Morris Palter
Morris Palter
  • Видео 31
  • Просмотров 21 882
Mariel
Mariel by Osvaldo Golijov. Performed by Karl Knapp (cello) and Morris Palter (marimba). From 2014.
Просмотров: 61

Видео

Bone Alphabet
Просмотров 8311 месяцев назад
Performance of Bone Alphabet (Brian Ferneyhough) from 2006 at the University of Kentucky.
Black Coyote
Просмотров 42711 месяцев назад
Composed by Russell Hartenberger (founding member of the NEXUS percussion ensemble and the Steve Reich Ensemble), Russell writes, "Black Coyote is a translation of the name of Arapaho Chief Wa-ton-gha. The Oklahoma town of Watonga lies within the former Cheyenne - Arapaho Reservation that was opened for non-Indian settlement in the land run of April 19, 1892. Watonga was named for Chief Wa-ton-...
KAIDA 5 - Ari Kaida (Dhagina Dha) - 2020
Просмотров 782 года назад
Morris Palter performing KAIDA 5 - Ari Kaida (Dhagina Dha) from Shawn Mativetsky's "Rudimentaal - Pieces for Snare Drum (Inspired by the Tabla Drumming of North India).
Just Arrived (2020) - Composed by Anders Astrand
Просмотров 2833 года назад
Drum set concerto composed by keyboard percussion virtuosos, Anders Astrand for Morris Palter. Recorded in May 2021 by Morris Palter (Yamaha Recording Artist, REMO, Black Swamp Percussion, Sabian Cymbals), Alana Wiesing (timpani - Tucson Symphony Orchestra), and members of MALLEUS (U. of Arizona graduate percussion ensemble - Michal Brauhn, Zachary White, Carlos Solis, Jacob Ransom, Hannah Hutc...
Torched and Wrecked - MALLEUS (U. of AZ Graduate Percussion Ensemble) - Composed by David Skidmore
Просмотров 2203 года назад
Performance of the percussion quartet "Torched and Wrecked" as performed by members of MALLEUS (University of Arizona Graduate Percussion Ensemble - Hannah Hutchins, Zachary White, Michal Brauhn, Jacob Ransom). Recorded in Crowder Hall, Fred Fox School of Music in May 2021. Audio and video editing by Zachary White.
Rain Tree - Composed by Toru Takemitsu (1981)
Просмотров 2363 года назад
Raintree, composed by Toru Takemitsu (1981). Performed by members of the undergraduate percussion studio at the University of Arizona, Fred Fox School of Music (Porter Ellerman, vibraphone - Alyssa Prichard and Marcus Hawkins, marimbas). Recorded in May, 2021.
Sharps - composed by Brian Nozny
Просмотров 2403 года назад
Percussion sextet, "Sharps" composed by Brian Nozny, and performed by members of the undergraduate percussion studio from the University of Arizona (Fred Fox School of Music). Spring, 2021.
Sevenly Reward
Просмотров 4803 года назад
'Sevenly Reward' is a snare drum/bass drum/hi hat solo I commissioned from Bob Becker. It is based on Etude #7 from his 'Rudimental Arithmetic' method book. I had been gently nudging Bob for a few years to see if we would be willing to compose me a drum kit type solo. I was very excited when he called to tell me he had an idea - to add kick drum and hi hat to an existing snare solo from his met...
"Theatric No. 10" - Casey Cangelosi
Просмотров 3243 года назад
Performance of "Theatric No. 10" by the University of Arizona (Fred Fox School of Music) undergraduate percussion studio. Recorded in November 2020. Director, Morris Palter
"Bahrah" by Brandon Hendrix
Просмотров 3533 года назад
"Bahrah" composed by Brandon Hendrix (2003) performed by members of the University of Arizona Percussion Ensemble (Fred Fox School of Music), November 2020. Performers are Thomas Beech, Elizabeth LaBrie, Joseph Branderhorst, and Marcus Hawkins.
"Cabasa" by Mark Ford
Просмотров 2133 года назад
Performed by members of the University of Arizona undergraduate percussion studio (L-R: Elizabeth LaBrie, Jeremy Hook, Marcus Hawkins, Nick Hubbard, Gregery Bartolic). Director, Morris Palter.
Latin Jazz Brushes III: Solo & Slower Clave Pattern
Просмотров 3204 года назад
Latin Jazz brush solo and slower clave pattern. Morris Palter, John Riley, Adam Nussbaum, Ed Soph
Latin Jazz Brushes II - Advanced patterns and variations
Просмотров 5774 года назад
Demonstration of some advanced Latin Jazz Brush patterns and techniques.
Latin Jazz Brushes I
Просмотров 9064 года назад
Demo of basic Latin Jazz Brush pattern as taught to my by John Riley, plus a variation of my own based on his pattern. Morris Palter, John Riley, Adam Nussbaum, Ed Soph.
Jazz Brushes III - Fill Ideas
Просмотров 6 тыс.4 года назад
Jazz Brushes III - Fill Ideas
Jazz Brush Patterns II "Philly Joe Jones"
Просмотров 2,4 тыс.4 года назад
Jazz Brush Patterns II "Philly Joe Jones"
Intro Jazz Brushes I
Просмотров 6634 года назад
Intro Jazz Brushes I
3:2 "Moveable DO" Etude
Просмотров 1596 лет назад
3:2 "Moveable DO" Etude
Moveable DO Concept related to Polyrhythms
Просмотров 906 лет назад
Moveable DO Concept related to Polyrhythms
Intro Video
Просмотров 1746 лет назад
Intro Video
IN by Christopher Tonkin
Просмотров 2416 лет назад
IN by Christopher Tonkin
John Corigliano - "Conjurer" Percussion Concerto - Mt. II - SKIN
Просмотров 2,2 тыс.6 лет назад
John Corigliano - "Conjurer" Percussion Concerto - Mt. II - SKIN
John Corigliano - "Conjurer" Percussion Concerto - Mt. II - METAL
Просмотров 1,2 тыс.6 лет назад
John Corigliano - "Conjurer" Percussion Concerto - Mt. II - METAL
"Conjurer" by John Corigliano - Mvt 1 - WOOD
Просмотров 2,7 тыс.6 лет назад
"Conjurer" by John Corigliano - Mvt 1 - WOOD
Vocalise
Просмотров 596 лет назад
Vocalise
Etudes Apercues
Просмотров 3796 лет назад
Etudes Apercues
Subdivision Exercise using RRLL
Просмотров 2076 лет назад
Subdivision Exercise using RRLL
Morris Palter Intro and Subdivision Exercises
Просмотров 1396 лет назад
Morris Palter Intro and Subdivision Exercises
Dmaathen by Iannis Xenakis.
Просмотров 3486 лет назад
Dmaathen by Iannis Xenakis.

