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Glenstone Museum
США
Добавлен 11 авг 2021
Seamlessly integrating art, architecture, and nature into a serene environment. Scheduled visits required. Admission is always free. ◽ #GlenstoneMuseum
Iconoclasts: Selections from Glenstone's Collection
On view in the Gallery building at Glenstone Museum, "Iconoclasts: Selections from Glenstone's Collection" highlights some of the most radical shifts in artmaking in the course of the 20th century. Foundational collection artists-such as Willem de Kooning, Alexander Calder, Ruth Asawa, and Martin Puryear, among many others-are on view alongside new acquisitions, including Hilma af Klint’s Tree of Knowledge, 1913-1915.
The exhibition is on long-term view in the Gallery, and will occasionally have works rotated or refreshed throughout the run of the show.
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Learn more about Glenstone:
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Schedule a visit here:
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The exhibition is on long-term view in the Gallery, and will occasionally have works rotated or refreshed throughout the run of the show.
Subscribe here so you never miss a video:
glst.one/subscribe
Learn more about Glenstone:
glenstone.org
Schedule a visit here:
glst.one/plan...
Просмотров: 4 851
Видео
"Ellsworth Kelly at 100" at Glenstone
Просмотров 5 тыс.11 месяцев назад
“In a sense, what I’ve tried to capture is the reality of flux, to keep art an open, incomplete situation, to get at the rapture of seeing.”-Ellsworth Kelly On view at Glenstone until March 17, 2024, "Ellsworth Kelly at 100" presents an overview of the late American abstract painter, known for bold forms of color and shaped canvases. With over 95,000 visitors in 2023, the exhibition will soon t...
Ellsworth Kelly at 100: In His Own Words
Просмотров 4,6 тыс.Год назад
The seven-decade career of beloved American abstractionist Ellworth Kelly (b. 1923, d. 2015) changed the course of American art. Exploring form, color, line, and space through painting, drawing, sculpture, and more, Kelly persistently tried to get at the "rapture of seeing", prizing immediate visual impact, bold colors, along with shaped and joined canvases. Hear from the artist in this video, ...
Behind the Scenes: The Making of Yellow Curve
Просмотров 8 тыс.Год назад
"It's like walking into a painting of Ellsworth Kelly's... Color almost becomes tangible in that room, and it's like he caught a bit of sunshine for us. He figured out how to fix a ray of sunshine and put it on the floor."-Emily Rales, Director and Co-Founder of Glenstone Museum Prior to its realization at Glenstone, Ellsworth Kelly's Yellow Curve had been on public view only once before, in Ge...
Kara Walker at Glenstone
Просмотров 7 тыс.Год назад
“There’s more darkness than beauty oftentimes. You can hew close to the abyss-but if you go in, you don’t have the art.”-#KaraWalker Artists Kara Walker and Jason Moran have collaborated on Walker’s sculpture, “The Katastwóf Karavan”, since 2017 when it premiered at the Prospect 4 Triennial in New Orleans. Housing a fully functional steam calliope, the sculpture can be activated by a human play...
What is Glenstone?
Просмотров 22 тыс.Год назад
"What is Glenstone?" There are so many ways to answer that question, and we're offering a few answers here from our founders, our staff, artists we work with, and others involved in the Glenstone story. We hope this gives you a glimpse into our values, our visitor experience, and what makes Glenstone Museum so special. Subscribe here so you never miss a video: glst.one/subscribe Learn more abou...
Split-Rocker at Glenstone Museum
Просмотров 2,4 тыс.Год назад
Every summer, Jeff Koons' Split-Rocker, 2000 blooms at Glenstone Museum with over 25,000 living annuals. In this short video portrait, you can get to know the work and its caretaker, Chris Ryan. Subscribe here so you never miss a video: glst.one/subscribe Learn more about Glenstone: glenstone.org Schedule a visit here: glst.one/planyourvisit Video by Rava Films #JeffKoons #art #architecture #co...
You Are The Subject: Richard Serra at Glenstone
Просмотров 31 тыс.Год назад
In July of 2021, a 656,000-pound sculpture made of forged steel crossed state lines and bridges on its way to Glenstone. It traveled slowly, winding its way from New Jersey to Maryland. At dusk, it crossed the Susquehanna river. At midnight, it arrived. You Are The Subject: Richard Serra at Glenstone, a new short film, tells the multi-year story of the installation and opening of Richard Serra'...
