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Well thanks a lot. In seven years I even did it again in split screen so I could figure out how both guitars played one against the other. ruclips.net/video/rg3eT9Ormc8/видео.htmlsi=7UNdzFSeLP_kkZwV

@@lespaultexasburst2847 I'm going there now.

Yeah, maybe I got carried away a bit

Thank you. To be honest, I never thought I’d play Taylor’s solo 10 years ago. I started to learn it out of curiosity, along with a few other things from Taylor. But the more you play it, the more « logic » it seems. It just takes passion, repetition and patience. In terms of sound, I tried to be close but.. :-)

Thank you man !

That’s definitely a Keith Richards solo. It’s already full of all his signature licks. Brian, who can of course play a good solo as well, is playing the rhythm part oh this one.

@@lespaultexasburst2847 yep, you are right. A very raw sound. I wonder what guitar he was using. Maybe a black lp custom. I always do this one in my solo gigs. Love it, and the Last Time. Both songs just roll along, but get there in the end!

@@lesbois53 That was a few years before the black LP custom. It was the first song they recorded at the Chess Studio in Chicago (2120 South Michigan Ave) and these sessions are quite well documented, with pictures and all. Keith was still playing his Epiphone Casino at the time. Brian plays his Gretsch Anniversary. The unusual "raw" sound may come from the Fender Amps they found there (A heavy Fender "Concert" model) and of course the notorious Chess recording booth. All the tracks recorded there are gigantic.

@@lespaultexasburst2847 Wow! A font of knowledge! Thanks mate. Now I know. I was a big Beatles man back in the 60’s, being born up there. I saw them many times, before fame and afterwards. The 60’s in England were a blast! Never had it so good since! I am 80 now, living in France for many years, and still performing live. Good luck to you. No parole from rock and roll!

@@lesbois53 started out a Stones fan but of course became a Beatles fan as well. Never had the chance to see them though :-)

You’re welcome. If it helps a single person, that’s worth it !

Thank you ! Trop gentil :-)

A bit sloppy at times if you ask me :-) But this gives people the general idea :-).

Thanks a lot

Thanks man. Hope you've loved other videos

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Hello. That’s a tricky question :-) First, I’m not even sure I achieved this. Ideally, you need a tube Fender amp, with Fender reverb, and a quite powerful one (Twin Reverb or Super Reverb). I just used a simulator (GarageBand) and tried to get close but it’s almost impossible (she plays quite loud and on the verge of larsening). I used a P90s guitar with high level output but it’s unclear to me which guitar she used then. Maybe the Bill Lewis model she used on the first albums. Smell of female is a transition album to the one where she starts playing her 6120 Gretsch. Anyway, stay away from humbuckers or thinny single coils when it comes to play the Cramps. Use quite heavy gauge. She uses 11-48 at least. She doesn’t do any bluesy bends and heavy gauge gives you that firm sound on the chords. There’s a few tricky parts but it’s a really good song for a beginner (the whole Cramps repertoire can teach you a lot). Now there’s the fuzz solo. Ivy uses a Univox Superfuzz which are quite hard to find these days. I use a Tone Bender myself. But you can approximate that solo sound with any fuzz. As long as you don’t let it squeal too much and use it mainly to get that sustain on single notes. Every beginner should have a fuzz in my opinion. Anyway, I hope this helps :-)

@lespaultexasburst2847 First of all, THANK YOU SO MUCH!! I wasn't expecting a super complete answer, I'll definitely write the name lespaultexasburst2847 on the list of the coolest people I've met in my entire life. I took notes on everything you said and I will definitely put it to good use, I promise 🫡. Even if I don't think I can make the perfect sound, I hope I can get close to it. I was pretty lost before and this clarified it a lot. thanks again <3

Thanks. I agree lots of people over distort, I try not to.. and keep a bit of clarity.

Thanks a lot

Standard tuning, like lots of Stones songs.

I may have written down the solo tab somewhere. I can try to find it.

Plug a Gibson on a Fender tube amp with no pedals and you’re almost there.

lol. I wasn’t born yet but I’ve also been obsessed with that number for quite some time now. One day I decided to tackle it. Slowly first. This was no piece of cake.

He had a great bag of tricks for sure, at a very young age. But maybe not such a big bag compared to players with a longer career.

Indeed. Quite a strange composition.