- Видео 88
- Просмотров 136 523
Letterform Archive
США
Добавлен 6 дек 2018
The Archive was founded by Rob Saunders, a collector of the letter arts for over 40 years, as a place to share his private collection with the public. We opened to visitors in February 2015 and now offer hands-on access to a curated collection of over 50,000 items related to lettering, typography, calligraphy, and graphic design, spanning thousands of years of history.
So far, the Archive has welcomed over 10,000 visitors from 30 countries, including students, practitioners, and letterform admirers from every creative background. Some come with specific research ideas in mind, while others are simply looking for inspiration. Invariably, thanks to the breadth and accessibility of the collection, they stumble on something unexpected. Serendipity is key to the Archive experience.
Learn more about our collections and get news of upcoming events, workshops, and publications. Subscribe to our mailing list: letterformarchive.org/mail.
So far, the Archive has welcomed over 10,000 visitors from 30 countries, including students, practitioners, and letterform admirers from every creative background. Some come with specific research ideas in mind, while others are simply looking for inspiration. Invariably, thanks to the breadth and accessibility of the collection, they stumble on something unexpected. Serendipity is key to the Archive experience.
Learn more about our collections and get news of upcoming events, workshops, and publications. Subscribe to our mailing list: letterformarchive.org/mail.
Music Engraving in the Digital Age with Simon Smith
Once the province of specialists who had undergone a long training, the widespread availability of music notation software from the 1990s on has given everyone the ability to produce sheet music themselves.
For all the benefits, this has come at a great cost. Not just a few jobs - the dedicated ‘music engraver’ now being now a near-extinct species - but to the state of the art itself. Never well-documented but passed down through the centuries from master to apprentice, engraving is now the additional task of every student, arranger and composer, and any gap in expertise has become the responsibility of the software they use.
But worse, in the move to an all-digital and mostly-automated wor...
For all the benefits, this has come at a great cost. Not just a few jobs - the dedicated ‘music engraver’ now being now a near-extinct species - but to the state of the art itself. Never well-documented but passed down through the centuries from master to apprentice, engraving is now the additional task of every student, arranger and composer, and any gap in expertise has become the responsibility of the software they use.
But worse, in the move to an all-digital and mostly-automated wor...
Просмотров: 175
Видео
Salon Series 40: Subscription to Mischief Curators Talk
Просмотров 464 месяца назад
Subscription to Mischief: Graffiti Zines of the 1990s is Letterform Archive’s third exhibition in collaboration with Greg Lamarche / Sp.One and his archives of Skills magazine. Join us for a curators talk to hear Lamarche and David Villorente / Chino BYI deep dive on selected objects from the show and a few that didn’t make it followed by a Q&A with the rest of the curatorial team, Kate Long St...
Salon Series 44: From the Source: A Conversation with Chino BYI
Просмотров 254 месяца назад
Join us for an afternoon with Chino BYI / David Villorente, graffiti writer, historian, author, and former long-time editor of hip hop and culture magazine The Source’s “Graf Flix” column. In conversation with Letterform Archive’s Curatorial Consultant, Kel Troughton, Villorente will share about his experience at The Source during a seminal time for hip hop and graffiti and his take on the rela...
Salon Series 34: Designing Resistance
Просмотров 354 месяца назад
Salon Series 34: Designing Resistance with Nikki Juen, Rick Valicenti, Ziddi Msangi Online Event at Letterform Archive Thu, Nov 3, 2022 The history of protest is grounded in the continuing saga of struggle. Fiery calls for resistance have been heard, heeded, and amplified thousands of times over. And versions of this message - built upon by activists working on behalf of civil rights, the antiw...
Salon Series 37: Recovering the Forgotten Women of Metal Type Design with Bethany Qualls
Просмотров 274 месяца назад
Ever wonder who originally designed your favorite typefaces? Many of the fonts we use today (such as Futura, Helvetica, Baskerville) originated in the metal type era (late 1800s to 1950s) when hot metal typesetting became the norm for printing, revolutionizing what had been a mostly manual process for centuries. Much of today’s typographic design relies on norms from this period when Linotype a...