R.H. Quaytman at Glenstone
Просмотров 6 тыс.Год назад
On view in the Gallery at Glenstone: an exhibition featuring two recent series of paintings by artist R.H. Quaytman. Since 2001, Quaytman’s artistic output has been modeled on the structure of a book. Each body of work is a “chapter” in an on-going investigation of the history of image making. Quaytman combines painted and silk-screened images on wood panels to create densely layered compositio...
Special Preview: What is Glenstone?
Просмотров 11 тыс.Год назад
In this special video preview, Founders Emily and Mitch Rales, along with Pavilions architect Tom Phifer and artist Jeff Wall discuss the philosophy and intention behind Glenstone Museum.
Doris Salcedo at Glenstone
Просмотров 17 тыс.2 года назад
"The conversation about political violence is not closed. It is open, and it is up to us to tell the story. That is my task. It’s who I am. And it’s why I work.” - Doris Salcedo On view in Room 2 of the Pavilions at Glenstone Museum: an exhibition of sculptures by Doris Salcedo, the first such exhibition in the Washington, D.C. area. Grounding her practice in research and firsthand interviews w...
Charles Ray at Glenstone Museum
Просмотров 6 тыс.2 года назад
‘It’s really nice to see [the sculptures] differently, cycling back into my life. I think they sing together as a group. Having them here, working like events and active in the moment, you know, brings them back into the present for me.”-#CharlesRay On view in Room 8 of the Pavilions at Glenstone Museum, the third in a series of rotating exhibitions by Charles Ray. Organized in close collaborat...
Vija Celmins at Glenstone Museum
Просмотров 7 тыс.2 года назад
“I’m the old fashioned solitary painter… I don’t have a formula. I’m not a machine. I have a kind of a touch that’s different on different days.” -#VijaCelmins On view at Glenstone, “Vija Celmins”, a monographic exhibition of works by Latvian-American artist Vija Celmins. The exhibition marks the artist’s first solo presentation in the Washington, D.C., area since 1979. Celmins is acclaimed for...
Jeff Wall in conversation with Michael Fried
Просмотров 6 тыс.2 года назад
"It's a fundamental artistic principal that everything that appears and is made to appear has equal status in causing the picture to feel the way it feels." -Jeff Wall As part of the exhibition “Jeff Wall” at Glenstone Museum, artist Jeff Wall joined art critic and art historian Michael Fried in a conversation about his practice, picture-making, and the art-historical grounding of Wall’s decade...
Jeff Wall at Glenstone Museum
Просмотров 8 тыс.2 года назад
“Pictures, by nature, suspend narrative. …I see the viewer as a writer: the viewer narrates. People are telling themselves stories, and the stories connect to them personally, which is why the work means something to them. We can relate to these things.” -#JeffWall On view at Glenstone until March 13, “Jeff Wall”, a monographic exhibition of pictures by Canadian conceptual photographer Jeff Wal...
Glenn Ligon on "Warm Broad Glow II", 2011
Просмотров 6 тыс.3 года назад
Glenn Ligon on "Warm Broad Glow II", 2011
Hank Willis Thomas on Faith Ringgold and Dialogue with the Future
Просмотров 1,2 тыс.3 года назад
Hank Willis Thomas on Faith Ringgold and Dialogue with the Future
King ❤
King
Kara Walker is a genus who shares a clear and hauntig veiw of black people being victims 0f American racism long after they were freed from slavery for 400 years.
This is a beautiful video of a thoughtful selection of art, exhibiting a deep and vast well of experience and investigation. I bow.
Bro is awesome,The box is so elegant.
I love to contemplate the integrated landscape, architecture and presentation of Glenstone. I always visit and enjoy this unique gift of quiet beauty when I travel to Bethesda. What I did not appreciate so much on my recent visit was the eagerness by some of the employees to engage and project their interpretations. I prefer to walk into the room and feel the energy of the art, rather than the energy of the employees. Thank you, Mitch and Emily, for this sanctuary.
this is such a beautifully made video. cheers to the wonderful videographers and editors that put this all-together. And cheers to Richard Serra, rest in peace legend.
