Видео

imagine hearing this 53:30 in 1909 for the first time. Mindblowing

Estupenda obra con musicalidad e instrumentación propias de Mercadante, coincido en que me hubiera gustado un tenor menos agudo.

Como todo lo de Mercadante, su musicalidad e instrumentacion son superiores, coincido que me hubiese gustado un tenor menos agudo.

👍💯

👍🙏💯

The young and lively Dieskau's melting baritone recitative is driven to legato, leaving no room for argument. The tension of his voice is natural and effortless. Soprano Gundula Janowicz's voice is also fresh and fresh, reminiscent of a pure maiden.

1:39:43　船乗りの祈り「おお偉大なる聖ドミニコよ」

Why does it seem that the first trumpet is always playing solo? sound ingeneering?

Excepcional......🙌🏻

23 сентября 2024 года Виктории Николаевне Ивановой исполняется 100 лет! Царство Небесное! Вечная Память! ❤ ❤ ❤

A wonderful Danish voice! Or is it universal? in any case - ein echter Genuss.

Pour Mia

톨로메오는 정말 선율이 아름답군요. 핸들 주님께서 악상의 충격적인 천재성을 폭발시킨 것 같군요. 와 정말 도저히 거부할 수 없는 경묘한 멜로디의 향연이여! 핸들 주님을 찬양합니다.

So atemlos, so hinreissend, ist zumindest diese Ouvertüre wohl nie wieder wiederholt worden!!

톨로메오의 선율의 늪에 빠진 나는 벌써 1년동안 허우적 거리고 있습니다. 나의 주님 핸델이시여 이 불쌍한 한국촌로의 번뇌를 제하여 주소서. 300년 전 런던 시민들은 이런 아름다운 멜로디를 즐겼다니 너무나 너무나 부럽습니다.

1:30:41 Время к девичнику нам приготовиться (Время гостей встречать) 1:38:30 Гимн России от Сусанина 1:53:40 Микс увертюры и дуэта с хором (Антонида, что случилось?? Говорят, Сусанина забрали!) 2:00:26 Бедный конь в поле пал, Ваня бегом добежал 2:16:18 Ты взойдёшь, моя заря!

Very beautiful Montse abd Josep 🥰

Gorgeous.....❤❤❤❤❤Dreamvoices of the Opera

❤

The Mozart model top left is me. We designed the complete set and photographed cathedrals in Prague. I became Mozart himself 😅

00:59:00: Vom Bade kehrt der König heim..

BRAVISSIMO!!! Those 'death apples' I see on the beach on holidays will never be the same again!! :)

I don’t what it is about this opera… but I think it’s one of my favorites… there are no recitatives, just constant Music… it Never gets too heavy and repetitive. But it goes deep and keeps your toe tapping… fucking awesome end. I love Bellini… bel canto is the best!

There has long been controversy as to the category of Anderson‘s instrument. In her prime she had quite a wide range with a timbre that some classified as pure contralto. But recordings of her singing CASTA DIVA (transposed down a whole tone) & PACE, PACE MIO DIO (transposed here only a half step) makes one wonders whether, had her registers been perfectly equalized, she might have explored more soprano repertoire. Then there is her amazing DER TOD UND DAS MÄDCHEN where she produces a genuine soprano color for the Mädchen & a deeply intoned Tod descending to a very solid low D. In the long run it hardly matters to me since whatever registers she uses the results, in her best period, remain memorable. The ideal would be blending rather than separating the vocal registers but this seldom occurs within a single aria or lied. Anderson remains a unique singer whatever categories one wishes to use & Toscanini‘s opinion says it all: a voice that happens once in a hundred years.

🙏🌹🌹🌹🫡🌹🌹🌹👌🌹🌹🌹💖✨️✨️✨️✨️✨️✨️💖🙏🙏🙏

Da dove lavorava

Orlando se ne fuggerebbe anche lui, se lo chiamassero adesso

Caballe was much better singing Norma in live recordings, like Orange or Bolshói both in 1974. Those recordings are not eclipsed by nothing else.

In addition to all its other felicities, this set has the finest group of serving maids on any recording. And Pauline Tinsley as the Overseer is luxury casting, indeed.

Hank you Eduardo Diaz for this pleasure... its still mine!

