connaissais pas cette oeuvre superbe...c'est un choc et une superbe découverte...Merci. ❤

  • @PhilippeBrun-qy3st
    @PhilippeBrun-qy3st 10 месяцев назад

    Je connais beaucoup mieux la deuxième...mais, je trouve que celle-ci vaut largement le détour. Ce n'est pas la plus jouée. Bravo au maître, quelle belle réussite encore. Merci à vous.

  • @loganbarrow486
    @loganbarrow486 11 месяцев назад

    This is the best transcription I've heard of this piece.

  • @fredvacher3998
    @fredvacher3998 Год назад

    A very brilliant symphony, wonderfully played

  • @Umitto
    @Umitto Год назад

    it looks like Tom n Jerry underscore.

  • @michaelmcdonagh5104
    @michaelmcdonagh5104 Год назад

    Some parts near the beginning of movement 1 sound like jazz, but of course no one or few will mention that because it's not "classical" .

  • @luckshiomi1942
    @luckshiomi1942 Год назад

    Hi my name is luck. I’m studying music composition and I’ve always loved this music but the score is not for sale. Would I also be able to get this score?

  • @rossanopinelli5150
    @rossanopinelli5150 Год назад

    Masterpiece. Dutilleux is one of the greatest composers of the second half of the 20th century (and the beginning of the new millennium) and, in my opinion, underrated - or at least undervalued. This year marks the tenth anniversary of his death and he was the master of the great composer Gérard Grisey.

  • @yolandabruno5351
    @yolandabruno5351 Год назад

    Thanks for uploading with the score!

  • @trumpetplayer3623
    @trumpetplayer3623 Год назад

    Could I have the score of this wondful work? I am very interesting in this music.

    • @andreasordano
      @andreasordano Год назад

      Please email me at “info [at] andreasordano [dot] it”

  • @faramund9865
    @faramund9865 Год назад

    13:40 Bourrèe

  • @MarcelloMarchese
    @MarcelloMarchese 2 года назад

    Bellissima Andrea, complimenti! Spero di incontrarti se dovessi ricapitare a Tallinn.

  • @oscargill423
    @oscargill423 2 года назад

    I think I may have just found my favourite symphony. Edit: I cannot for the life of me figure out why I wrote this... it's still a good piece, but I don't know that I'd consider it my favourite of the symphonies. More edit: After actually listening to the whole thing I have remembered why this is my favourite symphony.

  • @simonkawasaki4229
    @simonkawasaki4229 2 года назад

    God, it’s gorgeous. So gorgeous.

  • @yvestroendle9504
    @yvestroendle9504 2 года назад

    Thanks, Andrea: I’ve loved this piece ever since I first heard it on the “Twenty-Five Year Retrospective Concert” disks, and that’s the version that always gets recorded. Do you know of any others? Following the “score” could produce verrrrry different music. Hey, want to try it yourself?

    • @andreasordano
      @andreasordano 2 года назад

      Hello Yves, thank you for proposing this. I will think about it

  • @disorderss5596
    @disorderss5596 2 года назад

    Me puedes dar las partituras pero en "do, re, mi, fa, sol, la , si"

  • @kacperromel2054
    @kacperromel2054 2 года назад

    Love the ornamentation, bit crazy, but enjoyable.

  • @LandOnBolts
    @LandOnBolts 3 года назад

    27:03 and on is amazing

  • @joechindamo1948
    @joechindamo1948 3 года назад

    Just amazing.

  • @that1aznboi978
    @that1aznboi978 3 года назад

    any idea why John Cage made this audio? or the meaning of it?

    • @johnoestmannmusic
      @johnoestmannmusic 2 года назад

      Electroacoustic music and Musique concrète are genres of music that encapsulate this style. When tape recorders first become accessible to composers, a number of them started experimenting with how any form of "organized sound" can be music. It's worth looking into the history of those two movements to find other composers who have experimented with the styles.

    • @Anrainer_
      @Anrainer_ Год назад

      I found the hint in James Bridle's book "Ways of Being - Beyond Human Intelligence" (2022) in the chapter about random numbers. There it has a good description of how it came about. It's about random and how to find *real* random numbers, and then linkt to the music. 😊

  • @markdowding1371
    @markdowding1371 3 года назад

    Some of the harmonic shifts are reminiscent of Kurt Weill in the final movement. It's amazing how Dutilleux could reflect influences from other composers, but maintain his own unique voice!

    • @FleuveAlphee
      @FleuveAlphee 3 года назад

      Dutilleux influenced by Kurt Weill? Sounds preposterous and likely provably false.

    • @markdowding1371
      @markdowding1371 3 года назад

      @@FleuveAlphee I hear them. Maybe Dutilleux didn't?

  • @markdowding1371
    @markdowding1371 3 года назад

    You can detect the influence of Bartok at the 3min-3min 40 point.

  • @oronzo.persano.youtube
    @oronzo.persano.youtube 3 года назад

    Complimenti. Bella esecuzione sullo strumento per il quale la Suite è stata scritta da J.S. Bach... Le fioriture sono molto interessanti. Sono oltretutto ammaliato dal suono del lautenwerke... La Sarabanda poi è STUPENDA! Grazie per aver condiviso

  • @nanomachinesson.2782
    @nanomachinesson.2782 3 года назад

    Could I ask for the pdf of this sheet?

    • @nanomachinesson.2782
      @nanomachinesson.2782 3 года назад

      score and parts

    • @andreasordano
      @andreasordano 2 года назад

      @@nanomachinesson.2782 Hey, are you still interested?

