Видео

She knew her time had come and she picked the one place she always felt at home Balmoral a place she was made by the local people an ordinary loved local a place the local people will never forget her

Weird 😂

God bless you ma'am ❤

The scene at 1:21 is just an imaginary scenario created by me. Apologies to the young man; he’s in no way to be associated with the text and voiceover! Scena w 1:21 to tylko wymyślony przeze mnie scenariusz. Przepraszam młodego mężczyznę w skórzanej kurtce; nie powinien być w żaden sposób kojarzony z tekstem i narracją!

Such specific steps they’re taking reminds me of the way the US soldiers that guard the unknown soldier grave walk. So respectful, full of meaning.

Spooky! “Rosy-fingered dawn” has already reached over 1.3K views but “Wine-dark sea” only 21…

A sent off for a Great Queen Well done Scotland 🏴󠁧󠁢󠁳󠁣󠁴󠁿

His teeth keep rotating sideways when he speaks. Stopping this would go allong way to make his seem real.

Cute AI, but still AI.

It's been more than 50 years since I first read The Odyssey, but even on a first reading, the phrases "rosy-fingered dawn" and "wine-dark sea" have always stuck with me.

The eyes give it away. Also no-one that young has ever heard of Homer.

Is this AI-generated? Are those eyebrows real? And watch the bottom teeth -- are they spinning in his mouth?

She loved Scotland .

Definitely "Yes" and easily one of the highest points in JB's Decca discography as far as I'm concerned. I can understand that people with no imagination, who hear nothing but wild rides, hunts and all sorts of excuses for rushing and banging in this music, are disappointed with JB's tempos. Not me. I consider these Studies poetic masterpieces of immense scope and power. I've yet to hear anybody come close to JB's sublime rendition. Even he couldn't do it himself in his earlier version for Ensayo (still less in the even earlier and incomplete RCA set). Even Claudio Arrau, one of JB's very few rivals in this repertoire, is not really in the same league. To compare Lazar Berman, a banger if there ever was one, with JB in the Transcendentals is beyond ridiculous. You might as well compare a random collection of letters with a Shakespearean soliloquy.

She loved Scotland and Scotland loved her just like her Mother before her 🏴󠁧󠁢󠁳󠁣󠁴󠁿❤️🇬🇧

It doesn't matter where in the world we are. Bagpipes always steal a tear and sneak a smile. All involved in her farewell made her proud 😢❤. People of Scotland ❤❤❤from Pipers...tractors...horse riders😢😢😢simply beautiful goodbyes ❤

The Dame killed it!😊😊😊😊

AMAZINGLY beautiful!

Hre place, her people , her love

L'Angleterre🪢🍋💡🏵🎶💛🇻🇦✝️🇻🇦💛🌸🎶🌹🍒 un Jour redeviendra CATHOLIQUE🍋💡🌸💛🏵🇻🇦🌹✝️🌹🇻🇦🏵✒📃📚⛑🌻🕊🌿🧭🌺🍒🌹🌼🪢🎶💒😇🍒🎶🌹🦁 !!!

Maam

I think Pierre has had one double espresso too many before recording this excitable video

I myself particularly like the étude of this video's soundtrack (No. 2 in A minor), which has sometimes been given the nickname of "Fusées" (Rockets, Fireworks). The title was apparently not approved by Liszt. It was added by Ferruccio Busoni in his edition of the Études.

Una gran reina que ya no se repetirá en la historia!!❤

As an American of Scot descent, knowing how much HRM loved us... Americans with Scotch names, I don't care, bs b s bs. Clan Caldwell America is devastated and wishes HRH eternal peace.

Is that.. flash thombson?

shut up

Born in the old Francisco sugar mill in Cuba, when Gerardo Machado began his first term in office (1928), Manuel Reguera Saumell studied Architecture at the University of Havana, worked on the Master Plan for Havana as an urban planner, wrote very successful plays and left Cuba more than half a century ago for Barcelona, ​​the land of his paternal ancestors, where he had already lived as a child. The writer died in 2022.

