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Persoonlijk vind ik dit één van de mooiste songs van Simon & Garfunkel. En jouw vertaling en optreden geeft het precies zo weer zoals Simon & Garfunkel het heeft bedoeld. Chapeau !

Heel mooi

Lubowitz Radial

another selection from the World's Fair Suite I recorded off the air back in 1965. I still have the tape and even then, I put it on CD so I can listen to it many times over and over.

Geweldig 😂

Hij is fijn!

o😂

Geweldige nummer. Fantastisch

I have recorded this off the radio back in 1965 on tape and have enjoyed it all along.

Whahahaaaaa!

🤣

Wat is het toppunt van egoïsme? Dit componeren en dan voor je zelf houden. Nou ja, in ieder geval heel goed verstoppen. Gelukkig kan ik goed zoeken :-).

Staat steiv mjin piemol

Wat mooie lied Arie. Geweldig👌🏽🥳

Mooi Arie, heel mooi.

arie your second paragraph second-line assessment is totally off. this orchestration works, know as a suit, compass all the major aspects of a clasical work, so the facto is a classical work, however, as you know this suit was commissioned by the president of the fair and it was not the only work commissioned by Robert Moses from this composer due to their friendship. it was requested that the suit uses some of the motifs of the fair. a national call with fanfares to come to the fair. and 52 million answered the call. so arie listen to this work again. i have seen people crying to this part.

my grandmother purchased this record at one of the gift shops while we were attending the fair. and I still have the record. Paul Lavalle and his mobile orchestra playing inside the fairgrounds. i was 8 years old in 1965 and remember everything. humanity at it best. Disney is nothing against the ny fair, where the magic was.

Hoe kan je dit lied nu NIET leuk vinden... :D

Prachtig !!!! 🤣😅😂

Jennifer

Piemellied is fantastisch

Herken ik hier de overbekende Wiedes met zijn gitaar?

Ik lag ook in de deuk echt mijn broertje ging ook stuk van het liedje PIEMEL

Se f km xj

I own a mint stereo LP of this. One of Grofe's lesser known suites. Wonder why Mr Glasser was hired to orchestrate this?

my grandmother purchased this record while we were attending the fair. now at 62, i play this record and close my eyes and see the fair coming back to me like a tsunami of emotions. like a movie.

leuk maar kan anders

Anyone got “Trylon and Perisphere”, the piece he composed for the 1939 New York World’s Fair? Has it been released commercially?

Ik heb nu een stijven

Arie maakt ook een mooie programma's op maat over zorggerelateerde en maatschappelijke thema's, zie www.krachtvanbeleving.nl/theater-op-maat/arie-vuyk/

WTF 1:37 🤬🤬

Wtf

Mooie plant! Verdient een goeie pot, eigenlijk.

Hmm. je haar zit hier wel goed! En het uitgangspunt van 'ademhalist' zou best leuk kunnen zijn. Als het beter uitgewerkt was.

Haha, weet je hoe de makers van dit soort shit heten? VUYK!

Hey hij gaat omhoog 😂😂😂

Meh.

Not only was Grofe' a noted composer for orchestra, he spent many years as a show, radio broadcast and yep, even big band arranger. I was honored to have played trombone on this recording with Paul Lavalle's Symphony Orchestra which we did at the grand ballroom of the old Manhattan Center on 34th St, west of 8th Ave. Mr. Grofe' was present and during our breaks many of the "younger" players (me, at that time) enjoyed having the opportunity to meet him. Of course, Paul Lavalle was a legend as well, with his time as a clarinetist in the NBC Symphony under Toscanini, his own radio programs on NBC which were "The Chamber Music Society of Lower Basin Street" and "Highways of Melodies" featuring the "Stradivari Strings," every instrument was a "Stradivarius" according to Paul. He later founded the Cities Service Band of America for radio and television on NBC during the 40s and 50s and after, served as musical director and principal conductor at Radio City Music Hall.

Piemel

Dit is toch geweldig. Is dat Wiedes?

