Видео

I can imagine

It's that extended emphasis on the dominant key of A that really drives the eventual resolution to D. The continual shirking of the home key is central feature that helps to define Brandenburg 5 as a celebration process over destination. Glad you liked it.

Crazy. You know what they say about great minds.

Haha for sure

What is your motivation for making these videos?

@@dynis15 Just that when I started out learning piano I wished there would have been more videos like these. It also gives me an opportunity to learn more about music as I'm interested in composition and a chance to share music which doesn't get enough attention.

Cool 👍

Richard Kleinmichel

Yes, Richard Kleinmichel's transcription imslp.org/wiki/Special:ImagefromIndex/279012/tofpg there's a good chance it's the same one, he's done the whole ring cycle

Most of my Wagner videos are based on his transcriptions, I think all my Ring cycle videos are.

@@digital_festspielhaus Thank you. Is there a way to listen to this whole transcription? I can only find specific sections on the internet, but I want to listen to the whole thing.

@@jeremydavie4484 Yeah I'm not sure that it's been recorded either, probably not.. I can recommend this recording of Gotterdammerung from a vocal arrangement I believe by Felix Mottl ruclips.net/video/kgzcEY26YMY/видео.html

Yes, what do you want to use it for?

@@digital_festspielhaus In my free time I experiment with MIDIs using different soundfonts, and other small tweaks out of curiosity and to get to know songs better. This one would be really fun to use and experiment with personally

@@dees2621 how would like me to send it, by email or some other way?

no

Thanks but I probably won't be doing Faust as early Wagner is outside of the scope of what I want to focus on.

Glad to hear it! Good luck.

Thanks

Yeah that's right, I made it private not long after updating it, I wasn't sure if anyone would still be working from it. here's the private link ruclips.net/video/K8vSfBSTx94/видео.html. I should point out that I did make a few alterations from the original including octave shifting a few notes and most notably replacing the tremolos with full notes.

Thank you very much! I cant access it if its private. Can you make it unlisted?

@@PedroAlmeida-im1mb ah mb. Unlisted now.

np

Thank you

Checked and found it comes out at almost identical tempo to the famous Karl Richter recording ruclips.net/video/vMSwVf_69Hc/видео.html although this is fast yeah.

@@digital_festspielhaus Yeah well I checked the famous Hugh Of St Victor recording... ruclips.net/video/NCxX90Sg2TI/видео.html

No doubt, a much more comfortable tempo for the elderly and the infirmed.

Possibly yeah, I'll have a look at the score. It's quite a long piece though so if I did decide to it would take some time

ruclips.net/video/Ip1UFi_nGMk/видео.html

np

I think i did the tempo a touch too fast haha

@@digital_festspielhaus no very good of course really hard to play irl 😂

@@digital_festspielhaus el tiempo esta bien asi es como lo compuso bach a ese tiempo

Probably not, I have one big WIP to finish off after Parsifal Act 1 Transformation music and am busy with other things in my personal life so not taking on any new projects for the forseeable future.

Kein problem 👍

Air is better try

@@אריהרווח I’ve heard it already

me too

どういう意味ですか？

I hear you :)

What specifically didn't you like? ( ͡° ͜ʖ ͡°)

@@digital_festspielhaus it's robotic, lacks the emotional depth a human would bring to it. It's one of the most beautiful pieces Strauss ever wrote, but it sounds mechanical here. Don't you think so?

​@@Marcel_Audubon From my point of view, I can control (almost) everything that a pianist can control ie. tempo (including accelerando/ritardando, dynamics (on a note by note basis ie. I can produce base/treble emphasis), the way arpeggios are played. Although, I haven't used any pedalling (I avoid it partly due to a glitch). I put quite a bit of work tweaking details to get this to sound as close to what I think it should sound like because I absolutely love this peice of music, and since there are plenty of faults that could be attributable to me, I'm happy to take on that criticism directly.

​​I didn't mean to discount the effort you put into this, I'm sure it was substantial. All the nuances you can control note by note, a pianist also brings with the stroke of a finger (or 10) in their playing, sometimes subconsciously! Romantic era music requires a dimension of emotion that a pianist can bring to a piece that I don't hear here. The graphical representation reminds me very much of the old music rolls for player pianos. Those were made in 2 ways - creating a metronomic stencil from a piece of sheet music, or captured directly from a performance on a specially equipped piano. The latter captures the emotion the pianist brings to the piece, the former does not. There are music rolls Rachmaninoff himself created using the performance method that I don't believe you would be able to recreate with your tecnique which sounds (to my ear) more like the metronomic method if we use that comparison Still it's very Interesting to hear (and see) what you've done here. I'll have a listen to some of your other posts.

Well I don't disagree and I did notice when making this piece more than any other the need for macro adjustments, like mid bar accelerando/ritardando. Even though it's absent, it seems that everything revolves around the natural phrasing of the voice,

Thank you

Sure, what do you want it for and how would you like me to send it?

@@digital_festspielhaus hi, this is so great! could i get from you the midi file, too? i am an digital artist and would love to use it in one of my poster animations... if You are still willing to share this great work please find my email on my youtube channel. best from Rome!

You're welcome :)