You can hear the slight pause from 23mins10secs in the Prokofiev video that pops up as an 'end screen'

Great story, and as for our Bolet lecturer of the day, Oh MY!!😍

The soundtrack consists of the beautiful final bars of Ralph Vaughan Williams' "Job: A Masque for Dancing" (1931)

The show Williams was in was "One Over the Eight", a comedy revue which opened on 5 April, 1961 at the Duke of York's Theatre, London. It was written by Peter Cook (Harold Pinter was credited with additional material for the Shakespeare Memorial Theatre, Stratford-upon-Avon opening 31 January, but not the West End). The Evening News said it was "Scandalously funny". Kenneth Williams was one of the main ensemble in 26 of the 31 "Carry On" films, and appeared in many British television programmes and radio comedies, including series with Tony Hancock and Kenneth Horne, as well as being a regular panellist on BBC Radio 4's comedy panel show Just a Minute from its second series in 1968 until his death 20 years later. Williams was fondly regarded in the entertainment industry.

Alicia Torra de Larrocha, the pianist's daughter, has informed me that the reason the recording never took place "is because her husband (my father) was very sick and she decided to cancel all her commitments (from June 1982) to be by his side. Finally, my father passed away on 9 August of that year surrounded by his wife and children. In September, she resumed her concerts. I was not aware of the recording project, but, since the dates coincide, I am sure that this was the reason. My mother greatly admired Jorge Bolet." "Quiero aclarar el porqué no se llevó a cabo la grabación que estaba prevista en 1982 del gran Jorge Bolet con mi madre. El motivo se debe a que su esposo (mi padre) estaba muy enfermo y ella decidió anular todos sus compromisos (desde el mes de junio 1982) para estar a su lado. Finalmente, mi padre falleció el 9 de agosto de ese año rodeado de su esposa e hijos. En septiembre, ella reanudó sus conciertos. Yo no tenía conocimiento del proyecto de la grabación, pero, como las fechas coinciden, estoy segura de que este fue el motivo. Mi madre admiraba mucho a Jorge Bolet."

ruclips.net/video/JvsesyV0WIk/видео.htmlsi=zYKXvGtczWLP6uHT

Нормально так ютуб предложил парня сразу после просмотра клипа с Хью Джекманом Величайший Шоумен. Респект))

This is Dame Edna at her best God bless you Barry for giving so much laughter to us all, thank God for youtube xxx

This video has 2,170 views so far - thank you! My average count is 40-90 views per video on the life of Jorge Bolet (though there are a reasonable number of exceptions). I'd love to know why this one has shot ahead.

Scotland did her proud. ❤

Very cool! I didn't know he played in Alaska. I live in B.C. (Canada) but don't recall him playing in Vancouver, though I may have just missed it. Would have loved to hear a live performance by him.

Magical and inventive playing. Very different to the dry rendition of purists such as Schiff but that is the beauty of the Goldbergs - this is music open to myriad interpretations. Pavel shows that sustain pedal can be used very effectively in Bach if employed sensitively and with clear purpose.

Most of this information comes from Jorge Bolet's producer at Decca, Peter Wadland (1946-1992). "When the history of the gramophone comes to be written, one name high on the list of major influences will be Peter Wadland... A chance meeting with Christopher Hogwood led to the foundation of the Academy of Ancient Music, and one of the most successful recording partnerships of the post- war years. The complete cycle of the Mozart symphonies launched in the late 1970s broke new ground in performance practice." (James Jolly)

What were thy thinking!!! As I recall RCA were also the ones who, when Rachmaninov and Horowitz urged them to record the 2 of them playing the Symphonic Dances, basically said, "Thanks, but no thanks." Somehow despite those lapses in judgement, I'll allow that they have made some smart decisions over the years (e.g. Rubinstein).

Fabulous programme…love it 🤩

He is Gorgeous! (Yes, I know it is an AI image).

Jorge Bolet is speaking with David Dubal in April 1982. The deliciously idiosyncratic description of Marx's concerto is by Jed Distler.

For the record, though I am second to none in my admiration of Jorge Bolet, I don’t agree with his view here either that some music should be “off-limits”, or that - bizarrely - Beethoven’s final sonata is “Hofmann's”.

The short extract with Jorge Bolet speaking comes from Marston CDs: The Complete Josef Hofmann, Vol. 9 - Miscellaneous Recordings With Interviews about Hofmann.

what is this video. i'm not sure yet if I'm there for it haha

Jorge Bolet's career was a long and painstaking one; he only reached full international acclaim from the 1970s, despite many glowing reports. One thing that is especially about this review is the comment about his sound. That certainly changed as he grew and developed.