Видео

Why do I get Chopin 70/3 vibes from the first one

johnmanrach aproved

Piano competitions usually punish these unusual and original interpretations, they should make one about about these types of interpretations where you are not just spitting notes out, but merging and interacting with the music

I am curious about your decision to use non-urtext for the sheet music. Namely, this edition?

22:24 21:33 16:40 15:43 12:24 9:31 0:07

Cataclysmic greatness.

This first Moment interpretation… I listened to it hundreds of times, for years. It’s like a masterpiece within a masterpiece. Yes you must open your mind and let him take you to the dark and magic depths of his world. This clearly goes among his most epic interpretations! Among the GOAT interpretations!

The greatest performance of this work

I have come back to this titanic account again. I do it often.

very ethereal 🤍🤍

Scriabine lived from 1872 to 1915, not 1870-1915

This is awful. He ruins the first section, and takes the rest at super insane speeds, I can only kinda listen to the end cuz of the intensity but still, dislike it

Breathtakingly beautiful, grace❤

Daddy prok

26:24

Hearing this after Scriabins 7th Sonata is somewhat “a purge for that composition meant to purge another”

Why does no one play the intro in correct time???? It’s marked 9/16 and it’s played like 3/8 maybe even less? Its played almost more close to a heavy allegro than moderate. It’s supposed to be much more drawn out

Sadly the intro is always played extremely fast in these recordings. It’s mark 9/8 and most performers play it like 3/8. The chords are like looking to the darkness and vastness of the unknown, and the chords should linger as such. In fact most of these performers are too fast….

(G)ould

Almost everybody rushes through bar 8 without counting.

I do not understand the hype about the symphony, seems like Rachmaninoffs symphonies are better by orders of magnitude

My God :It Is impossible to enter in the sacred magic Graal of the spiritual vision of the last Beethoven for us mortals!I wonder why so many youngster try at 18/20 years old to interpret his last operas..they are mostly unrespectful not humble dead spirits...dead walkers and the same applies to the last opus of Brahms.How many of them bore our poor ears with their stupid ambitious attempts!But Furtwaengler at 68 could and with him his old Berliner!

who is the revisor of this very interisting and faithful edition?

Fantastico playing .In the central cantabile once Busoni told his pupil Consolo how to play the Cantilena with strong finger making and example with a pencil on the keyboard to control the keys

For goodness' sake, use your technical prowess to play ad-lib jazz, to CREATE smthg yourselves for a change not keep playing sheep music that's up and down till you or the audiences die with boredom having hears the same sheep music 1001times already.

Very very great! Out of curiosity have you heard Eric Heidsieck’s live barcarolle from 1985? Probably the only one that literally dropped my jaw, as much as I love this one+others

Holy shit this is amazing

But Scriabine lived 1872-1915, not 1870-1915.

8:28 beautiful

How on earth does one count the beats in no.1? Astounding!

rach!!!!!!

God-tier performance

21:02 Night wind reference??!! 😳😳‼‼

No.21 is pure bliss..so serene

Scriabins best early sonata imo, also very excited for the sonata 5 video you’re building up to ❤

4:50 bells!!!

This is from 1950 right? He did also record these in 1958 but I’m pretty sure this is the 1950 live recording

It is certainly very different. Some moments of real beauty.

Wow thanks for this!! Phenomenal and historic playing. Was about to do a score video of this just now

うおおおおおお！めっちゃ良い！！

1932 is good too

Признаюсь честно, как пианист с большим стажем, это самая худшая интерпретация произведений Сергея Васильевича, мне кажется Погорелич полностью испортил его музыкальные моменты, особенно четвертый.

Oh! How is it humanly possible to play this, let alone compose it?!

very nice! i love this and never knew this recording. one of the few 19century mannerisms recorded in stereo

why does everything on the wide godowsky channel have better audio quality than spotify ur making this recording actually listenable now lmao

When played by him, the pieces sound like Liszt, not as impressionist as other renditions.

EN is a force of nature in Legend No. 2 ... a maelstrom.

what a genius. he played it in e minor lol

Best recording of that sonata. Thank for this

My favorite 4th ballade ❤️ technically perfect at 9:00 too, unbelievable