From Gutenberg to the Gallery: Five Decades of Print and Book Art
Просмотров 284 месяца назад
Dec. 14, 2023 at Letterform Archive - In The Gutenberg Galaxy (1962), Marshall McLuhan argued that significant changes in technology would generate massive cultural transformations that will permanently alter the form and function of the book. Fundamentals of bookmaking have not changed much since the contributions of Gutenberg, but the cultural environments in which they have been grounded, ex...
Salon Series 35: Love
Просмотров 34 месяца назад
Throughout the history of protest movements and community organizing, there remains a rich tradition of tough love. The calloused love that is earned through hard fought steps pounding pavement in the streets. Time and time again certain forms of love have been squashed, silenced, forbidden, outlawed, and left for dead. During this panel, Lukaza Branfman-Verissimo, Nat Pyper, and Martin Venezky...
Dafi Kühne at Letterform Archive
Просмотров 484 месяца назад
Jan 17, 2023. Do not publish or distribute until we get permission from Dafi.
Salon Series 42: Trust Your Struggle
Просмотров 44 месяца назад
A panel of members from Oakland-based collective Trust Your Struggle speak on graffiti and its influence on their art practices. Learn more at: letterformarchive.org/shop/salon-series-42-trust-your-struggle/ Letterform Archive’s Salon Series is a regular event featuring a member of the staff, or special guest, taking a deeper dive into specific collections or themes within the Archive. Recordin...
Salon Series 47: The Complete Commercial Artist: Making Modern Design in Japan, 1928-1930
Просмотров 414 месяца назад
Salon Series 47: The Complete Commercial Artist: Making Modern Design in Japan, 1928-1930
Salon Series 38: Designer as Protestor
Просмотров 104 месяца назад
Salon Series 38: Designer as Protestor with Design is Play: Mark Fox and Angie Wang, Heather Snyder Quinn, Adam DelMarcelle Creative people whose hearts are in advocacy often make their living in the commercial world. Our panelists have designed for organizations ranging from nonprofits to Fortune 500 companies, producing work that spans advertising to AI. Beyond their client projects, their pe...
Salon Series 28: Letterforms of the Viennese Secession
Просмотров 684 месяца назад
At the turn of the 19th to 20th centuries, Western design underwent a clash of ideas: those who sought a return to the handcrafts of the past, and those who wanted to create entirely new modes of making; those who found inspiration in the flowing forms of nature, and those who embraced the sleek geometry of the machine. These ideals are viscerally expressed in the type and typography of the tim...
Type Revival for Period Film & TV with Leah Spencer
Просмотров 394 месяца назад
During the creation of movies and TV shows, every book cover, receipt, storefront sign, newspaper, or hotel room number that you see was custom-made by a graphic designer. The aim of this work is to create design that unceremoniously melds with its setting, and to achieve this for period productions, type must be in both form and effect of the age. As technologically-equipped graphic designers,...
Salon Series 31: Using Arabic letterforms in Contemporary Book Art
Просмотров 214 месяца назад
Letterform Archive Salon Series 31: Using Arabic Letterforms in Contemporary Book Art with Islam Aly Apr 14, 2022 In this online salon we will explore examples of contemporary book art that utilizes different Arabic letterforms and their relationship to historical calligraphy and layout in old manuscripts. Islam Aly will discuss his own works and related content from Letterform Archive’s collec...
Make Icons Editable, Animated, and Colorful with Font Technologies with Wenting Zhang
Просмотров 244 месяца назад
In this talk, Wenting Zhang, co-founder and CEO of Typogram, shares new ways to utilize variable font and color font technology for icons - to make icons customizable, animate-able, colorful, and recolor-able: Customizable Variable font tech can be seen as a bezier curve editing capability. With that, icons can enjoy controlled editing capacity without exposing the hard-to-manipulate bezier cur...
