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He plays this faster than many as if saying the pianist is not already asleep . Imbuimg the whole with a halo and then the wonderful final sustained spotlighted Ab s

アバドとウィーンフィルでのCDを持っていますが、この演奏の方が明らかに圧倒しています。アバドらしい弦の繊細さに金管のダイナミックさのバランスがもう素晴らしい。

wow!

いまのBPO とまったく違いますね。アバドは米国で聴いた事があります。素晴らしかった。

Grazie al cielo, qualcuno che dirige (o almeno pensa) l'Adagio alla breve com'è scritto, e non in 4/4

9:20 20:38 31:45

I'm referring to the coda of the 1st movement!

Ridiculous sudden speed up towards end of coda! Where is the wonderful rhythm of the timpani? For timpani just listen to Solti with the Chicago SO on Decca which for me is my favourite Bruckner 6 overall.

アップありがとうございます。 CD-R購入しました。

Davis Angela Hall John Harris Daniel

The Nightingales were having an early morning dip in the bird bath but the water was frozen so they tried skating.

08:02

…RK und das BRSO bildeten über viele Jahre eine quasi musikalische Symbiose. Das Orchester hat ihn verehrt und Kubelik hat diese Zuneigung erwidert. Man hört das Ergebnis in jedem Takt. RIP Maestro!

Ни разу ещë не слышал ТАКОГО подхода к игре Шуберта. Возможно, сам маэстро Франц Ш. играл в похожей манере! Браво, Sergio!!!

Finally, i find most immaculate version thank you Gilels

Oh man, he had me until that subito fast tempo at the end of the coda!! (1st mvt)

Smooth and polished playing, pacey and exciting interpretation, very bright brassy sound, the best kind of Bruckner performance: fired up and magisterial!

Une oeuvre merveilleuse. Pourquoi est-elle si rarement jouée ? Merci.

music music

Quelle fantastique interprétation! Le tempo... un lyrisme de rêve...Trois musiciens époustouflants.

クーベリックの解釈は力強くスケールが大きいです。それでいてゆっくりしたテンポの部分では瞑想的に曲が進行します。まさに宇宙の響きがします。BRSOのアンサンブルの正確さと響きの豊かさも素晴らしいですね。クーベリックとBRSOは真の世界一の名コンビだったと思います。

WEBにアップされているブルックナーの５番で一番好きです。 音楽の質・量に圧倒されました。

Kritisieren Sie bitte erst, wenn Sie es wie u.a. gehört haben !! 'Caruso EQ Referenz' (Exakte Einstellung!) ©2024 HL, Germany. -10,8 dB (60Hz) -12,7 dB (230Hz) -15,0 dB (910Hz) -15,0 dB (4kHz) +15,0 dB (14kHz) Der Eintrag wird ergänzt, weil es sehr unterschiedliche EQ gibt. Er bezieht sich hier allgemein auf eine *'Bass Booster App' 🎧 - ohne* das Zuschalten des BASS BOOST. Die meisten gehen heute mit Bluetooth im Endgerät/Handy mAn. richtig um ('Advanced settings' überprüfen, den BBoost selbst vorsichtig verwenden, falls man ihn nutzt). Audio-Output Stereo, *'Compatibility Mode'* der App und evtl 'Sound Field *FLAT'* Ihrer Anlage; dann wird die Auswirkung klar: präsenter, brillanter Klang.

...great technique

Realización imponente, buscando desde el mismo principio el climax, que es el mismo final, directo a él, como explicaba Eugen Jochum, sí señor... con pasajes incluso atosigantes, llegando al paroxismo en el finale; tiene filiación con el Fürtwängler de 1942 en Berlín; me pregunto como sería esta quinta -si es que la hizo- con Oskar Kawasta y la Filarmónica de Munich; y por supuesto, Jochum en varias de sus plasmaciones. Precioso el detalle de las maderas en 1:08:09 en el mismo coral conclusivo, un auténtico diseño, una maravillosa sorpresa del maestro milanés, que seguiría en las siguientes realizaciones con la inigualable de la Orquesta del Festival de Lucerna.

Great performance. Thank you very much for posting it

No answer?

Great recording RiP maestro Abbado!

A revelation. The first movement’s tempo allows both uninterrupted lines and a vocal-style sculpting of them. Schnabel disdains the usual phrase-end gaps, moving through them (as Brahms himself advocated, as a matter of principle) to reveal much longer, INTEGRATED(!) structures than we ever hear today-and this performance gives the lie to a common misconception that technically he wasn’t a stunningly-equipped pianist. Great to hear Szigeti before that disfiguring wobble invaded his vibrato and, of course, Fournier’s stunning, unerring ability to “find the opium” rounds out an unforgettable experience. Thank you for posting it!

What a blessing to have such recordings available at 16

0:01 From the very beginning, a flowing current of sheer beauty ... uncontrolled, massive, generous, with noble brutality. I'm singing in front of my screen, with no shame at all ......

Мой любимый концерт Рахманинова, благородство в исполнении Эмиля Гилельса. Чудесно!!!

Horridly fast. Why play it so fast when berceuse translates as lullaby? 🤷‍♂️

This is so very passionate! Amazing playing! There also extant recordings from the same’47 festival of the Schubert B Flat and the Mendelssohn D minor.

Stupenda interpretazione ! Grande Maestro Sergio Fiorentino!

The only few recordings that bring out the con brio quality

Fournier's opening phrase is stunning.

Absolutamente sensacional. Si se puede soñar con una obra musical en un concierto en vivo ideal, ésta sería una muestra. Se suele hablar, con toda justicia, de los trabajos realizados por maestros con algunas orquestas púnteras, díganse Mengelbert en Amsterdam, Mravinski en Leningrado, Szell en Cleveland o Karajan en Berlín (también en Londres), a los cuales habría que sumar con toda justicia al maestro checo por su trabajo con la orquesta bávara.

Firkusny was the real thing. This concerto ditto.

The third movement shows Schnabel's mastery of slow tempi, maintaining the melodic line while allowing the glorious theme to unfold with all majesty.

It's really wonderful. Thanks 🙏🙏🙏

Está orquestra introduziu sons estranhos que atrapalham a maravilhosa execução de Guiomar Novaes, a inesquecível

Arturo Benedetti Michelangeli was maybe the very best pianist of his times. What a great performance! Thank you so much for uploading this.

Why the picture of Britten?

Lots of comments here saying - too fast. You miss the whole point of the piece and interpretation. IT IS one of the greatest takes on this beautiful piece by Chopin. Emotive, immersive, creating an atmosphere of an quiet evening, when the mother is tucking her child to sleep. Of course Chopin wasn't an impressionist composer, but Hoffman managed to create a beautiful image with his interpretation. When I listened to it for the first time, I couldn't understand the tempo he chose, until I listened to the end, and heard the distant church bells or maybe an old garndfather's clock striking in the late evening hour - just pure genius. Don't hate this, embrace it for what it is: a romantic, atmospheric piece. If you want a sleepy version listen to thousand other samey renditions.

Nessuna smanceria musicale. Eterna sobrietà e capacità narrante. Fraseggio ampio e suono ricercato

Does anyone know where and when this astounding performance was recorded?

天啊，到底我以前聽的那麼多的Chopin pno 2是什麼？ 比起來，這才是真正正確的、合宜的詮釋，目前聽過唯一令人服膺的，只是可惜現場錄音效果對於美感呈現打了折扣（來自台灣桃園的聽眾留言）

Speechless… Bravo!!

An outstanding performance by a vastly underrated conductor. But he shouldn't have interpolated the Blumine movement into Mahler's revised Four movement version.