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Donald Kolberg
США
Добавлен 8 фев 2011
Strappo, a unique Monoprint and Monotype
Strappo is a combination of painting and printmaking, An acrylic painting is developed, painted on a clear glass plate. When the image is fully formed and dry, to thicken the acrylic skin, successive layers of acrylic gesso are added. The completed image, a dry acrylic transfer, is then mounted on museum board.
Video by artist David Rubello Edited by Mary Keithan
Video by artist David Rubello Edited by Mary Keithan
Просмотров: 7 067
Видео
Steel Mesh Sculpture by Kolberg
Просмотров 37 тыс.12 лет назад
Life Forms, figurative Steel Mesh Sculpture, is a dance of human form and movement that has not been seen in traditional sculpture.
No respect for adulterry and imorral, sinful deeds what they lieingly call art
Rip Harold Garde
hey dude we have same last name kolberg
that's so cool.
'Srappo' is a term I've only now heard of to refer to this technique. I found out that this term originally refers to a method of conservation by removing paintings from frescos. I've heard other artists refer to these as 'acrylic skins'. I was introduced to this method of painting through a book by Joseph Zirker, titled: 'The Cast Acrylic Print' published 2004. I've found that if the acrylic paint is in thick enough layers, it will peel easily but only on a nonbinding surface. I've had mixed success using just acrylic directly onto the surface but also by first putting a layer of some other peelable material, such as gloss mod podge, gloss gel mediums, acrylic pour medium, acrylic matte varnish and even PVA etc. Zirker suggests using polyethylene plastic plates (either high or low density I can't remember), glass or China plates. Other artists have suggested using plastic sheet protectors for documents. I've used those and find they work really well, especially if you want to cut shapes out (as they're cheap and sacrificial). Painting on glass is an alternative, too, as you can use a razor knife to cut out shapes and peel them off easily to transfer to another working surface. It's also advisable to wait for each layer to fully cure or polymerize (which can challenge the feeling of immediacy and spontaneity) at least 12 to 24 hours. Not doing so could result in bleeding through of colors...I've had successive layers re-saturate the previous layers and totally change their color. One method is painting in thinner layers so that the paint can dry faster without altering the under layers...but again, that can dramatically increase working time. Of course, the body composition of the acrylic paint makes a difference, however, I can 'fatten up' cheaper, less bodied paints by mixing mediums into them.
Do ypu make custom.woek ?
sorry no
Magnifique
thank you so much
Stunning. Thank you for sharing Hope you still have this art practice
I do!
Interesting!
You've certainly got a unique way of producing your art. Subbed your channel, #60. KIndly sub back too. Thanks.
what did you put on the glass first? the clear stuff
It was a polymer experiment to hold down camera glare but it fogged the surface. Working on a new video to replace the error
When I first started to watch this I thought the video was put of focus lol
That's really cool! Love art that isn't just another paintinf
***** Thanks for the comment I do try to experiment
Great work! What gauge is this mesh?
Hey great work. Where would I get wire mesh that is rubber coated but still able to sculpt?
sorry don't know
crod279 rubber coat yourself with silicone or similar product, go to hardware store and ask.