Комментарии

  • @billcahn
    @billcahn 9 месяцев назад

    VERY nicely done! A majorly fluid and easy-appearing performance (but not easy) with a wonderful driving energy. Kudos to MP. 👍

  • @billsallak4887
    @billsallak4887 11 месяцев назад

    Great piece; great performance! I was lucky enough to hear Steve Schick and Maya Beiser play this on tour in Cleveland, and when I tried to get the score, Golijov had pulled it for "revisions." Glad it's back out there now.

  • @garyridge3745
    @garyridge3745 11 месяцев назад

    Great piece, well played...but here's the thing that the classical and contemporary classical set just don't get...when the fuck to get outta there!! I counted at least 6 codas. They could learn a ton+ by listening and tuning in a bit more to commercial and jazz music form. But you definitely had me for the first 5mins & 30secs

  • @garyridge3745
    @garyridge3745 11 месяцев назад

    Greetings from Rio...and well played. An excellent recording ably enhancing some great performance dynamics.

  • @porterellerman
    @porterellerman 11 месяцев назад

    Great piece, and great recording!!

  • @simonemancusoperc
    @simonemancusoperc 11 месяцев назад

    Awesome!

  • @Glinggl72Freestyle
    @Glinggl72Freestyle Год назад

    Great methods and teaching thank you.

  • @jean-philippelasalle
    @jean-philippelasalle Год назад

    Wow I realy love the way you teach!!! Your speach is also realy easy to understand for the Canadian (Québec) that I am!! I love brushes in jazz!!

  • @santiagocontte622
    @santiagocontte622 Год назад

    Great stuff man! Your explanation was really clear and useful! I'll defentely watch your other videos

  • @buddabirne4661
    @buddabirne4661 Год назад

    Maybe a little Higher tuning of the snare drum would improve the Sound by adding more brightness, or maybe a New skin ?

  • @buddabirne4661
    @buddabirne4661 Год назад

    Sound to me a Bit better using a Stick for the rimclicks in the left Hand.

  • @buddabirne4661
    @buddabirne4661 Год назад

    Your "full contact" approach to brush playing IS really amazing and very helpful to get a good brush Sound.

  • @HamburgerJamesUSA
    @HamburgerJamesUSA 2 года назад

    Excellent video. Thanks to your suggestion, I searched and found Philly Joe's book on-line and downloaded a PDF. It looks to me that his "Smooth One" just has the left hand contacting the head from right to left, then lifting to return right. Am I misinterpreting that?

    • @HardcoreNerdTheories
      @HardcoreNerdTheories Год назад

      You are indeed misinterpreting it, the return stroke (or broken arrow) is a thick line meaning the brush is ON the drums. Thin broken arrows mean OFF the drums. Hope this helps :)

  • @jbells1861
    @jbells1861 2 года назад

    Great video.I love your brush work. Philly was the man.

  • @MAPLESHELL74
    @MAPLESHELL74 2 года назад

    Great and usefull lesson! Many thanks!!!

  • @tombetsalel
    @tombetsalel 2 года назад

    Great performance!

  • @daddykentrocks
    @daddykentrocks 3 года назад

    I can watch this over and over...awesome!

  • @gregoryohmusic
    @gregoryohmusic 3 года назад

    MOAR FILZ

  • @angelsart2279
    @angelsart2279 3 года назад

    That's cool im Jaces sister good job

  • @DoubleBassJace100
    @DoubleBassJace100 3 года назад

    We both have 98 subscribers im going to get my dad and sister to subscribe to your channel so you get to 100

  • @DoubleBassJace100
    @DoubleBassJace100 3 года назад

    Awesome buddy sounds really good i like your style

  • @JesseGuo
    @JesseGuo 4 года назад

    Great stuff!

  • @DoubleBassJace100
    @DoubleBassJace100 4 года назад

    Awesome I like it

  • @jeffreyanthony6628
    @jeffreyanthony6628 6 лет назад

    I dig this composition, good stuff!

  • @PercussionCaleb
    @PercussionCaleb 6 лет назад

    This is great! Looking forward to more of these Morris!

  • @eags4
    @eags4 6 лет назад

    Wow, this is great. More of these would surely be a welcome addition to the world of percussion pedagogy!

  • @jaspergeorge
    @jaspergeorge 6 лет назад

    makes sense!! TIL!