Salon Series 32: 36 Days of Type, Paper Sculpture Edition with Zai Divecha
Просмотров 194 месяца назад
Salon Series 32: 36 Days of Type, Paper Sculpture Edition with Zai Divecha
Salon Series 30: Collecting Bauhaus Typography for 40 Years
Просмотров 314 месяца назад
Salon Series 30: Collecting Bauhaus Typography for 40 Years
The Mysterious Case of the Shapeshifting Poblano Blackletter with Jesús Barrientos
Просмотров 154 месяца назад
The Mysterious Case of the Shapeshifting Poblano Blackletter with Jesús Barrientos
Salon Series 39: Call and Response: Histories of Designing Protest
Просмотров 194 месяца назад
Salon Series 39: Call and Response: Histories of Designing Protest
Live at the Archive: Glorious Data Graphics with RJ Andrews
Просмотров 854 месяца назад
Live at the Archive: Glorious Data Graphics with RJ Andrews
Everything is Drag with Kyle Letendre
Просмотров 474 месяца назад
Everything is Drag with Kyle Letendre
Die Fläche: Design and Lettering of the Vienna Secession
Просмотров 574 месяца назад
Die Fläche: Design and Lettering of the Vienna Secession
Salon Series 36: New Ideas in Visual Language with Vivian Sming
Просмотров 284 месяца назад
Salon Series 36: New Ideas in Visual Language with Vivian Sming
Salon Series 33: Adobe Hidden Treasures Revisited
Просмотров 284 месяца назад
Salon Series 33: Adobe Hidden Treasures Revisited
The OHNO Livestream with James Edmondson
Просмотров 464 месяца назад
The OHNO Livestream with James Edmondson
Breton Fishing Figures with Yoann De Roeck
Просмотров 20510 месяцев назад
Breton Fishing Figures with Yoann De Roeck
Salon Series 43: Modular: Claiming Typographic Trancestors in the Archive
Просмотров 15510 месяцев назад
Salon Series 43: Modular: Claiming Typographic Trancestors in the Archive
Academy Meets the Street: Radical Journal Design and The Black Scholar with Amy Papaelias and Je...
Просмотров 19511 месяцев назад
Academy Meets the Street: Radical Journal Design and The Black Scholar with Amy Papaelias and Je...
man imagine her making the art for a pixel art game
"The real San Francisco" lol I thought the same thing why did they recycle that name? But also Franciscan Sans would have been the BEST name for that font
Its so cool to use something you created many many years ago.
They thought it was "fast". But I guess maybe we're used to instantaneous now and forgot what fast means when related to a computer.
:n)
Wonderful talk. So many good insights - especially hearing about the thoughts on icons from a pioneer at the birth of the graphical user interface. Much more pure than what we have today. And then 32:20 - I feel exactly the same, So happy to have Susan reflect on this. 15 years I worked for a company, the last ten as being the UI/UX lead for everything we did. Then I turned freelancer and I was so much more relaxed with regards to the outcome. I did better work as a freelancer, because the overall conditions were better. But I also felt more at ease with things not making it into the final product. You enjoy the process, you save good ideas that were not used for another time and the next project can be just around the corner. Whereas being part of a company you are so much more linked to the outcome in a stressful way. Everything you do in the future depends on what is decided now, both good and bad.
If this was shot in 2020 the camera “operator” should be also.
she is too cool
I haven't heard of this genius till yesterday. I watch some retrocomputing videos and RUclips suggested me that "this is what we call a window" video. I'm so glad I clicked.
Imagine being such a useless CEO that you reject a design by Susan Kare!
She was so smok'n hot back then. Would loved to have met her.
Loved it, Susan is awesome. I wish they'd split the screen and have her on one side and her screen always shown on the other side. So many precious slides missed.
Great insight
Just as pretty as she was in the 80s!!
She made Chicago font… !
Original Mac *and* iPod font. Legend.
The famous W font...Chicago 😊
Thanks!
Annoying having ignorant bastards in the audience laughing every other minute.
Why aren’t all the slides being shown? Why does the director keep switching back to Susan speaking, missing out on the slides that illustrate what she’s talking about?
Susan Kare created iconic icons (sic). A genius of UI and UX. She left her mark on computer history.
I love her sense of humor and playful self deprecation. What an amazing person, so intelilgent yet humble and accessible. I wish I'd had a role model like Ms Kare when growing up. I wish even more I'd chosen design/coding/tech for a career.
