- Видео 5
- Просмотров 264 612
nalogo
Добавлен 3 фев 2015
Lungi da te
Livestream vom Konzert am 20. Juni im Funkhaus
WDR Sinfonie Orchester
Dirigent: Bernard Labadie
Sopran: Christiane Karg
Horn: Paul van Zelm
WDR Sinfonie Orchester
Dirigent: Bernard Labadie
Sopran: Christiane Karg
Horn: Paul van Zelm
Просмотров: 1 991
Видео
Tschaikowskij 5 Hornsolo
Просмотров 4,2 тыс.7 лет назад
Complete concert here: m.ruclips.net/video/ZlmG5jvv c/видео.html
Mozart 2nd Concerto for Horn and Orchestra KV417, Paul van Zelm, Combattimento Consort Amsterdam
Просмотров 8458 лет назад
On period instruments
Schumann Konzertstück für 4 Hörner YT
Просмотров 235 тыс.9 лет назад
Schumann Konzertstück für 4 Hörner und Orchester. Live Konzert, Philharmonie Köln, 17.04.2015 Paul van Zelm, Ludwig Rast, Rainer Jurkiewickz, Joachim Pöltl. WDR Sinfonie Orchester, Heinz Holliger
R. Strauss, 2nd Horn Concerto, Paul van Zelm
Просмотров 23 тыс.9 лет назад
Richard Strauss, 2nd Horn Concerto, Paul van Zelm, WDR Sinfonieorchester, Jukka-Pekka Saraste, 28.11.2014
😊🎶
Fenomenálne.
Мадам, вам не надо ПЕТЬ!!!!
16:52
Hut ab 🎩
Gustav is that you?
16:07 Joachim Pöltlさんの低音素敵… 本当にこの4人とこのオーケストラの組み合わせを日本でも見たい それにしても、paul van zelmさん鬼の体力😂
Bravo!!!
Nalogo, a tracklist would be most welcome. Anyhow, thank you for uploading such a splendid rendition !
Bravo!
another amazing performance Paul! wow!
Wow.. fantastic playing!!
A wonderful piece of music which I found by chance and am absolutely enthralled - glorious performance. What made it more appealing were the very illuminating comments by other listeners. This is why I prefer RUclips over other music streaming services. I find the comments section always interesting , especially suggestions by other listeners of other interpretations of the same music. Many thanks for this post
This wonderful performance is a paramount gift to Horn lovers This splendor of words can not attach it My emotion is immeasurable depths FromTokyo Which National person are tyou seeing this stellar video？
Bravo! Nicely done!
In this contex please also hear: C.H. HÜBLER : CONCERTO FOR 4 HORNS AND ORCHESTRA ruclips.net/video/dbYOYVvSPRo/видео.html
Bravi!
Awesome.
Also ich bin begeistert, prima Orchester und natürlich die klasse Hörner.
I'm reading a biography of Robert Schumann right now that mentioned this work. I have never heard it before. It's amazing!!!
8:00
Beautiful tone!
Grabs you from the start. Thanks for posting it.
GREAT !!!
Wunderbar, sowohl das Orchester als auch natürlich die vier Solisten! Was da von den vier Hörnern, bes. vom 1. Horn verlangt wird, ist unheimlich. Sie haben es super gemeistert. Bravi!!!
ホルンの音かっこいい！！ 音の圧すごすぎ！！
Smashing playing of a rarely heard pice. I remember reading years ago that such was the poor standard of professional horn playing in England that this piece was performed in the early 1900s in London ( by a section made up mostly of members of one family) and didn't receive a live performance in England again until 1971?
This probably came from Stephen Pettitt's biography of Dennis Brain (pub. Robert Hale, London. 1976) Pettitt wrote (p. 23) that that the Op. 86 Konzertstück was given its first performance in England by the horn section of Henry Wood's orchestra (the Queen's Hall Orchestra) at one of Wood's Promenade Concerts on 8th October 1909 and that the work "was not heard again in England until April 1971". Pettitt also says that the players in that 1909 performance were, in fact, Alfred Brain (Dennis' uncle), Fred Salkeld, Oskar Borsdorf (Adolf Borsdorf's eldest son) and G.W. Smith. [Alfred's brother, Aubrey (Dennis' father), was only 16 and not yet studying at the RCM. Their father, A.E. Brain Snr., was playing horn at Covent Garden at the time.]
