- Видео 14
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Kammerspiel
Добавлен 29 янв 2015
Видео
A Pale Blue Dot
Просмотров 63Год назад
The Carrier's usual routine gets him into altered state of the mind.
Akira Kurosawa's Kagemusha - Kammerspiel Edit
Просмотров 119Год назад
All rights go to their respectful owners.
The Last Wish - Cinema of Sadao Yamanaka
Просмотров 885Год назад
Overview of three surviving films directed by young film maverick Sadao Yamanaka.
ROMANOV'S ASSASSINATION (Herbstseele VI)
Просмотров 822 года назад
ROMANOV'S ASSASSINATION (Herbstseele VI)
Introduction to Kenji Mizoguchi - The Grandmaster of Modern Japanese Cinematography
Просмотров 14 тыс.4 года назад
Introduction to Kenji Mizoguchi - The Grandmaster of Modern Japanese Cinematography
Years of Lead. Introduction to Poliziotteschi Films.
Просмотров 8385 лет назад
Years of Lead. Introduction to Poliziotteschi Films.
Beyond New Wave: Essential Czechoslovak Cinematography
Просмотров 4305 лет назад
Beyond New Wave: Essential Czechoslovak Cinematography
Introduction to Polish Cinema: Years 1956-1968
Просмотров 6 тыс.5 лет назад
Relevant to this day, Polish cinema from that period never fails to surprise and inspire creators from Europe, Asia, America and more.
Ai voice, and 'written' by Ai. So thumbs down.
wat the sigma ciekawy film
Rintaro making anime film about him
Are there any academic resources online about this polish film period/movement?
A couple of questions: 0:12 Why did you choose to label the body of Japanese films as "cinematography" instead of "films"? Cinematography usually refers to the photographic aspect of film rather than film itself. 0:26 How do you establish the paucity of references to Mizoguchi? Can you quantify it?
Hello, thank you for your enquiries. I chose it because cinematography is the crucial and the most important element that plays the role in this aspect. Mizoguchi was neglected due to poor distribution along with Naruse and many other intrinsic directors like Gosha which is understandable. Hope this helps.
song name? great video btw like it too much
Wanda Warska “Pociag”
Sansho.
i need the name of this music please!
Despite a dodgy electronic narration with numerous mispronunciations of Japanese words, and sometimes even English ones ('protoplast" instead of "prototype"?), this is an excellent introduction to Yamanaka's tragic genius, with of course, terrific visuals. The silent scene with the samurai in the rain (8:56) remains brilliant even today. Both Mizoguchi and Kurosawa were strongly influenced by him.
The robotic narration is so off-putting that it impedes reception and enjoyment of the useful information presented here.
Could someone please tell me what film is the image at 3:15 taken from? It's beautiful
Hi it is from Mizoguchi's "Miss Oyu"
@@kammerspielfilms thanks
3:37 - "He was a supreme realist and a supreme fantasist at the same time." I couldn't have said it better myself. Bart Slota, where is this text from? It sounds like a translation because the English isn't grammatical.
Hi well spotted this is a quote about Mizoguchi from great Masahiro Shinoda when he was discussing Ugetsu
Great trailer and great movie !!!
Excellent observations
Love the Deco-era hair styles. Seems like an interesting film to watch. Thanks for posting the trailer.
Putting a full scene in the end to speak for itself was the perfect choice...!! Just wow! I find it rare that a scene alone tranfers to the viewer something strong without the viewer having watched the film itself! A perfect standalone scene! I hadn't noticed how Mizoguchi uses nature in the scenes.... That nature is silent, like an abserver to the suffering, wow, such a spot on observation on his work! The final scene just transfers all this perfectly! I don't remember if I had the lyrics translated in the subtitles I had when watching the film but the translation along with the scene was so much more impactful!
Born in the year 30 on the Meiji era in the Shinhana neighborhood, 65 years later he'll be considered one of the great masters of the history of universal cinema by everybody... After the great Kanto earthquake, which destroys Tokyo, the young director is stabbed in the back by a prostitute from a Kyoto neighborhood named Yuriko; newspapers are talkin' about a passion crime and this incident changes him and his work forever. A man born almost at the moment when the first camera arrives in Japan and whose work itself tells a story of cinema, from silent to sound, from chain productions to the auteur politic, from black and white to color; a modern filmmaker who'll become a classic, creator of an universe that belongs to his time and will become timeless. His latest work, "Street of Shame", says goodbye from his favorite places, the street and the brothel. It remains his most significant thought, that describes all his career: "You'll never truly understand a woman until she stabs you like me".
Wow, shame I cannot include this in the video
@@kammerspielfilms Thank you. It was a homework to my college, investigate the life of an important filmmaker. Of course I chose Mizoguchi, in the words of my teacher "If it exists the excellence in cinema Mizoguchi is its main representative" Can I ask you your Top 10 of the director?
@@sleuthentertainment5872 Where did you find this story? So glad you picked him. I really stay away from making lists. If we are talking about straight up classic works and no funky B movie crossover genre stuff I would pick pretty bland and obvious choices:
Edward Yang, Akira Kurosawa, Wojciech Has, Masahiro Shinoda, Kenji Mizoguchi, Theo Angelopolous, JP Melville, Luchino Visconti, Sir Albert Hitchcock,Masaki Kobayashi as my biggest influencers. Have you watched movies by Sadao Yamanaka and Tomu Uchida? I am thinking about a quick guide video about them.
@@kammerspielfilms Great amount of good filmmakers, really. And I love the career of Yamanaka, short and unknown by the way. Ozu came back from war but he didn't...
