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@@RainerMuenz Cheers! :D

Thank you so much! It definitely takes some dialing in to get it right. The most important part, I feel like, is getting the right amount of saturation in there. A cleaner sound won't sound good. Slap a distortion in there and don't be afraid to go nuts with it. It'll work wonders! The UAFX reverb/delay pedals help a bunch too though. They sound fantastic.

@DawlessAndBibleBlackThanks so much for the details. Very helpful indeed. Just one more question... the bow, is any bow (for violins) good or does it need a special bow?

@RainerMuenz No worries mate happy to help. Nothing special here, I'm using just a basic cello bow. Remember to put some rosin in it though or you won't have enough friction for it to sound. They'll sell rosin blocks in the same place you can get bows!

Oh and by the way, I'm using an octaver here to go up one octave. I turn it off in some parts to get lower on the same string. If you have one, definitely try it out! It'll make your bass sing like a thick lead instrument.

@ Thank you again. Yes, I do have resin and a (cheap) violin bow. Might be OK for a first test, and then I'll see if I should get something better. I don't have an octaver (if it is not included in one of my multi-FX units but I don't think so). Good idea, I will do some research. I have already included my e bass in a few synth recordings but not using a bow and only using a Zoom multi FX bass pedal with some of the presets. I was quite happy with the result, but there is potential for more. 🙂

Thank you for your kind words, much appreaciated! Yes this thing sounds very gnarly and massive. The oscillators and filter are super nice.

@@SoulSearchingGaijin Thank you dude! I wholeheartedly agree. Just gotta follow whatever your instincts tell you and do it.

@@zorbanongreco Cheers! Appreciate it

@@MoeShinola1 Thanks mate, appreciate it!

@@LabRatWarfare Thanks! You taking the time to listen and comment is highly appreciated.

@@gonemadsynths Cheers mate!

@@Lycaanthrope Thanks mate!

@@TheMachinesWon Cheers mate, thank you. So far I think it's a really fun machine. Sounds growly and big. Being battery operated it's fun for couch sessions.

@ that’s dope! And u can change the notes via cv or midi I’m guessing as well?

@@TheMachinesWon CV yeah. It has two LFO'S itself too

@@rasmusinterstellar It sure does! The oscillators and filters are gnarly!

@DawlessAndBibleBlack Oh yes its really gnarly, somehow it reminds me a bit of behringer neutron in the sound!

@@rasmusinterstellar Sure they have something in common with the traditional analog approach. I like the filters on this better though but the Neutron is a beast for sure

@@RainerMuenz Thanks for listening and commenting! The internal speaker to me is really for some small noodling on the couch. You're right it has no low end whatsoever. Plugging in any headphones will make it sound like a completely different synth. I'm happy that the speaker option is there but it really doesn't give a good impression of the sound. But I guess I expected that, it's the same with any of these small battery operated synths like the Korg Volca series. They sound big plugged in though and the oscillators and filters on this one are really growly, I like them a lot!

@DawlessAndBibleBlack Thanks for confirmation. The noodling on the couch was exactly what I did. Not enough time for more so far. So I am really looking forward using it with headphones or connecting it to my mixer and do some recordings. Internal speakers are often not the best... but maybe I expected too much. The speaker in my Yamaha finger drum pad is great, for example, and I think the speaker from the Stylophone Theremin is also quite OK. But I guess it's all about frequencies... bass doesn't work well.

@@MBRelaxBase Thank you!

Cheers mate, you obviously have a great taste in music!

@@ExitChamber Thanks dude! Spoopy times

@@SoulSearchingGaijin I kinda went nuts with it and have everything ordered now to fill the whole thing. Just need to calm down with the buying for a couple of months now heh. So far I'm having a blast learninf the ins and outs of the modules. Cheers, thanks for stopping by!

Cheers mate. The key in this one was playing the vocal female singing samples and then mangling the playback speed of that to also affect the pitch. Worked like a charm!

Spoopy is good, cheers!

Cheers mate, appreciated. I think I'm going to do more rambling videos. Thought it would be hard but it wasn't.

@@krystiankrewniak Thank you! Those are extremely flattering comparisons.

@@bryanvenegoni6617 Cheers mate, you have a good taste then hehe. Oh yeah I had completely forgotten about that module. That is a great suggestion! It could be very interesting. Thank you!

@@bryanvenegoni6617 man this was such a good idea. I ended up getting the Gliss. Thank you!

Awesome I'm so glad to hear that!!​@DawlessAndBibleBlack

@solitudewaysproject1001 Thank you, much appreciated! It's a tough question. I would personally maybe choose Proton for Industrial but Neutron for more experimental dark ambient / drone. I reckon they would be incredible together but all in all I think the Proton sounds a bit more modern in a way and the Neutron has sample and hold. Missing the S&H felt really bad when mskikg stuff like in this video. If I could only get one I think I would go Neutron but it's a hard choice and probably comes down to preference. The Neutron feels slightly more experimental though. But also more limited in a different way. I'm not helping, am I? :D

@ My idea was to get the Neutron, and in the future, add the Behringer K2 and the Proton with a couple of pedals. All of them together would be spectacular. I don’t have experience with real, physical synthesizers, and I feel uncertain. I’m a beginner and have no prior experience. However, the Proton has a unique sound, and in this video, its sound completely captivated me. If I were to buy the Neutron as a starting point, which pedals would you recommend adding alongside it?

