Видео

“ _Il Catalogo è questo_ (This is the list), according to Bussotti in his exhaustive (and customarily quite unique) presentation text, is destined to grow, and will be articulated in a number of ‘volumes’. Of this ‘work in progress’, as he calls it, this record contains the version that was commissioned by the Music Biennial and performed September 30, 1980 at Venice by the same performers heard on this recording. Previously, a major part of the score had been performed at the Donaueschingen Festival in 1979, under the title _Opus Cygne_ (...). Then, in 1981, Bussotti had also presented a new version of a part of the _Catalogo_ , separating _Inattuali_ , _Nudi_ and _Derrière la lumière_ from the rest, and adding two new pieces to the score [ _Massimo sistema_ and _Cupola_ ].”

@@hu6770 I see.

Anche io😊

The use of a particular frame from a video as a clickbait thumbnail, while undoubtedly effective in today's digital landscape, represents an encroachment of advertising techniques into the sacred domain of artistic expression. Music, particularly the kind that demands our full engagement and respect, is a vessel for the most profound human experiences and emotions. It is a form of communication that transcends the limitations of language, conveying not only the composer's intent but also the ineffable essence of the human condition. To reduce any moment of such an experience to mere "clickbait" is to trivialize the entire artistic endeavor. Clickbait, in its essence, is a tool of manipulation, designed to exploit the viewer's most base instincts-curiosity, desire, the need for novelty-while offering little in return but a fleeting moment of distraction. It is the antithesis of serious music, which seeks not to distract but to engage, not to exploit but to elevate. The very term "clickbait" carries with it connotations of the ephemeral, the shallow, the insubstantial-qualities that are anathema to the enduring and profound nature of true art. Furthermore, the suggestion that a single frame-5:18 in this case-could encapsulate the essence of an entire piece of music, reducing it to a mere visual lure, is to misunderstand the nature of music itself. Music is not a series of discrete moments to be cherry-picked for their superficial appeal but a continuous, evolving narrative that unfolds over time. Each note, each phrase, each passage is part of a greater whole, a tapestry of sound that requires patience and attention to fully appreciate. The suggestion that any one moment could serve as a "thumbnail" for the entire experience is to deny the complexity and depth that serious music offers. In a world increasingly dominated by the commodification of every aspect of our lives, it is more important than ever to defend the sanctity of culture and the arts. We must resist the temptation to reduce the sublime to the merely marketable, to sacrifice the profound on the altar of the popular. Music, especially the kind that speaks to our higher selves, deserves more than to be used as bait to increase clicks and views. It deserves our reverence, our attention, and our respect.

@@hu6770 chatgpt go brr

Does your comment have a meaning of any sort?

@@9827george it is a reference/half a joke to one of the avantgarde video game soundtracks: ruclips.net/video/Z65dpJBDKYY/видео.html

Alan Feinberg

@@hu6770, Thank you so much. I do appreciated it.

yes it is indeed completely distinct from the number one (Stringendo, 2010)

ok

yes it’s like writing fugues in 1740

yes!

credits only say this: "Konvolutets framsida: Lars Fursäter och Christer Sundell"

@@hu6770 thx