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Two things: 1) Why aren’t you moving your feet? You want smart hands and dumb feet? 2) The constant ads disrupt the flow of the exercises. This renders your video worthless to me.

Hey Lars!

whats there to explain its fire

I like it. Limb independence to that degree is hard to do.

Well dip me in your Monday milk! Only sounds sketchy until the moment you realise it's straight up 4/4. Kick's just got a mind of it's own. The right bass line and this is pure lip-biting filth. Good job my guy.

This perfect for my son to pick up. Linear fills always sound more complex than they really are

I disagree it does sound like a nice funky groove

It may be difficult to do, but it doesn’t sound like a nice groove. That’s not a criticism of your talent just as a listener it’s unpleasant.

long version bro?

I played drums for 6 years but had to stop because of corona after that, i was too scared to continue because i thought i had to play everything without a tick

My go-to for warming up. Much appreciated, brother! God bless!

Again, bro, you're amazing, dude. Thank you so much for your teachings. Their so appreciated 👏!!

Dude! You're the BEST!!!

You really need a metro to play drums? Newbies

32nd note

16th note triplets

What happens though if it suddenly fails mid concert?

is this how almost every musician does this??

As someone who has done monitor mixes for many bands in medium size indoor and outdoor venues, (including Cheap Trick, Reba McIntyre, Willie Nelson and many others) with traditional wedges, there was never an instance where in-ear was used. All of the artists I mentioned and the many other lesser-known bands I mixed for, consistently played tight even when improvising a riff or solo. If you're performing in venues (other than bars and small clubs,) where people are paying a premium to see you perform, you damn well better have it together without relying on click tracks and prompts in your ears. Click tracks and Autotune (don't even get me started on that) are a scourge that has ruined music as it used to be. Music used to be all about raw talent and emotion. Now with Autotune and a click track, even I, with a horrible voice (but decent sense of time signatures) could produce a decent performance. But why? Who'd even care once they knew I was tracked and Autotuned? I wouldn't pay premium money for that, and neither should your fans. Now *IF an in-ear was used for a traditional mix without click tracks, cues or directions,* I see the value in that as the main drawback of wedges is the sheer SPL's ( Sound levels) needed at each band member's feet blasting up at them. I have suffered a fair amount of hearing loss from my time mixing, both from proximity to the stage and my own set of wedges I used to check mixes with. With in-ears, I could monitor at a much more comfortable level and still give the band their mix as loud as they want.

cool

Awesome. Definitely gonna try this

AND THATS why new music sucks - no changing it up, sounds exactly the same every time, no fun, no silly improv. BORING. i could sit at home and listen to spotify

Does the rest of the band hear the click or just the drummer?

Nice 👍

I am a drum tech on the side, one time I had a drummer, have one of his in ears fall out in the middle of a song, and I had to wedge it back in there while he’s drumming away like a madman

Beautiful tone. Are the shells thin, medium or thick?

The slop was removed on the 2nd version. You have to play with conviction and control.

Dynamique

Technique and dynamics

The hi hat sound in the first one is listless. No drive or soul to it, whereas in the second one the shortness of the hits creates a very clear pulse. Same goes for the snare.

Highhat is too loud and lacks dynamics opposed to the second one. But..... If you want me to know the second sounds better, you are obviously playing the first one poorly....

It's like the equivalent of talking in a mono tone voice compared to putting emotion in your words. At least that's what it seems like, but I can't tell you exactly why it just sounds better.

Good!!! 멋찌다!!!

Wow. Lots of vague and incomplete answers. After watching it twice this is what I heard: 1. You switched from hitting the edge of your stick on the edge of the hi-hat to tip of stick on top of the hi-hat. This gave a much cleaner sound that worked better for this groove. Edit: After watching again, maybe it was just pressing the hi-hat tighter together or a combination of both but it had the same effect either way. 2. Your snare hits were louder (rims shots maybe) which made that 2 and 4 really pop. 3. You included a bass drum hit when you hit the crash. This almost always makes the crash sound better, especially when used on the downbeat like you did here. Like others have already mentioned, all of these things are decisions which can change based on context. For this instance, it definitely made for a more confident and funkier sounding groove.

You also definitely changed the sound or compression, it wasn’t just the playing. The first one sounded like room mics while second sounded like properly leveled mics pointed at the drums, with heavy compression.

It’s all about balance!

Im just a dumbass guitarist but you added rimshots to the second and a few more nuances that i cant really articulate but understand as skilful drumming

You just played the cymbals and hi hat softer and the snare/kick harder… different sounds… 🤷‍♂️

Velocity

Closed hat helps loads

Rom shots

I don’t play drums but maybe the highhat is closed

If he looks like a young lars plays like a young lars he must be a young lars 😂😂

Dynamics and skills integrated

kick drum and reverb

Self eq

*I don't play instruments or anything* but my guess is learning how to hit without HITTING the hell out of everything. Lol if every part is intense, nothing is. Nothing stands out if everything is the thing you hear most. (I still think there's a place for the first sound but it's a place where the symbols are intentionally the focus 🤷🏼‍♀️) It's funny to think that to me the first one was more overwhelming than hardcore metal. This let's me know there is a way to do "heavy" that still has this ballance. this is probably a good base example of the difference.

Quieter hi hat, snare rim shots

Rim shot

I can give you hundreds examples where the first one sounds better, and also hundreds for second one. Context is EVERYTHING in music.