Mijn nichtje viel van de stoel van het lachen

Mgef

The following is an article by Harold C. Schonberg taken from the New York Times on April 23, 1964. Yesterday's musical big moment came with the world premiere of Ferde Grofe's - you guessed it "World's Fair Suite". Mr. Lavalle, Conducted it before an attentive audience of 63. There were about 100 in the orchestra. The band was augmented by strings. It could not be said that the occasion was conducive to an audience. The concert was given outdoors with the musicians playing form a sheltered stage. That was fortunate for there was intermittent rain and it was cold outside. The musicians wore their coats. Just before the concert started the personnel manager directed an urgent plea to them to remove their hats, they did. The amplification was no help. It was low-fi, and all kinds of acoustical feedback squeals supplemented Mr. Grofe's orchestration, not to mention a helicopter every minute of so and a plane taking off from La Guardia every 10 minutes. Mr. Grofe was present listening from a wheelchair. The 72-year-old composer suffered a stroke in 1961. His score is in five movements "Unisphere" "International" "Fun at the Fair" "Pavilions of Industry" and "National". It turned out to be a thoroughly commercial score. But it belongs to a thoroughly commercial fair.

The following is an article by Harold C. Schonberg taken from the New York Times on April 23, 1964. Yesterday's musical big moment came with the world premiere of Ferde Grofe's - you guessed it "World's Fair Suite". Mr. Lavalle, Conducted it before an attentive audience of 63. There were about 100 in the orchestra. The band was augmented by strings. It could not be said that the occasion was conducive to an audience. The concert was given outdoors with the musicians playing form a sheltered stage. That was fortunate for there was intermittent rain and it was cold outside. The musicians wore their coats. Just before the concert started the personnel manager directed an urgent plea to them to remove their hats, they did. The amplification was no help. It was low-fi, and all kinds of acoustical feedback squeals supplemented Mr. Grofe's orchestration, not to mention a helicopter every minute of so and a plane taking off from La Guardia every 10 minutes. Mr. Grofe was present listening from a wheelchair. The 72-year-old composer suffered a stroke in 1961. His score is in five movements "Unisphere" "International" "Fun at the Fair" "Pavilions of Industry" and "National". It turned out to be a thoroughly commercial score. But it belongs to a thoroughly commercial fair.

The following is an article by Harold C. Schonberg taken from the New York Times on April 23, 1964. Yesterday's musical big moment came with the world premiere of Ferde Grofe's - you guessed it "World's Fair Suite". Mr. Lavalle, Conducted it before an attentive audience of 63. There were about 100 in the orchestra. The band was augmented by strings. It could not be said that the occasion was conducive to an audience. The concert was given outdoors with the musicians playing form a sheltered stage. That was fortunate for there was intermittent rain and it was cold outside. The musicians wore their coats. Just before the concert started the personnel manager directed an urgent plea to them to remove their hats, they did. The amplification was no help. It was low-fi, and all kinds of acoustical feedback squeals supplemented Mr. Grofe's orchestration, not to mention a helicopter every minute of so and a plane taking off from La Guardia every 10 minutes. Mr. Grofe was present listening from a wheelchair. The 72-year-old composer suffered a stroke in 1961. His score is in five movements "Unisphere" "International" "Fun at the Fair" "Pavilions of Industry" and "National". It turned out to be a thoroughly commercial score. But it belongs to a thoroughly commercial fair.

The following is an article by Harold C. Schonberg taken from the New York Times on April 23, 1964. Yesterday's musical big moment came with the world premiere of Ferde Grofe's - you guessed it "World's Fair Suite". Mr. Lavalle, Conducted it before an attentive audience of 63. There were about 100 in the orchestra. The band was augmented by strings. It could not be said that the occasion was conducive to an audience. The concert was given outdoors with the musicians playing form a sheltered stage. That was fortunate for there was intermittent rain and it was cold outside. The musicians wore their coats. Just before the concert started the personnel manager directed an urgent plea to them to remove their hats, they did. The amplification was no help. It was low-fi, and all kinds of acoustical feedback squeals supplemented Mr. Grofe's orchestration, not to mention a helicopter every minute of so and a plane taking off from La Guardia every 10 minutes. Mr. Grofe was present listening from a wheelchair. The 72-year-old composer suffered a stroke in 1961. His score is in five movements "Unisphere" "International" "Fun at the Fair" "Pavilions of Industry" and "National". It turned out to be a thoroughly commercial score. But it belongs to a thoroughly commercial fair.

Geniaal.......'voorhuidstrevend' , wahahaha!

I LOVE THIS😍😂

Thanks for posting this. It is indeed a rarity!

Thank you so much for this upload. Unfortunately some of Grofe's pieces that were released on lp have not been released on cd and are very rare.