ꦱꦔꦠ꧀ꦏꦼꦫꦺꦤ꧀👍🏻👍🏻👍🏻
Javanese script is a very beautiful script for me...👍🏻🥰
Came here to own the libs. Trump/Maga 2024 baby its happening. F silicone soy valley
script.jar
Why do I love this person?
She is genuine and humble, attractive qualities
what? I own a vintage hangul typewriter & it can literally type batchim, just as modern digital computers can. to type 한글 you have to press ㅎ+(batchim(shift key))+ㅏ+ㄴ ㄱ+(batchim(shift))+ㅡ+ㄹ in that order. we are lucky that we could give up chinese characters whereas japanese with so many homophones, couldn't
His arguments against discussion about chinese language reform also inconveniently would have proven that king Sejong, who created the brilliant Hangul system, was somehow racist. No dude, discussing costs and benefits of different writing systems, debating strategies to improve convenience and efficiency aren't racist. You can't go back to middle ages Korea and correct King Sejong to your way of thinking. He and every group has the right to discuss its own future and alter it if they choose. Your attempts to reinterpret legitimate discussions made by independent nonwestern people are super colonialist and also just wrong. Hangul is good; pointing out that hanzi can be a bit inconvenient isn't racist. It's true. Yet they have other unique advantages, and here we are
Sorry dude, your way of judging Remington and those other type of other companies makes no sense. First you claim that they actively excluded Chinese and you blame them for that. Then you talk about how they did try to support Chinese and you blame them for failing. I don't understand what would you have them do? So the fact that somebody in the West made an English typewriter for their own language and then started a company and then try to support other languages and failed somehow, that makes that group guilty? That doesnt make sense. If China wanted something they can make it themselves.
It is so ridiculous to say that the invention of the qwerty typewriter actively excluded 600 million Bengali speakers. That is insane. That's not how the world works
Yep wait for it ... 20:00 he holds the querty typewriter responsible for excluding vast majority of people on earth This kind of rhetoric is not realistic. If anything, those groups themselves are responsible for not having their own typewriters. The fact that an English speaker made up a typewriter did nothing to harm them. Does he think this first random guy somehow was prejudicial in not adding right to left support to the first primitive typewriter? it's just so ahistorical and conspiratorial. Inventors in the rest of the world were still free to do whatever they wanted. But you know with a guy like this he's eventually going to come around to making those distorted claims. How else does someone like that become a professional at Stanford in today's day and age?
At around 40:55, the speaker makes a mistake saying: "Vietnamese belongs to the same language family as Chinese". Chinese is within the Sino-Tibetan language family, whereas Vietnamese belongs to the Austroasiatic language family.
This is very insightful, and despite her somewhat self-effacing nature, she speaks volumes regarding how to think of design. I especially like her thoughts regarding understanding the happy Mac and how simplicity creates universality. This is food for thought regarding how we communicate today.
This is beautifully done... I have to visit!
Sbonge 🙌🏾
That was one of the best things I've heard in years. What a brilliant guy.
Joumana! Amazing work especially the traditional.
This is especially more relevant in the age of AI
Can anybody refer to the book she refers to when she answers the question about inclusivity?
The book referred to is likely "Mismatch" by Kat Holmes.
Her mannerisms are so unique...
Great lecture! Professor Drucker is amazing. So grateful for Letterform Archive and their supporters.
👍👍👍👍👍👍
This lecture is amazing and actually helped reinforce what I learned in Jing Tsu’s book KINGDOM OF CHARACTERS.
She is still cute
Japanese writing, which is a variant of the same script, also uses logographs.
Thank you for this and all the other fascinating content this channel provides. As a child of the 70s and 80s in the SF Bay Area, this was a great walk down memory lane and tech history lesson.
Thank you so much Ben!! fascinating - I've made the computer type journey myself over 40 years and your summary is complete and so edifying!!! All the very best for your future work!!
Bravo 👏🏽
“Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away.” - Antoine de Saint-Exupéry, Airman's Odyssey 🙂
What a babe
So incredibly interesting