That sounds like a good plan. I think a good reverb will go a long way. Something that can handle the hot signal. I use UAFX Golden Reverberator. It's incredible but pretty expensive. For the things you're doing some distortion/saturation would probably be good too. A lot of people use the Zoom MS-series multi fx pedals with synths and they seem pretty good value for the money. That could be an option. Reverb should definitely be the first priority anyways.

That's a good idea. It's something I've looked at and if I need more modulation, I think the expander is what I'll get. What I'm thinking here is can I survive with 2 envelopes only? If the day comes when I want two volume envelopes and a filter envelope, I'm screwed. Could always do 2HP VCA + 2HP Envelope also I guess :D Not that important in drony music especially when I'm firing off samples but I don't know. Hard to tell.

I made them on the pc and transferred to the Digitakt

Great thank you. Brailliant work.

Thank you, much appreciated!

Oh. Just got that it’s cat. I was thinking about 3rd 70hp module of behringer for triple rack. But I think model d and cat is all I need:(

You could maybe consider a Pro-1? It sounds great and is a different flavor compared to the Model D. Thanks for tuning in!

@DawlessAndBibleBlack i think it's 80hp:(

Oh you're right. My bad. It seems that Wasp and Solina are the only ones you don't have. But hey, not buying anything is also great :D I should do more of that. Wasp is very basic and maybe not that unique after all. Solina does literally just the one thing. But it does it so good that I'll just keep mine even though I don't use it much. But when I need to go full Pink Floyd I just gotta have it.

@ I thought to buy wasp filter separately but I didn't find it sound fit me. Not buying is the best thing, agree:)

Don't have personal experience with the Matrix but the TEO surely slaps hard and the FM is great!

I had a matrix 6 and FM was Good , but this better ...

Good to hear. The Matrix looks like a really intetesting synth too. I do think the FM on this one is really, really good.

@@lessgama7435 No these are something I programmed myself. Thanks for tuning in!

@@RainerMuenz Thank you so much, that means a lot to me. Good to have you on board!

@DawlessAndBibleBlack You are very welcome. I am looking forward watching more of your videos in the next days.

@@RainerMuenz Cheers mate! I've picked up a habit of publishing one video each sunday. Currently building a modular rig and will be focusing on documenting this process as I go!

@DawlessAndBibleBlack Sounds promising. And in addition there are many older videos that I need to watch. 🙂

@@gasnocash5612 Glad you liked it! Qu-Bit Bloom is sequencing the Plaits and acting as the master clock. It also send triggers/clock to thw Mutable Peaks which in turn provides some modulation and envelopes for the Plaits. There also a metal clanking sample looping slowed down from the 2HP Play. I run the Plaits into Clouds for granular processing and reverb.

I like eerie!

That is a great album, cheers dude! The Model D is stupid good value for money, always sounds great. Hope the synth world treats you well! Thanks for taking the time to listen and comment, much appreciated.

@@scottnelle Thanks dude, happy new year!

@DawlessAndBibleBlack Likewise!

@@expensivenotes Thank you! The Crave (and Moog Mother 32 it's a clone of) is incredly versatile and always sounds good no matter what. One of my all time favorites.

@@JohnnyWednesday Thank you! Much appreciated

@@SoulSearchingGaijin Thank you! Yeah even though I do and like a lot of things, this kind of a mood is where my home is at. Can't wait to fill this case up and go ham. Cheers!

@DawlessAndBibleBlack I hope you get to fill it up this year. You do nice stuff with modular.

At least most of it will be full during 2025! Already have some more stuff on order but it'll be a while before I have all of the modulation stuff online. I think it's nice acquiring them module by module though. Easier to learn each one that way.

@@kesthouserecords Thank you dude! Much appreciated.

It's all clouds! No additional effects used

Thanks for tuning in!

@@MrDivagation Thank you for tuning in, your feedback is much appreciated!

@@HeyDropthat Thank you so much! Ah man that sounds awesome, I think I need to try it with flats now.

@@PropertyEdits Thank you, glad you like it. To be honest, I think it ended up sounding a fair bit like a Yamaha CS-80 (Thus the Blade Runner vibes) which was a surprise to me too. Bassbowing is a secret weapon for sure ^^

Absolutely! It's a cello bow.

@@scottnelle Hell yeah! It works like a charm, should try it if you have a bass and access to a bow. It's a Sire Marcus Miller P5 bass. I got it used and it's a ridicilously good instrument for what I paid for it. Like it a lot.

@DawlessAndBibleBlack awesome! I have a small pile of basses and I'm pretty sure my brother has a bow, maybe I'll give it a shot! I've always liked those Sire Marcus Miller basses, they seem like an incredible value for a really well built instrument.

@@scottnelle Yeah I'm bit of a gear snob with stringed instruments and this feels like a premium instrument with the rolled fingerboard edges, roasted neck etc. to me. They're great!

@@SoulSearchingGaijin Thank you! This was a beautiful session for me. I haven't really done it before outside of trying it out a bit. Took me by surprise.

Thank you for stopping by! Glad you liked it.

For sure! Any hard enough surface will work and yield different results. I find that sanding metal to be more coarse will bring out some additional harmonics and randomness to the sound which is really nice. The tip of this particular screwdriver has a coarse magnetic coating which works in a similar way.

I'm not sure what you mean here. You'd like to see how I made the patches, or?

@DawlessAndBibleBlackI think he means he’d like to be able to download them.