An excellent show. It was so nice seeing pieces that I haven’t seen since the first months that the pavilions at Glenstone opened. This is an incredible museum, very well worth visiting ( I’ve been almost 10 times!).
stunning
So beautiful to see and hear him share about the butter.... What a gorgeous, inspiring show. I wanted to get into a black piece and lie down in it. My cousin was with me and when I told her she said when she saw it she wanted to lie down on the floor in front of it. (We're both artists). I'm so grateful for Glenstone. Incredible space to be
How can anyone say "nature is not just grass and trees"? Is the beach not the sand and the ocean? It is. That's what it is. A night sky is a night sky. A lake is a lake. A river is a river. Please. You don't have to feel guilty about opening your eyes. You don't need Serra.
"It is both the container and the contained". My word, art speak at its most colossally pretentious, self loathing, level. Get a grip please. You are embarrassing to the human race. We are so much more than such deluded, sychophantical, expressions. There's the sun and the moon and flowers. It's all ours and it's endless. Have a nice glass of wine and some fine cheese. Get yourself some good bread from the bakery. Treat yourself to a good book. Read Treasure island or the Call of the Wild.
I love that she was there with her daughter, herself an esteemed writer, Michele Faith Wallace.
I will miss the Pavilions water gardens this summer. But of course will still enjoy the beautiful grounds of Glenstone and seeing Split Rocker in full bloom.
This exhibit brought out emotions I didn't expect and wasn't prepared for.
Seeing her work and listening to her is so touching!
Fantastic!
Will see this. Thank you.
i'll be kicking myself for missing this for the rest of my life 😭😭😭
A wonderfulness experience for me ! Looking forward to visiting in person. Heard about Richard on Writers and Company with Eleanor Wachtel our incredible interviewer in the arts on CBC radio 1 in Canada !
Museu fantástico! Administração privada de primeira. Coleção primorosa
The one of the great experiences of Glenstone are the docents that are so informative and friendly to chat with. When I entered the space with the magnificent de Kooning, I mentioned about the stolen/since recovered de Kooning from the University of Arizona art museum (ruclips.net/video/fwvqHeb32lY/видео.html). The staff member quipped to her coworker, "Hmmm, we better keep an eye on this guy." It was a very funny moment.
I had the pleasure of seeing "Iconoclasts" just before the holidays and intend to see it again soon. What a great video. It provided a rare glimpse into the preparation, unpacking, installation and downright sweat that goes into setting up an art exhibit. Some of these works are so fragile that just a slight bump or touch in the wrong area would cause major damage. Its fascinating that for some of these works you need a team of engineers, electricians, technicians, etc. to set them up. Many would think you just simply plug it in and presto.. Thank you Ms. Figueroa and Mr. Ecker. Bruce Nauman came up with the concept but you bring it to life. The Jackson Pollock painting (1:08) reminds me of dancers. When I view it I can see them dance in motion across the rectangular canvas. A stunning example of his work. The amazing Lee Krasner painting (6:52) was another highlight of the exhibit. Just like the Pollock, it is full of motion and life. She is on the same level as her more famous husband and in some cases surpasses him. The Arshile Gorky pastel (1:15) is exquisite. My favorite work of his. The Felix Gonzalez-Torres (0:25) candy sculpture really is like a metaphor for life. It seems there is so much time but the minutes become hours, the hours become days, days become years and before you know it, the pile has dwindled away to a few remaining remnants. Thanks Glenstone for another outstanding exhibit. 👍
Love, love, love
This is among the magic things art can do for us. Thank you!
gorgeous. I'm thinking humans will be gone before this goes away.
Congratulations!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Was ist da bitte Kunst???????
Descanse e paz Serra. Privilégio poder visitar uma de suas obras aqui em São Paulo.
He was a convex orator on the curve of time, filled with the invention of space and the manipulation of it
Richard Serra (1938-2024)
A monument. 🖤
The video is so well-done, capturing the experience at the museum to see the art work.
Grande, Doris Salcedo!!! 👏🏼🔥💎
This was one of the most touching and emotional videos I have seen recently.
A wonderful video! When I first visited Serra's Four Rounds I was struck by the similarities in the sculpture and the elements I'm often attracted to in the abandoned industrial sites I love to photograph. I've also been fascinated watching how wildlife interacts with Contour 290, accepting and utilizing it as a part of their natural environment.
I understand your work doesn’t resonate with everyone, but it really moves me.
