Видео

I stumbled across this video while entertaining the idea of helping my local studio make a commercial.

Top handle audio and no 3.5mm audio on the body don't do it for me. Hoping that will be addressed in the next iteration. I always do separate audio recording, so am used to it. But would really hate to have the top handle gear attached just to get scratch audio. I do like the electronic ND. I don't think I'd buy a camera without that. Sony still would be my choice, hope a MKII comes out. Will be watching for your next impressions after you have it a while. Cheers.

When X has ever had a smart move?

The need for exposing to the right - you're not saying it right from my experience. All log shooting cameras prosper from it and produce cleaner image - it's as true for Blackmagic cameras and even Arri. It's just how it works. Also with this new generation of Sony cameras (FX line and A7SIII and A7IV and newer) you don't really need to expose to the right to get a great image.

I think you are underestimating external RAW recording on an Atomos Monitor A LOT. Besides the obvious fact of getting 12 bit color depth over SDI at 4K DCI up to 60p, you also get (specifically in the Atomos Monitor) the far superior storage system. You could put ANY SATA SSD, you would put into your computer into that monitor. And they are hella cheap. A Crucial BX500 4TB costs just above 200 bucks and you are not making any compromises. You could then plug this SSD right into your computer and start editing on it. No copying files or so. You could even build your project folder to sit on that SSD and once you're done with all the editing - your film is released, etc. etc. you can after that start copying files for the first time by putting the files on your RAID 6 HDD based NAS or whatever over night. Maybe you want to compress your files for longer time storage before deleting them all together much later down the line (unless you are one of the people who never delete footage - those people exist). This is an incredibly fast, zero compromises workflow. And you will not use a single stupid bouncy dongle ever, because you easily have like 8 or 10 native SATA ports on your high end mainboard of your editing computer. No USB dongles and maximum AHCI SATA SSD speed (thats about 500MB/s sequencial read and write (MB not Mbit - big difference)). I really love Atomos for not having any goofy proprietary connection system for their storage devices. Just good old SATA. So the money you save on buying incredibly expensive memory cards, can instead be invested into incredibly cheap, much bigger and much faster SSDs and into an incredible monitor. Now 10 months after the release of this video, I'd still probably opt for the Canon C400 for all of its other advantages it offers over the FX6 and/or BMCC6K. But the C400 wasnt even talked about back then so do with this statement what you want.

How much can we zoom on cinematic mode in 15 pro

Hey! Really nice tutorial. You should keep doing this :) I have used these luts for sometime and I always wondering if I using them wrong. What settings do you use in Color management like Color science / Timeline color space and output color space?

This was the exact video I needed! Thank you!

Great insight!. if possible upload your footage in 4K to really appreciate the quality of the video!. Cheers!!

Good work bro

U r the mistake

nice hat ;) big Atrioc fan

no ibis ill pass no disrespect to sony .. but i dont like using many gimbals ..

9:11 Does the FX6 not have gamma assist?

I'm so excited to buy an FX6 some day. I was going to get an FX3 but I just love the idea of a cinema camera form factor and built-in ND.

Hi there! Great video, only thing is that there is no link for the niceyrig rod attachment, where can I find it?

Very well explained 👏🏼 As a digital marketer which profile would you recommend, business or creator?

Im about to sell my barely used bmckpro rig to get an fx3. The form factor alone is worth it to me but i will miss the nd filters.

You can also use the ProresHQ 422 with the Ninja V recorder monitor. It is a 10 bit codec and you don't have to overexpose the image, which is really frustrating with the SLog3 footage. Furthermore it looks a little bit better than SLog3, and works very fast in DaVinci Resolve.

Sony fans arent going to like this

What's the best way to learn how to use this camera/or how's the best way to learn/ or where?

I just cannot stand SLog3, and also the processing in the Fx6. It is very frustrating to work with it having worked with other codecs and other camera brands. The best way to describe it imo is that other codecs are way more gentle, whereas I find myself tussling with SLog3 a bunch. Amazing camera overall tho, usually I just send it off to a colorist whenever I have to work with SLog.

Thanks for this video! Debating between these 2 cameras currently! War Eagle!

do you use any pro mist filters with the sigma 18-35? loved this man

So they have shorter attention spans relative to certain things....😐

nice video! what are your color management settings? (color science, processing mode, output color space)

Len’s suggestion: Sony FE PZ 28-135m F4. Take advantage of the dual focus system, power zoom rocker and lens OSS. It’s an older lens. But its autofocus is so quick and sharp. I’ve been using it was basketball shoots on my a7IV. Super versatile. Looking forward to trying it on the FX6 when it arrives!

Loved the simplicity of this video mate. There’s plenty out there showing off super spec’d out rigs. But as someone new to an FX6, this is super helpful to get started.

would you get the film luts?

Thanks for the video :) What monitor mount are you using with the fx6?

You can get a two stops down lut in your monitor or use cine EI. I am in a struggle getting the new pyxis or an FX6. I own a FX3 and will do many interview stuff. How ever I wouldnt need a flexible cam for this, the fx6 would probably more make the fx3 sit on the tripod. My concern is: How good can you mix BM Raw and Sony Footage from two cams in an interview or so? I really would love to switch to braw....but I think the FX6 is just way better than pixis in like all other things than image.

after hearing "overexposing in S-Cinetone" this video could be trashed. guy has no idea what he is talking about.

What do you suggest editing on? I’m a photographer and I’m starting to shoot BTS. I have CapCut and premiere pro but I use CapCut because of simplicity

ND filter and a shallower depth of field will create more contrast between foreground and background. Could look more 'cinematic' and interesting.

Thanks. You might be able to use AI to remove the mic.

shows nothing...

This is titled as if the Fx6 is not current but an old camera...

I came from the 6k pro and 2 RED Komodos after leaving Sony and I'm now back on FX6's and 3's. We've shot a ton with the sonys from commercials for Toyota USA, Microsoft, Documentaries and we've been using them on TV shows a ton out here in LA. I love the image out of the pockets but like others have mentioned it's easier for clients to get on board with the sonys.

So much great info!

Love your video great information I am looking for a build-in variable ND 15stop dynamic range tracking focus in the size of FX3 easy to travel and friendly one man operation hahaha basically I am looking for a perfect camera there is no such a thing. Nice comparison video fast and get to the point. Cheer

I mean… not everyone uses keyframes just for effects..

Fire love your content bro! how you feel about the Pyxis after buying a new fx6? I was going to do the same but literally bc this new camera came out I changed my mind. Your video sold me on fx6 fr

✨👏👏👏👏🎻👑

If it had Ibis it would be perfect for many things

Nice video! What do you think about the FX6 after 3 months?

The ergonomics are awful.

Nice video! Do you have any input lag between the FX6 and the M1 Mars? I hear a lot of bad things about that input lag and I'm not talking about the wireless transmission. Have you tried SDI? Thanks!

something magical in the bb IQ

Why are people complaining about the top handle so bad? It's there for a reason, to pick it up easier?! There are so many wanna bees who literally build out rigs with photo cameras just to have a top handle. And guess what, bonus it has xlrs built into it and a shotgun mic. Have you ever used a black magic pocket or URSA, or a red?! Their clunky as hell.

big fan of your channel! keep it up! very calm and honest. no screaming and unnecessary hype! looking forward for more content from you sir!