    • @noviopersonal
      @noviopersonal 2 года назад

      @@andreasordano I’m interested please👏🏽👏🏽👏🏽

    • @andreasordano
      @andreasordano 2 года назад

      ​@@noviopersonal please write at info[ at ]andreasordano [dot] it

  • @annamilluzzo8077
    @annamilluzzo8077 3 года назад

    Intuizione potente di Cage (tutto è musica ,si potrebbe quantizzarla come solfeggio .basta un beat . grazie from Sicilia .

  • @sevenlayer8780
    @sevenlayer8780 3 года назад

    I cannot thank you enough for this! Such an outstanding work, and to be able to follow along with the score...it's just magnificent. As are you!

  • @emanuel_soundtrack
    @emanuel_soundtrack 3 года назад

    he has a very peculiar way of ending things with evanescent decrescendos. The way the last section starts, interrupting the previous section full of tension and counterpoints, appears as a surprising coda as it ends the piece. It looks like an abandonment of the piece, but actually the movement was about abandonment of something that continues to happen elsewhere (the previous fast section) .

  • @emanuel_soundtrack
    @emanuel_soundtrack 3 года назад

    HIs music is very sophisticated, perfeccionist, and the overall outcome is something more or less out of the place, like us. It is a very direct communication because of this . He also cares to be amusing the whole time, never loses the color, and focus on one very precise single musical idea each time, very precise in focus - the counterpoint is his wa of adding magic to the relatively simple texture without you being able to see. When some section is based on counterpoint like from 10:00 on, you have a clear sense of background and foreground. Considering all this, his music is the closest we can get to Mozart while being contemporary I would say

  • @emanuel_soundtrack
    @emanuel_soundtrack 3 года назад

    died in 2013. Thx for the wonderful video, principüally because i wanted so much to read the first chords of the 3 mov. His scores are not on imslp, and also not easy to find or scan

  • @lennylion7937
    @lennylion7937 3 года назад

    Nice arrangement🔥🔥🔥🔥🔥

  • @paulprocopolis
    @paulprocopolis 3 года назад

    With its endlessly fascinating motifs, ideas, colours and textures, this is a great discovery for me!

  • @fabianrubilar4980
    @fabianrubilar4980 3 года назад

    Which software are you using to get the spectrogram?

  • @theviewelectrical
    @theviewelectrical 3 года назад

    Hello,I'm desperately trying to identify a classical piece used in several TV documentaries from the series "L'Homme à la recherche de son passé" by Pierre Barde and Henri Stierlin, RTS (1965-1969). Eric Bujard who was in charge of the soundtrack unfortunately died a long time ago and I already did some extensive research in order to find the exact references of this beautiful music.This one is featured in this documentary about "Persepolis" (1968): www.rts.ch/archives/tv/culture/homme-a-la-recherche-de-son-passe/3464295-persepolis.htmlExact timing: 4:08You can hear it at the beginning of this documentary about Teotihuacan too www.rts.ch/archives/tv/culture/homme-a-la-recherche-de-son-passe/3464429-teotihuacan.html and also this one about René Char www.rts.ch/archives/tv/culture/champ-libre/3467369-rene-char.html .I've got high hopes and I'm pretty sure that it's definitely from the classical / contemporary and not from an obscure "library music" catalogue.Please, don't hesitate to forward this message to everyone willing to help me identifying this wonderful piece.Thank you from the bottom of my heart for your attention, listening and precious collaboration. Best wishes from Lausanne, Switzerland.

  • @Olives_369
    @Olives_369 3 года назад

    Ang galing ng voice🙌🏼🙌🏼🙌🏼 I mean your voice ,, I really love it

  • @robertberger4203
    @robertberger4203 3 года назад

    Can you please identify the conductor and orchestra ? Is the conductor Jean-Claude Casadesus as above were it says music in this video ?

    • @andreasordano
      @andreasordano 3 года назад

      No, Roger Albin ; Orchestre National de l'ORTF

    • @robertberger4203
      @robertberger4203 3 года назад

      Thanks . I'm not familiar with this conductor .

  • @MrInterestingthings
    @MrInterestingthings 3 года назад

    Amazing ideas and fabulous orchestrations like nuit d'etoiles . Endlessly fascinating !

  • @sojarvoglarcrt4602
    @sojarvoglarcrt4602 3 года назад

    It is amazing how a combination of horns and bassoons sounds very similar to saxophones...

    • @whatafreakinusername
      @whatafreakinusername 8 месяцев назад

      I think it's mostly in this particular recording, as the bassoons are French (much different tone from German)

  • @paolougoletti
    @paolougoletti 3 года назад

    che meraviglia!!

  • @klop4228
    @klop4228 4 года назад

    1. _Passacaglia_ 0:00 2. _Scherzo molto vivace_ 7:06 3. _Intermezzo_ 13:11 4. _Finale con variazioni_ 19:07

  • @andreiyakushau4564
    @andreiyakushau4564 4 года назад

    Great! :)

  • @JoseGarcia-ff7gg
    @JoseGarcia-ff7gg 4 года назад

    I love you. I was looking for the sheets but I coulnd't get any

  • @CalebSension
    @CalebSension 4 года назад

    Since the first time I heard this piece, I've never been able to get enough of the texture change at 5:40

    • @andreasordano
      @andreasordano 4 года назад

      The harp and violas are the cherry on the cake

    • @sojarvoglarcrt4602
      @sojarvoglarcrt4602 3 года назад

      Agreed. And that final bichord, consisting of two diminished chords sounds so unique...

  • @noahmosley
    @noahmosley 4 года назад

    This is stunning!