I’m a photographer. I do abstract graphic color photography and black-and-white surreal images using film. My friend is a well-known photographer in Europe and has exhibited widely. Looking at my friends images always triggers an emotional response from me in terms of design and meaning. I will give you both of our opinions about Jeff Walls images later. Lets say you have an image that you printed to a size of 20 x 24“ and you think that this image has an emotional visual impact as a work of art, but not quite enough of it. The way to increase the visual impact of this piece of art is to print it to a very large size. This gives a mediocre to average work of art a sense awe which increases the visual impact of an image as related to it being art. It’s kind of like walking into a cathedral as compared to walking into a small old cabin. Big has more of a psychological impact on human beings, big is more intimidating and awe inspiring. On the other hand, if you have work of art that is considered by critics and the general public alike to be exceptionally good and the artist created this work of art decides to enlarge it to a very large scale, this would be fine because the inherit structure of this work of art is exceptionally good at any scale. Enlarging a mediocre work art to a very large scale is an attempt by the artist who created the work of art and make into something more than it really is as a work of art. My friend and I both initially looked at Jeff Walls graveyard photo and his other works and we both concluded that as a general rule his art is good to mediocre but definitely not to the tune of a value $3.4 million for one of his prints. He does have some exceptionally good images, but there is a general rule I don’t feel an impact when I see his images. I remember years ago going to Jeff’s exhibition at the Vancouver art gallery with the photographer Fred Hertzog and Trevor Martin who is a well-known photographic printer in Vancouver. One of Jeff Walls images on display was a kid hiking up a snowy ledge and printed very large scale and it was back lit. When we were looking at this image, I told Fred and Trevor that it looks like a standard commercial stock image that you can purchase from any agency. They both agreed with me. This Jeff Wall image was completely devoid of any meaning as a work of art except for its massive size. Jeff Wall is compensating for his inability to produce meaningful work of art at all sizes when displayed. Size matters, but size alone cannot transform a mediocre work of art into a great work of art unless the current art movement decides to do so, which happens quite often. Michael Pantazis
I had the pleasure of seeing this exhibit twice. For the indoor sculpture at 1:24 I joked to the docent this is one of the greatest balancing acts I’ve ever seen. Of course, I realized the piece is secured, but it was convincing enough to give the appearance it was standing on its own. The works at 0:53 were precursors to pixelized computer-generated graphics and work at 0:46 I thought was very much a resemblance to a QR code. Yes indeed, the photographs tremendously complimented Kelly’s paintings and sculptures with their shapes, patterns and shadows. The exhibit would not be complete without them. Amongst my favorites were the teal/ultramarine blue painting at 1:47/4:03, the lovely, simplistic illustration of the corn stalk at 2:37 and the spectrum painting at 1:10 (I did purchase the exhibition poster). Of course, “Yellow Curve” was radiating warmth and quite impressive, the work itself and presentation (and of course, the cookie. 😉). Thanks to Mr. and Ms. Rales, Curator Stone and the staff at Glenstone for making this splendid exhibit happen. Attendees just show up and enjoy it and often one does not realize the behind-the-scenes planning, logistics, labor, expense, etc. that goes into putting such an impressive exhibition together.
Glenstone is an extraordinary place- much gratitude to the Rales and the Glenstone team for creating it as a sanctuary for art and reflection. I greatly appreciate this film for the insights about the holistic and intentional approach to all aspects of the design. I visited yesterday while taking a day of silence- all of the guides I encountered were supportive and gracious when I showed them my note about being in silence. I spent almost all of my time during this visit with the outdoor works- in winter, they are even more powerful in contrast with the spare landscape. It was a deeply moving day. 🙏🏽
Haven´t seen it yet, premiere in an hour. This will be GREAT!
I enjoyed very much the exhibit at Glenstone. Seeing the early works and progression though his career was remarkable. It gave me a new appreciation for Kelly's work. The drawings and photos included in the exhibit were eye-opening. Also the Iconoclasts exhibit is outstanding. It was amazing to get a rare opportunity to view Hilma af Klint's work in person. The Lee Krasner work was stunning and the Arshile Gorky pastel is a rare gem. The de Kooning, Pollock, Kline and Klein (Yves) are also amongst my favs.
This piece was so moving. What they don't explain is that your perception of the yellow reflections change the longer you look. Soon the color is climbing up the wall to the ceiling and you become the art work as you watch your perception change in real time. This work really touches the perceptual territory of James Turrell or Robert Irwin to be honest. Not to be missed...
No.
I was there last June; plan to go back soon since I missed seeing the 4 giant cylinders.
super art 🟡
super art ✌
super art
super art
Alway enamored by Kara Walker’s I love how she thinks about histories of race and relations in America