@@nicolasfauvel5934 Many thanks Nicolas. That's a heck of a gap in performances even allowing for two World Wars in the intervening period. I believe that Boult was once asked his opinion of orchestral standards in the 1900s compared to the 1970s. He observed that standards were pretty much the same in all departments with one exception: the horns. So I suppose Boult corroborated what Pettit implied in his book.
@@phillipecook3227 Exactly! That was indeed Pettitt's implication. He did not make any detailed comparison with horn playing standards elsewhere, although noting the several high-quality German players (like Adolf Borsdorf) who became established in England during the later part of the 19th Century. It is an interesting comment attributed to Boult about orchestral standards. I wonder how much technical developments in the horn have contributed to today's relative abundance of fine players? As a flute player I would have loved to ask Boult his opinion of the use of vibrato by wind players by the 1970s compared to earlier generations. Finally, as another anecdote, I played with Denis Matthews on several occasions in the late 1970s and he was at that time still of the opinion that Dennis Brain was the finest horn player that he had ever heard, not withstanding the high profile players then on the London scene. What a pity that Dennis Brain did not record the Schumann Konzertstück!
@@nicolasfauvel5934 Indeed. Those whom the Gods love .... at least we do have a definitive recording of Britten's Serenade.
Schumann verwendet da Horn oft in der höchsten Lage, wo es am wenigsten nach Horn klingt. Warum? Er muss Hornisten gehabt haben die in der Clarinlage besonders gut waren und vemutlich mit besonderen Mundstücken spielten. Waldhornklang wie er in der romantischen Ära verstanden wurde ist das nicht. Eher ein Akaziestückl, wie man in Wien sagt.
Super
I really love it when horns get to play a standout part in music, but throughout was amazing. Better than after beats any day, even though that is important too..
A rarity, indeed. Sounds like "jäger" (hunters) musik, tempered with the unavoidable "romantic scenarios of closed forests", neighbouring the Rhône. Great surprise...
혼의 진수를 보여 주네요!
What a majestic performance! Bravo, all!
Very exciting from a man that knows a thing or three about wind/brass instrument playing...a Heinz Holliger sighting!
The WDR S.O. Koln used to be simply indicated as the Cologne Radio S.O. - it's the same thing. They have a strong tradition in playing Mahler, among other things. They're very good. I think it really helps that the timpanist doesn't overplay in this performance.
Not only for Horn, but the writing for woodwinds in the slow movement can stand as a work of exquisite beauty!!
12:31 look at that guy's hair (the violinist) hehe. Anyway, thank you for the video!
Ich kann nur sagen: Eine unfassbare traumsichere , musikalisch und technisch einwandfreie Interpretation dieses herrlichen Stückes ! Ich war selbst einmal Hornist ,und bin begeistert! Herzlichen Glückwunsch an die großen "Vier" und das Orchester!! Ich wünsche Ihnen GOTTES Segen!
sounds soo great!bravo the frist horn and grande Ludwig!
This is the best rendition I have heard. As a former horn player I'm absolutely amazed at the expression achieved over the whole length of the piece by first horn. Beautiful teamwork by all. MUSIC!! Bravo!
Absolutely
..Potencia de los horns.....y te invitan a salir adelante, en la situación que estese. Gracias "nalogo" por compartir. Saludos desde Ecuador La Tierra mas cercana al Dios Sol.
Pls give credits to the 4 player and name them here, which i personally know them all. They did an amazing job.
Très beau !!👏👏
This piece is especially a workout for the first horn, even if playing on a descant or a triple. Orchestral pieces for horn sections often dole out high challenging parts to different chair positions so one doesn't get so worn out. In the Schumann, the first horn simply has nowhere to hide and the high notes are piled on throughout. When Radek Baborak plays first horn on this piece he uses a regular double horn. And toward the end you can see he is really getting a workout.
Check out the recording with Dohr and Clevenger playing 1st and 2nd
Geiler scheiß
My face would be so shot
..¡ Que poder..!...de música... Schumann..tiene tal inspiración..que en el minuto 15:16..te realza tu espiritu aletargado.. Gracias por compartir NALOGO..!!
Молодцы!!!
Een van de mooiste en beste uitvoeringen die ik ooit gehoord heb. Paul speelde weer fantastisch zoals altijd eigenlijk, de hele groep trouwens . groetjes Lenno
Magnífico Combattimento Consort Amsterdam !! Mozart siempre..................