The greatest director, shockingly neglected.
What film was the first shot in this clip pulled from? That was stunning! I’ve seen Ugetsu and I’m gonna see another tonight (Sansho Dayu)
Hello it is from Sansho the Bailiff. How was your experience?
Rękopis znaleziony w Saragossie
Two days ago I saw Street of Shame on the large screen and am haunted by it. I have been looking online for all information about Mizoguchi and possibilities for viewing other films by him. Thank you for posting this introduction. You have selected so many powerfully beautiful images from his work.
If You want, subscribe to Criterion Channel. They have a good chunk of his movies and a lot of old japanese Films. Kurosawa and Ozu have their entire filmographies there and Mizoguchi has a lot as well
Oh, yes Lisa.. I finally obtained a DVD of it.. The neon signs, the street contrasts between black and white, and the incredible music which is so like the "Modernists" such as Boulez, and Stockhausen really intrigued me no end...also the use of the Theremin for this jazz musician was so enjoyable... one of the lads above talked of Mikio Naurse..barely possible to recommend this films enough.. try, the "Bus Conductress" here on YT. It stars one of the two major Icons of Japanese Cinema Hideko Takamine, the other being Satsuko Hara.
Although I love Kurosawa's complexity and epicness, while Ozu''s simplicity and a tremendous amount of being Japanese, Mizoguchi will always be placed on the pedestal of the handful of great filmmakers to ever lived. He has a sense of "Japaneseness" and achieved universality at the same time. Here is an article written by Richard Brody. www.newyorker.com/culture/richard-brody/better-than-ozu-and-kurosawa-mizoguchi
japanese classical movie era 1950-1965, are the best stories and cinematography
I'm from Poland
Poland is responsible for some of the great masterpieces of European cinema. Love it!
Cheers! Reyt Proper Yorkshire Nickname
I would consider Mikio Naruse to be one of the top 4 great Japanese directors, along with Mizoguchi, Ozu, and Kurosawa.
Agreed! Naruse is completely omitted in the west - my personal fav is Shinoda, most of his works are not known here I think he achieved absolute perfection. Truly forgotten grandmaster would be Tomu Uchida that I discovered lately. There are tons though that I consider to be truly native in style with minor influences like Ichikawa, Shindo, Okamoto, early Misumi, Gosha, casual Obayashi, Kawashima, Kinoshita, Imamura, Seijun Suzuki, Nakajima, Fukasaku,Yamanaka, Ishii x2 just to name a few. Kurosawa is "The Emperor" and Kobayashi "the Demon" but they are blending two worlds. Ozu is a strange phenomenon loved in the west thogh his style is native but maybe due to his universal subject matter. That being said Mizoguchi is the grandfather figure, I think he directed first japanese movie with sound or spoken dialogue I do not remember exactly.
Ozu is a formalist who is loved by the west that's unencumbered by cultural differences. Ozu was really a closet avant-gardist. Other than his official masterpiece, Tokyo Story, his films are full of humor and charm which made it easier to embrace despite the slower than normal pace. Ozu is my favorite and one of the greatest filmmakers of all time.
Oh, Yes! "The Bus Conductress" staring Hideko Takamine", one of the Icons of Japanese film, is a favorite I watch again and again...
"Mr. Thank You" by Hiroshi Shimizu is one of the most charming and moving films I've seen. And I believe Shimizu is probably forgotten compared to the "big 4."
@@HP_____ I have felt really moved and shocked with the films of Shimizu. He had a natural talent to make his characters and situations very real and relatable, like the neorrealist filmmakers did after, specially his movies about children and teachers. Although his masterpiece is Children of the Beehive my favorite of him is Fue no Shiratama, a very early effort
Thank you for this great video about the legendary Japanese director!
Amazing!!! Masterful video short precise and on point!. Perhaps you will consider to continue this “series” exploring more of the film movements? That would be extremely interesting as some movement have been totally forgotten... 👏🏻
Thanks! Much appreciated. I think you encouraged me to do another one about next decade, we can discuss a lot of interesting camera movements.
Bartosz Słota I’m already looking forward to watching it!
ruclips.net/video/KJRysGo6Zx4/видео.html&ab_channel=WFDIF-StudioFilmoweTOR ruclips.net/video/McY4O1_ERok/видео.html&ab_channel=WFDIF-StudioFilmoweTOR
@@77mako77ful Kiedys mialam -"TOR " w Montrealu ,obecnie zostal usunienty 🤷♀️, moze istnieje inny podobny ? Mimo ze wyjechalam z kraju bedac dzieckiem i to juz przeszlo 50 lat temu ,nadal kocham polska kinomatografie . Pozdrawiam z Kanady 💌
@@miriamzajfman4305 ruclips.net/video/ETZT4G8mRBU/видео.html
Wow! Thank you for this such an amazingly well done video. I fell in love with Czechoslovakia cinema long time ago indeed I think the Czechoslovakian new wave is far superior than the Nouvelle Vague. The way they used to make films is still unsurpassed. Thanks again 👍🏻
Cheers, great to unite Czechoslovak film enthusiasts!
What a great video. Thank you. <3
Good stuff, do you plan to upload more videos?
Cheerd! I Was thinking about japanese exploitation, yakuza and sukeban movies and an essay about mizoguchi as he is seriously overlooked in comparison to his children.
I love polish films, they are amazing. Greetings from UK!
ruclips.net/video/KJRysGo6Zx4/видео.html&ab_channel=WFDIF-StudioFilmoweTOR ruclips.net/video/McY4O1_ERok/видео.html&ab_channel=WFDIF-StudioFilmoweTOR