Cd maravilhoso, amei, bravo Ferrucio Furlanetto

Love the sweet, warm and melodious sound of the organ which accompanies some of these Cantatas! ❤❤❤

Maravillosa versión, una pena su temprana muerte, nos habría dejado interpretaciones únicas.

Very overrated recording. Missing so much drama.Try Fruhbeck de Burgos

Possiedo all'incirca 15 diverse registrazioni dei Carmina, comprese alcune non professionali ma di buon livello. Nessuna, però, supera nel suo insieme la perfezione di questa. Alcune versioni contengono delle particolari eccellenze, ma nell'insieme nessuna eguaglia questa. Le registrazioni italiane, purtroppo, risentono della scelta di molti direttori di adottare la pronuncia ecclesiastica per le parti in latino, e questa scelta è francamente incomprensibile.

The best performance I've listened ever! I had this vinyl disk in my childhood

Божественный тембр голоса. Неземной и уникальный по красоте! Слава Богу за всё!🙏🌹

Ayant vu l'abominable version donnée par la metteuse en scène Jeanne Désoubeaux qui, sous prétexte de féminisme agissant, d'anti-machisme et de réhabilitation de Louise Bertin, a totalement dénaturé son opéra et réduit l'oeuvre à une pitoyable et vulgaire mascarade, j'ai écouté celle-ci. On aime ou on n'aime pas l'opéra romantique, mais ici la musique de Bertin, qui ne manque pas de subtilité, est remarquablement servie. La version féministe, c'est bien celle-ci, qui fait ressortir les qualités de la compositrice, pas celle des Bouffes-du-Nord, qui fait également en ce moment un petit tour de France. EN dehors de Esmeralda (Jeanne Mendoche, qui est excellente), les chanteurs sont nullissimes, la mise en scène d'une vulgarité pathétique et on ne retrouve rien de l'oeuvre de Bertin.

Still the BEST Stabat Mater (for me).

Plus moderne que Handel, tu meurs.

Большое спасибо за такую возможность услышать оперу! ❤

23:10

Almost insanely fast at times, but I love it. Such passion.

Oskar Klappenberger (Anuragi) hat auch eine CD mit dem Stück „Night Walk“ herausgebracht. 1994, meine ich. Weiß jemand, ob es dazu Noten gibt? Kann man den Künstler in irgendeiner Form kontaktieren?

УВЕРТЮРА ГП 1 - 00:00 ГП 2 - 00:13 СП - 00:39 ПП - 00:56 Разработка - 1:23 Кода 1 раздел - 3:57 Кода 2 раздел - 4:10 Кода 3 раздел - 4:15 Кода 4 раздел - 4:20 1 ДЕЙСТВИЕ 1-я песня Баяна - 7:44 2-я песня Баяна - 12:08 Каватина Людмилы - 19:27 Свадебный Хор - 34:06 Похищение Людмилы - 35:37 Квартет - 41:21 ВТОРОЕ ДЕЙСТВИЕ Баллада Финна - 53:17 Рондо Фарлафа - 44:15 Дуэт Наины и Фарлафа - 1:02:17 Ария Руслана 1 раздел - 1:05:37 Ария Руслана 2 раздел - 1:08:58 Ария Руслана 3 раздел - 1:12:39 Ария Руслана 4 раздел - 1:13:06 Рассказ Головы - 1:19:07 ТРЕТЬЕ ДЕЙСТВИЕ Персидский Хор - 1:25:18 Каватина Гориславы - 1:31:23 Ария Ратмира 1 раздел - 1:35:12 Ария Ратмира 2 раздел - 1:42:05 Танцы основная тема - 1:47:30 ЧЕТВЕРТОЕ ДЕЙСТВИЕ Сцена Людмилы - 2:13:53 Ария Людмилы 1 раздел - 2:18:38 Ария Людмилы 2 раздел - 2:26:13 Марш Черномора - 2:29:02 Турецкий Танец - 2:33:08 Арабский Танец - 2:35:20 Лезгинка - 2:36:53 ПЯТОЕ ДЕЙСТВИЕ Хор 1 - 3:08:36 Хор 2 - 3:11:00 Сцена Пробуждения - 3:13:23 Хор "Слава Богам" - 3:18:21

There aren't any better performed or recorded!

The most obvious ONE-HIT-WONDER ever in classical music.

Не розумію слів, але це дуже чарівно

Moltes gràcies, Mestre.

I saw this live!!! with a standing room ticket at 12$. I will never forget it.